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Showing posts with label 2002. Show all posts
Showing posts with label 2002. Show all posts

Monday, April 16, 2012

Movie Review: 8 MILE

8 MILE
2002
R


"So, I hear you're a real dope rapper."
-- Alex


8 Mile is a 2002 Academy Award-winning drama directed by Curtis Hanson that served as rapper Eminem's first major foray into the acting world. After he and his girlfriend separate, Jimmy Smith Jr. (Eminem), known by his friends as "B-Rabbit," makes his way home to his mother's (Kim Basinger) trailer in the hopes of finding his feet once again. An aspiring hip-hop artist, Rabbit agrees to attend a rap battle hosted by his close friend Future (Mekhi Phifer), but he chokes once on-stage and leaves the battle amidst taunts and jokes. Embarrassed, Rabbit attempts to commit himself to his work at a steel-pressing factory, where he crosses paths with a young woman named Alex (Brittany Murphy) with whom he immediately takes interest. At the same time, Rabbit is told by a friend named Wink (Eugene Byrd) who claims to have connections with hip-hop big-wigs that he has managed to secure studio time for Rabbit. Unfortunately, nothing plays out exactly as he plans, and Rabbit has to deal with a number of situations over the course of a week that culminate in his being signed up for another rap battle against his will.

I can distinctly remember when 8 Mile first hit theaters back in 2002. At the time, I wasn't much a fan of Eminem - or the rap and hip-hop genre, for that matter - but there was something intriguing about seeing him on the big screen. I ultimately had to wait for the film to be released on DVD before I had a chance to see it, and although I didn't fall in love with it immediately, I could instantly see its merits as a film. Today, the film holds a 76% approval rating on Rottentomatoes.com, where the critical consensus reads as follows:
Even though the story is overly familiar, there's enough here for an engaging ride.
And, the fact that the film managed to secure a win at the Academy Awards also heightens its desirability.

Now, the above critical consensus definitely hits the nail on the head. There's nothing truly revolutionary about the film's story or its storytelling style. We've all seen the underdog-beating-the-odds bit before, even in the realm of the musical world, but there's something just a tad bit different about this particular film. Maybe it's the fact that it's taking the rap genre head-on and manages to fire on all cylinders. In a way, the story is very autobiographical to the life of Eminem, who grew up as Marshall Mathers. At the time of the film's release, Eminem was the king of the rap world, and his superstardom drove millions to the theaters to take in the movie. Because the film tells such a personal story, it manages to draw forth quite a bit of emotion. Sure, it's not anything brilliant, but it's honest in its storytelling, and it keeps you rooting for Rabbit until the film's slightly predictable finale.

The acting in the film ranges from very good to relatively decent, and some of the lesser performances drag the movie down a bit. Eminem provides a strong lead, and he shows that he has enough gusto to hold his own in front of the camera. I also thought Murphy did well with a very shallowly-written character, though a little more character depth could have proven to be a brilliant turn. I also have to give a lot of credit to Byrd and to Evan Jones, who played Rabbit's friend Cheddar Bob. Sadly, the cast in its entirety does not flourish. Basinger is a bit bothersome, hamming it up and playing her character as over-the-top as one could possibly imagine. It works in a few scenes, but for the most part, you really just want her to shut up. Michael Shannon has a bit part that is also over-acted, but because he isn't on-screen for all that long, it's a little more forgivable. Also be on the lookout for a cameo from Xzibit.

The reason this film gained so much critical acclaim, however, was the song that won it an Oscar. The track, titled "Lose Yourself," shocked Oscar audiences - as well as Oscar presenter Barbra Streisand - when it nabbed the golden statuette. Lets take a trip down memory lane and give it a listen, shall we?



At the end of the day, 8 Mile isn't bringing anything brilliantly new to the table. However, it still manages to keep the viewer engaged, and it offers a very personal look at one of the more popular rappers and musical artists of the 21st century. If you're a fan of Eminem and you haven't seen the film, then this is probably a must-watch. If you're a fan of music and music-centric films, give this one a go. If you're neither of those, you might want to pass on this one, but know that even for someone who didn't necessarily care strongly for either of those in 2002, I still found 8 Mile to be rather enjoyable.



Movie Review Summary
Grade: B
1.5 Thumbs Up

Friday, February 17, 2012

Top 10 Films of 2002

The year is 2002, and a lot has happened in the movie world. To help take you back in time, here's a look back at some of the film-related events that took place:
The Lord of the Rings: The Two Towers becomes the year's highest-grossing, earning over $925 million at the worldwide box office.

