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Showing posts with label Danny Elfman. Show all posts
Showing posts with label Danny Elfman. Show all posts

Saturday, June 2, 2012

Movie Review: DARK SHADOWS

DARK SHADOWS
2012
PG-13


"They tried stoning me, my dear. It did not work."
-- Barnabas Collins

Dark Shadows is a 2012 comedic horror film directed by Tim Burton that serves as an adaptation of the 1960s and 1970s soap opera of the same name. We meet our hero Barnabas Collins (Johnny Depp) in the late-1700s as he grows into a young man in Collinsport, Maine, where his family has established a fishing community. Barnabas entertains himself with physical relations with a servant named Angelique Bouchard (Eva Green), but is real affection lies with a young woman named Josette (Bella Heathcote). Driven by jealousy, Angelique - who happens to be a witch - casts a spell over the young lovers, sending Josette to her death whilst turning Barnabas into a vampire. After informing the townspeople of his true identity, Barnabas is locked in a coffin and buried alive for over two hundred years until he is unearthed in 1972. He makes his way back to his home and finds his descendants alive but struggling to survive with their failing business. He informs Elizabeth Collins Stoddard (Michelle Pfeiffer), the family matriarch, that he shall return the Collins name to its rightful glory. Little does he know that Angelique has survived as well and has turned the town of Collinsport into her own personal gold mine.

To start, I would like to say that I had not heard of the soap opera that inspired this film until I first learned details about the film itself. By all accounts, the soap is a bit of a cult classic, and considering the ideas and concepts behind it, I'm not surprised to see Burton attempting the adaptation. It's right up his alley, really. It's a dark, gothic tale of a vampire looking to seek revenge and restore his family's name, so what shouldn't there be to like, right? Add the fact that this film has all the makings of a typical Burton venture: Johnny Depp in the lead, an appearance by Helena Bonham Carter and music by Danny Elfman. It sounds like your typical fare.

All that being said, I was not entirely impressed with Dark Shadows. Although I was easily drawn into the story and remained engaged until the very end, there seemed something a tad bit off about this picture. Our story and screenplay aren't quite as strong as past Burton ventures, and I think that's part of the problem. While he kinda manages to blend the comedy and fantasy decently, Burton couldn't find the right amount of balance between the two. At one moment, we're locked in the drama between Johnny Depp and Eva Green, and the next, they're both doing their best to make us laugh. It just seemd as though it was very stop-and-go. We had the right amount of each genre, but rarely did it ever blend together in the proper proportions. One moment we're laughing, the next we're wondering whether the horrific deaths should be funny. Another one of the major problems is that there seems to be too many different story-lines trying to intersect one another. Now, having grown up watching my