Spider-man becomes the first film ever to earn over $100 million in its opening weekend without adjustment for inflation.

Star Wars: Episode II - Attack of the Clones is the first film in the Star Wars franchise not to be the highest-grossing film of the year. It finished at fourth with $649 million.


Chicago takes home six Academy Awards, including wins for Best Picture and Best Supporting Actress (Catherine Zeta-Jones).

The world loses the likes of Dudley Moore and Richard Harris.
I've been able to see 64 films released in 2002, and from those, I've compiled my own top ten list. As one can imagine, some great films had to be left off the final list. Here's a look at some of the movies (listed alphabetically) that just missed the cut:

8 Mile
Catch Me If You Can
Harry Potter and the Chamber of Secrets
Insomnia
The Pianist

But enough about the runners-up; here's the list you've been waiting to see! Counting down from number ten to number one, I've listed each film and have given the principal cast list as well as if and how fared at the Academy Awards. Also, I've listed the film's rank on my "Best Films of All-Time" list, if applicable. So without any further delay, here's my top ten movies of 2002!

*****

10. The Lord of the Rings: The Two Towers
Rated: PG-13
Directed by: Peter Jackson
Starring: Elijah Wood, Ian McKellen, Sean Astin, Andy Serkis, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, John Rhys-Davies, Cate Blanchett, Bernard Hill, Brad Dourif, Miranda Otto, Liv Tyler, Karl Urban, David Wenham
Academy Awards: 6 nominations, 2 wins
***
Arguably the weakest installment in the Lord of the Rings trilogy, The Two Towers is still head-and-shoulders above your average adventure flick. Jackson goes the way of the typical middle film in a trilogy and makes this one a little bit darker than the others, but it still plays out very well and does well to keep its audience captivated from start to finish.

*****

9. Minority Report
Rated: PG-13
Directed by: Steven Spielberg
Starring: Tom Cruise, Max von Sydow, Colin Farrell, Neal McDonough, Samantha Morton
Academy Awards: 1 nomination
***
Although the acting wasn't all that phenomenal, Minority Report manages to succeed on a few other levels. First, we're getting a fantastic screenplay that throws in a number of twists and turns. Second, the visual effects are top-notch, creating quite the visual spectacle. Finally, the John Williams score helps create and hold the tone of the film throughout, making for a thrilling action mystery that holds its viewers' attention from start to finish.

*****

8. Death to Smoochy
Rated: R
Directed by: Danny DeVito
Starring: Robin Williams, Edward Norton, Catherine Keener, Danny DeVito, Jon Stewart, Harvey Fierstein
***
I may get a bit of grief for this pick, but I personally thought Death to Smoochy to be a well-made comedy that featured a slew of great performances. Robin Williams is at his over-the-top best, and the comedic turn by Edward Norton is a revelation. Sure, it's dorky and a little ridiculous at times, and Jon Stewart has made it a prime example in the reason his acting career failed, but I still think it's good for quite a few laughs and a jolly good time.

*****

7. Y tu mamá también
Rated: R
Directed by: Alfonso Cuarón
Starring: Diego Luna, Gael García Bernal, Maribel Verdú
Academy Awards: 1 nomination
***
I've been quite a fan of the work of Diego Luna and Gael García Bernal, and to have them in a film with Maribel Verdú made this a must-watch for me. This is a Spanish-language sexual romp filled with passion and adolescent awkwardness to top it all off. This isn't going to be enjoyed by everyone, but those of you who do enjoy it are going to absolutely love it. I can be pretty sure of that.

*****

6. About Schmidt
Rated: R
Directed by: Alexander Payne
Starring: Jack Nicholson, Hope Davis, Kathy Bates, Dermot Mulroney
Academy Awards: 2 nominations
***
If you put Jack Nicholson and Kathy Bates in a film together, you can be sure that I'm going to give it a view at one point or another. It's a little offbeat, but it strikes all the chords it's trying to strike. The comedy and drama blend well together, and it ultimately just suffers because it was released against some other dramatic comedies that were just a little bit better.

*****

5. The Hours
Rated: PG-13
Directed by: Stephen Daldry
Starring: Nicole Kidman, Julianne Moore, Meryl Streep, Ed Harris, John C. Reilly, Claire Danes, Miranda Richardson
Academy Awards: 9 nominations, 1 win
***
A brilliant film that tells the stories of three women in different time periods who are affected by Virgina Woolf's novel Mrs. Dalloway. Most of the praise was lauded upon the three leading ladies here, but I think a lot of attention should be given to Harris's performance here as well. In a way, it's a character-driven story with each actor bringing just a little bit more to the table. Watch it for the performances, but be taken by the interconnected storyline.

*****

4. Gangs of New York
Rated: R
Directed by: Martin Scorsese 
Starring: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Liam Neeson, Jim Broadbent, Brendan Gleeson, John C. Reilly
Academy Awards: 10 nominations
***
While not quite up to snuff with the rest of Scorsese's films, Gangs of New York still offers quite a lot to enjoy if you're ready for something just a tad less profound. Centered around a (typically) brilliant performance from Daniel Day-Lewis and fine turns by DiCaprio and Gleeson - as well as Neeson in a tiny role - this look at the battle between different races in early America is still a very good film to be enjoyed.

*****

3. Adaptation.
Rated: R
Directed by: Spike Jonze
Starring: Nicolas Cage, Meryl Streep, Chris Cooper, Maggie Gyllenhaal, Tilda Swinton, Cara Seymour
Academy Awards: 4 nominations, 1 win
***
I'm definitely a sucker for movies about movies, and this one is a screenwriter's dream. It's the story of real-life screenwriter Charlie Kaufman attempting to adapt a seemingly unadaptable novel into a screenplay, but he's having a few issues. This is easily my favorite of Nicolas Cage's performances as he takes on the role of twin brothers with vastly different personalities and approaches to their lives. It's bitingly hilarious and definitely worth a watch if you're a film fan of any degree.

*****

2. Chicago
Rated: PG-13
Directed by: Rob Marshall
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, John C. Reilly, Queen Latifah, Taye Diggs
Academy Awards: 13 nominations, 6 wins
All-Time Ranking: 147
***
Topped by brilliant musical numbers and pitch-perfect performances, this is the film that put Rob Marshall on the map. It jumped into my consciousness after making its big splash at the Academy Awards, and I have to say that it's easily one of my favorite cinematic musicals. This story of jazz, sex and murder is enough to rev anyone's engines, and the music's going to stick with you for a while.

*****

1. Road to Perdition
Rated: R
Directed by: Sam MendesStarring: Tom Hanks, Tyler Hoechlin, Paul Newman, Jude Law, Daniel Craig, Stanley Tucci
Academy Awards: 6 nominations, 1 win
All-Time Ranking: 77
***
This was a film I had every intention of seeing upon its initial theatrical release, but I never got the chance to do so. When I finally had the opportunity to sit down and give this one a view, I was overwhelmed by its power and its brilliance. This is far and away my favorite of Tom Hanks's performances, and when it's aided by fantastic turns by the likes of Paul Newman (in his last film), Jude Law and Daniel Craig, as well as aided by stylish direction by Sam Mendes, you can be sure that this one's going to win you over.

Sunday, August 28, 2011

Movie Review: INSOMNIA

INSOMNIA
2002
R


"A good cop can't sleep because he's missing a piece of the puzzle, and a bad cop can't sleep because his conscience won't let him."
-- Ellie Burr


Insomnia is a 2002 crime thriller directed by Christopher Nolan that centers around a murder investigation in a small town in Alaska. When the body of a seventeen-year-old girl is found, local authorities call for help from Los Angeles homicide detective Will Dormer (Al Pacino) and his partner Hap Eckhart (Martin Donovan) to aid in the investigation. With the help of Detective Ellie Burr (Hilary Swank), the trio starts to piece the puzzle together and soon finds a potential suspect. When they raid the man's cabin, however, Dormer gets lost in the fog and winds up shooting and killing his partner. Because no one else sees exactly what happens, Dormer blames the wanted suspect on the killing rather than taking the heat for the situation. His conscience starts to eat away at him, and he manages to be unable to sleep for his entire stay in Alaska, all while trying to solve the girl's murder. He finds the suspect, a local writer named Walter Finch (Robin Williams), but Finch blackmails Dormer by telling him that he saw what really happened with Dormer's partner. The two create a strange alliance that Dormer hopes will be mutually beneficial, but things continue to spiral out of control as Dormer continues to lose out on sleep.

Of Nolan's seven directorial efforts, Insomnia had been the only film I had yet to see. It had been staring at me from NetFlix's Instant Watch for months, but I finally had the time and the opportunity to sit down and give it a watch. I had always heard good things about the film, but it never really jumped out towards me as a must-see flick despite being directed by one of my favorite directors. Still, I figured I'd give it a shot at some point, and now seemed like just as good a time as any.

One of the first things you're going to notice is that it doesn't necessarily feel like a Nolan film. Of all of his directorial efforts, Insomnia is the only one that Nolan didn't write himself, so that probably explains the different type of feel. In a way, that hurts the film a little bit, but not by much. We're given a rather good screenplay, even if it's a little bit predictable. It's an interesting look at how insomnia can affect an individual's life. The only other film I remember seeing that portrayed an insomniac's lifestyle so effectively was the 2004 Christian Bale vehicle, The Machinist. Still, I just couldn't fall into this screenplay all that much because I could see exactly where it was going. That's not something you can say about Nolan-written scripts.

The acting is pretty solid in this one. Pacino is good as our lead, and even though I'm not the biggest Pacino fan, I thought he successfully drew in his normal, over-the-top personality and brought a quieter and more brooding performance for Insomnia. Sure, he delves into his typical over-the-top yelling persona a couple times, but old habits die hard, right? I thought Williams did a great job as the film's main antagonist. It's always fun to see an actor or actress try out a character different from anything they've done before, and I think that can be said about Williams' role in Insomnia. He brings an effective level of creepy to the screen that translates very well. Swank also does well in her supporting role, but I thought her character was a little under-utilized. There was definitely more opportunity to showcase her, but the filmmakers chose not to take it.

At the end of the day, Insomnia is a good film for Nolan's filmography, but it doesn't really hold a candle to his other work. Still, it's a decent flick that's head-and-shoulders above a lot of the other stuff being churned out by Hollywood nowadays, so I can't completely bash it. If you've got nothing else going on, give this one a view. Perhaps you'll enjoy it a little more than I did.



Movie Review SummaryGrade: B
1 Thumb Up


Addition to Awards
2002: Nominee - Best Supporting Actress, Drama

Saturday, July 2, 2011

Movie Review: SHARK ATTACK 3: MEGALODON

SHARK ATTACK 3: MEGALODON
2002
R



Shark Attack 3 is a 2002 thriller directed by David Worth that serves as a sequel to the 2001 film Shark Attack 2 despite not continuing that particular story. Instead, we're taken to the shores of Mexico where a beach-side resort starts to be plagued by a massive and supposedly extinct species of shark known as a megalodon. When resort security officer Ben Carpenter (John Barrowman) finds a shark tooth lodged in an underwater electric cable, he sets out to find the type of shark that left it behind. Unable to find anything on the Internet, he posts a message in the hopes that an expert might reply. Relatively quickly, paleontologist Cat Stone (Jenny McShane) makes her way to Mexico to search out the creature in the hopes of finding the supposedly extinct animal. When the shark attacks and kills a man just off a resort beach, Ben and Cat team up to keep the beaches safe. All hell starts to break loose when a high-tech energy company decides to unveil its new yacht at the resort...

Having just reviewed Shark Attack 2 (linked above), I thought I was prepared for what I'd be seeing in this third installment. Because I didn't absolutely hate the second film, I thought I might actually give the third one a chance at offering something better than drivel, but boy was I wrong. This one's about as bad as they come, and I couldn't have possibly found it any more enjoyable. I had heard stories about how bad this film actually is, and it took its inclusion in the following video to prove that point to me (although, it only made me want to watch it even more):



As you can see, it's two "wins" should really sum up the ridiculousness of Shark Attack 3. Let's start with screenplay, shall we? It's probably the most effective part of the film, but it's still so horrendous that it doesn't say much for the other facets of the movie. The story itself is rote and predictable, but it's the dialogue that really brings this one down (or brings it up, if you're looking for comedy). Not one line seemed realistic, and I realize that's the fault of the screenplay and not the actors. I know I'm a bit of a stickler for realistic dialogue, but if it doesn't sound like something someone would actually say, then you're losing points in my book. (Oh, and if you watched that above video, you're probably still reeling from the clip with that oh-so-random line. Seeing it within the constructs of the film makes it all the more amazingly out there, believe me you.)

The acting itself is pretty bad as well, with special mention going to our two leads in Barrowman and McShane. They're pretty awful, but I suppose that's expected with a film like this. We also get some bad performances from the likes of Ryan Cutrona and Bashar Rahal in their supporting roles.

However, the real prize of "badness" needs to go to the special effects. As you can see in the above video and the picture below, the "effects" relied heavily on real-life footage of sharks made to look massive by placing them into real-life shots of the cast. It's a little difficult to explain, but hopefully you can get a sense of it from the videos I've supplied.

Overall, there's really nothing redeeming about this film as a thriller, but it's a pretty successful, unintentional comedy. I know that's not what the filmmakers probably want to hear, but I think that's how it's gone down in the annals of film history. It definitely falls into the category of "so bad, it's good," but I'm not quite sure I'd ever want to give it another viewing. I suppose we'll have to wait and see.

Movie Review Summary:
Grade: F
1.5 Thumbs Down


Rankings
Worst All-Time: #19

Wednesday, April 27, 2011

DVD Challenge #4: KUNG POW: ENTER THE FIST

Kung Pow: Enter the Fist
2002
PG-13
Run-time: 1 hour, 21 minutes

Directed by: Steve Oedekerk
Starring: Steve Oedekerk





I'm honestly not entirely sure why I have this movie in my DVD collection because it's not really the type of movie I'd generally buy. If I remember correctly, I think my dad bought the flick, and at some point in time, I absorbed it into my personal collection, so it had to be viewed as part of this DVD Challenge. That being said, let's get into what works and what doesn't, shall we?

For those of you know who don't know the deal behind this movie, Oedekerk essentially took an obscure, 1970s martial arts movie called Tiger and Crane Fist and inserted himself into the story. In doing so, he created an entirely original storyline and dubbed the voices of the original characters, essentially spoofing the martial arts genre. Unfortunately, a lot of the jokes are relatively childish and unoriginal. Basically, we've got a movie that delves into the "stupid funny" realm in order to garner its laughs. There's a lot of slapstick comedy and a lot of raunchy humor, but aside from that, we're not getting any legitimate laughs.

There are quite a few pop culture references to be had, however. The most obvious modern spoofs are of the 1999 film The Matrix and the 1994 animated film The Lion King, so be on the lookout for those homages. According to the film's IMDb page, there are also references to Titanic, The Usual Suspects, and The Lord of the Rings, but I couldn't find them anywhere in the film. Maybe you'll have a little more luck spotting those particular gags.

Overall, Kung Pow: Enter the Fist is good for a few chuckles here and there. It's a goofy send-up of 1970s martial arts flicks from the man who brought the world the Ace Ventura films, so you can probably assume the direction this one will take. Is it worth owning? Probably not, but it's still in my library so I'll treasure it regardless.

Previous DVD Challenge: THE HUNCHBACK OF NOTRE DAME (1996)

Saturday, April 23, 2011

Movie Awards: BEST OF 2002

Here's a look at my "Best of 2002" awards. Enjoy!

*****

Best Animation
Nominees:
Ice Age
Lilo & Stitch

Winner: Ice Age

*****

Best Visual Effects
Nominees:
Harry Potter and the Chamber of Secrets
The Lord of the Rings: The Two Towers
Minority Report
Spider-man
Star Wars: Episode II - Attack of the Clones

Winner: Minority Report

*****

Best Original Song
Nominees:
Catherine Zeta-Jones & Renée Zellweger for "I Move On," Chicago
Eminem for "Lose Yourself," 8 Mile
Kamehameha Schools Children's Chorus for "Hawaiian Rollercoaster Ride," Lilo & Stitch
Madonna for "Die Another Day," Die Another Day
U2 for "The Hands That Built America," Gangs of New York

Winner: Eminem

*****

Best Original Score
Nominees:
Danny Elfman, Spider-man
John Williams, Catch Me If You Can
Philip Glass, The Hours
Rolfe Kent, About Schmidt
Thomas Newman, Road to Perdition

Winner: Philip Glass

*****

Best Cameo or Brief Appearance
Nominees:
Brian Cox, Adaptation.
Kevin Spacey, Austin Powers in Goldmember
Liam Neeson, Gangs of New York
Michael Jackson, Men in Black II
Toni Collette, The Hours

Winner: Brian Cox

*****

Best Young Star
Nominees:
Cian McCormack, Gangs of New York
Daniel Logan, Star Wars: Episode II - Attack of the Clones
Frankie Muniz, Big Fat Liar
Rory Culkin, Signs
Tyler Hoechlin, Road to Perdition

Winner: Tyler Hoechlin

*****

Best Villain
Nominees:
Brad Dourif, The Lord of the Rings: The Two Towers
Daniel Day-Lewis, Gangs of New York
Jason Isaacs, Harry Potter and the Chamber of Secrets
Jude Law, Road to Perdition
Robin Williams, Insomnia

Winner: Daniel Day-Lewis

*****

Best Vocal Performance
Nominees:
Chris Sanders, Lilo & Stitch
John Leguizamo, Ice Age
John Rhys-Davies, The Lord of the Rings: The Two Towers
Sean Penn, Dogtown & Z-Boys
Toby Jones, Harry Potter and the Chamber of Secrets

Winner: Chris Sanders

*****


Best Supporting Actress, Comedy
Nominees:
Cara Seymour, Adaptation.
Catherine Keener, Death to Smoochy
Catherine Zeta-Jones, Chicago
Kathy Bates, About Schmidt
Shirley Henderson, Harry Potter and the Chamber of Secrets

Winner: Catherine Zeta-Jones

*****

Best Supporting Actress, Drama
Nominees:
Amy Adams, Catch Me If You Can
Anna Paquin, 25th Hour
Julianne Moore, The Hours
Miranda Otto, The Lord of the Rings: The Two Towers
Rosemary Harris, Spider-man

Winner: Julianne Moore

*****

Best Supporting Actor, Comedy
Nominees:
Brian Cox, Super Troopers
Chris Cooper, Adaptation.
Kenneth Branagh, Harry Potter and the Chamber of Secrets
Michael Caine, Austin Powers in Goldmember
Richard Gere, Chicago

Winner: Richard Gere

*****

Best Supporting Actor, Drama
Nominees:
Daniel Day-Lewis, Gangs of New York
Ed Harris, The Hours
Paul Newman, Road to Perdition
Philip Seymour Hoffman, 25th Hour
Thomas Kretschmann, The Pianist

Winner: Ed Harris

*****

Best Actress, Comedy
Nominees:
Hope Davis, About Schmidt
Meryl Streep, Adaptation.
Renée Zellweger, Chicago
Shannyn Sossamon, 40 Days and 40 Nights
Tara Reid, Van Wilder

Winner: Meryl Streep

*****

Best Actress, Drama
Nominees:
Alexis Bledel, Tuck Everlasting
Hilary Swank, Insomnia
Maribel Verdú, Y tu mamá también
Nicole Kidman, The Hours
Rosario Dawson, 25th Hour

Winner: Nicole Kidman

*****

Best Actor, Comedy
Nominees:
Edward Norton, Death to Smoochy
Jack Nicholson, About Schmidt
Jay Chandrasekhar, Super Troopers
Nicolas Cage, Adaptation.
Ryan Reynolds, Van Wilder

Winner: Nicolas Cage

*****

Best Actor, Drama
Nominees:
Adrien Brody, The Pianist
Al Pacino, Insomnia
Gael García Bernal, Y tu mamá también
Leonardo DiCaprio, Catch Me If You Can
Tom Hanks, Road to Perdition


Winner: Tom Hanks

*****

Best Director
Nominees:
Martin Scorsese, Gangs of New York
Rob Marshall, Chicago
Sam Mendes, Road to Perdition
Spike Jonze, Adaptation.
Stephen Daldry, The Hours

Winner: Sam Mendes

*****


Best Screenplay, Comedy
Nominees:
Adam Resnick, Death to Smoochy
Alexander Payne & Jim Taylor, About Schmidt
Bill Condon, Chicago
Charlie Kaufman, Adaptation.
Michael Berg, Michael J. Wilson & Peter Ackerman, Ice Age

Winner: Charlie Kaufman

*****

Best Screenplay, Drama
Nominees:
Alfonso Cuarón & Carlos Cuarón, Y tu mamá también
David Hare, The Hours
David Self, Road to Perdition
Jay Cocks, Kenneth Lonergan & Steven Zaillian, Gangs of New York
Jon Cohen & Scott Frank, Minority Report

Winner: David Self

*****

Best Cast, Vocal
Nominees:
Ice Age
Lilo & Stitch

Winner: Ice Age

*****


Best Cast, Comedy
Nominees:
About Schmidt
Adaptation.
Chicago
Death to Smoochy
Super Troopers

Winner: Chicago

*****

Best Cast, Drama
Nominees:
Gangs of New York
The Hours
The Pianist
Road to Perdition
Y tu mamá también

Winner: Gangs of New York

*****

Best Documentary
Nominees:
Dogtown & Z-Boys
Jackass the Movie

Winner: Dogtown & Z-Boys

*****

Best Foreign Language Film
Nominees:
Y tu mamá también

Winner: Y tu mamá también

*****

Best Animated Film
Nominees:
Ice Age
Lilo & Stitch

Winner: Lilo & Stitch

*****

Best Action/Adventure
Nominees:
Harry Potter and the Chamber of Secrets
The Lord of the Rings: The Two Towers
Minority Report
Spider-man
Windtalkers

Winner: Minority Report

*****

Best Comedy
Nominees:
About Schmidt
Adaptation.
Chicago
Death to Smoochy
Super Troopers

Winner: Chicago

*****

Best Drama
Nominees:
Gangs of New York
The Hours
The Pianist
Road to Perdition
Y tu mamá también

Winner: Road to Perdition

*****

Best Picture of the Year
Nominees:
Adaptation.
Chicago
Gangs of New York
The Hours
Road to Perdition

Winner: Road to Perdition

Tuesday, March 8, 2011

Movie Review: SUPER TROOPERS

SUPER TROOPERS
2002
R



Super Troopers is a 2002 comedy brought to us by the guys from Broken Lizard and director Jay Chandrasekhar. It follows the lives of a group of Vermont highway patrolmen who don't necessarily take their job seriously. When their productivity starts to drop off altogether, they receive word that their highway patrol station is going to be closed due to state budget cuts. Their chief, Captain O'Hagan (Brian Cox), tries his best to get them to do their jobs correctly, but it's tough work for the likes of his men. However, the boys stumble across a drug trafficking situation on their highway that the local police quickly scoop up in an attempt to keep the glory for themselves. It quickly turns into a story of local police against highway patrol as both groups are trying to stamp their name as the dominant police force in the area.

I'm sure I could go into more detail with the above synopsis, but what I've already said is really all you need to know going into the film. Although I liked Super Troopers, it's by no means a perfect movie (but I didn't really expect perfection out of it, to be fair). The actual storyline is okay, but there's nothing really great about it. As with most of these goofy comedies, the real payoff is in the jokes and gags, and in this, Super Troopers is mostly successful. While there will always be a few jokes that don't necessarily punch it home, the movie does provide quite a few scenes that prove to be very, very funny. I won't go into specifics, but I did find myself laughing quite heartily on more than one occasion. Kudos to the Broken Lizard writers.

The acting is also relatively good, considering the type of flick we're given. Chandrasekhar also stars in the film as one of our leads, and I think he delivers the best performance, providing a calm bravado as the highway patrol's senior member. We also get some spirited performances from the other members of the highway patrol: Erik Stolhanske, Steve Lemme, Paul Soter and Kevin Heffernan. You should also be on the lookout for a cameo from a somewhat younger Jim Gaffigan that proves to be rather funny. Each character plays his part as good as the character is written, and they do a good enough job to make the jokes in the screenplay sufficiently funny. Still, there's nothing terribly brilliant about it all, but that's neither here nor there. I don't want to take away from what they do bring to the screen.

Overall, Super Troopers is a fun flick that's good for some mindless comedy and entertainment. I think it's one of those movies that might be best to watch with a group of friends so you can all share in the laughs. Either way, I'm sure you'll at least find some things to chuckle at along the way. Definitely worth your time if you're in for a lazy day.

Movie Review Summary:
Grade: B
1.5 Thumbs Up

Tuesday, February 22, 2011

Movie Review: ROAD TO PERDITION

ROAD TO PERDITION
2002
R



Road to Perdition is a 2002, Oscar-winning dramatic film directed by Sam Mendes. It's an adaptation of a graphic novel of the same name. It tells the story of Michael Sullivan (Tom Hanks), a muscle man for a big-time bootlegger named John Rooney (Paul Newman) in the 1930s. When John's son Connor (Daniel Craig) makes a mess of a hit with Michael's son Michael Jr. (Tyler Hoechlin) secretly watching, both the older and younger Sullivan's are sworn to secrecy; however, Connor doesn't think that the boy will keep his word. While Michael Sr. is out on a job, Connor goes to the Sullivan home and kills Michael's wife (Jennifer Jason Leigh) and his youngest son, Peter. Both Michael Sr. and Michael Jr. find the bodies of their family and quickly leave town, fearing for their lives. They travel to Chicago in the hopes of gaining the protection and the good graces of Frank Nitti (Stanley Tucci), an under-boss in the Rooney organization. However, Nitti remains loyal to the Rooneys, instead employing a sociopath hitman (Jude Law) to kill the Sullivan men. On the run from the only profession he's ever known, Michael Sr. takes it upon himself to protect his remaining son and exact revenge on the man who killed his family.

The first thing you'll probably notice about Road to Perdition is the massively strong cast. Between Hanks, Newman, Law and Tucci, we have a total of eighteen Oscar nominations with three wins (two for Hanks; 1 for Newman). Add to the mix our current James Bond (Craig) and a very talented young star in Hoechlin, and you've got the makings of a fantastic ensemble cast. Hanks is steady as usual, delivering a performance a little unlike ones I've seen in the past. To be fair, I haven't seen a ton of Hanks' work, but I've seen enough of his real-life outgoing and manic personality that I know how different this role actually is. Hanks drew it back for Road to Perdition, bringing a very quiet performance despite the fact that he's essentially a hitman for the mob. It fit the tone perfectly. Newman is fantastic as he has always been and actually garnered one of his Oscar nominations for his role in this film. Craig continues to impress me more and more. Before his star-making turn in the most recent Bond films, I hadn't really heard of him aside from his appearance in 2003's Lara Croft: Tomb Raider, but he actually has some quality acting chops, as shown here (for another look at his acting range, you should check out 2005's The Jacket, where he has a small role). I also can't say enough about Jude Law in this flick. I know a lot of people who don't necessarily care for his brand of acting, but I've always rather liked him. He's not the greatest actor I've ever seen on-screen, but he holds his own. However, this may be a career-best performance, at least in my opinion. The character he brings to the screen is sufficiently creepy and definitely haunting, and Law presents the warped psychology quite well. I was thoroughly impressed.

To add to the fine acting, the audience is also given a fantastic story to follow. Road to Perdition could have easily become your average tale of revenge with Michael Sr. hellbent on destroying Connor Rooney. However, the addition of Michael Jr. to his plans alters Michael Sr.'s overall plan. We learn throughout the course of the story that Michael Sr. was always harder on Michael Jr. because he reminded him too much of himself, and that scared him. He didn't want his son to follow in his footsteps, and that fundamentally changes how Michael Sr. goes about everything in the film. We get to see the bonding of father and son as they forge the relationship that the boy had always wanted, even if it's under such straining and pressing circumstances. This side of the story keeps the film from becoming a rote and predictable film. That being said, I did see the finale coming from a half-mile away (I'd say a mile, but it wasn't quite that far). That might be the only thing keeping Road to Perdition from being an "A+" film, but my knowing in no way took away from the power of the ending. It's the way the movie has to end, so I hope you can see that for what it is.

I also have to give major props to Thomas Newman who composed an excellent (and Oscar-nominated) score for the film. Considering the amount of action and bloodshed that occurs throughout the movie, he could have crafted a heavy-hitting, action-like score; instead, he went with thoughtful, hitting more on the father-son bonding aspect of the story. It's quiet and beautiful and fits the film's tone absolutely seamlessly. Embedded below is a little piece of the score - I hope you like it!



All in all, Road to Perdition is a fantastic film that's worth watching for its story and for the fantastic level of acting brought to the table. If you're a consistent reader of this blog, you'll know that I give out my own film awards at the end of each year (here's the awards for 2010, for example). I have not posted my awards for 2002 - I may at some later date - but you should know just how big of a splash Road to Perdition made. (Side note: my personal awards are constantly changeable depending on films I continue to see; that's why this film could make the nominations for its year). After careful consideration, this film stole ten nominations in the awards for 2002, taking the wins for six, including Best Actor (Hanks), Best Dramatic Screenplay, Best Drama and Best Picture of the Year. If those own personal accolades aren't enough to sway you towards watching this film, I'm not sure what else to tell you.

Movie Review Summary:
Grade: A
Current All-Time Rank: Best - #85
2 Thumbs Up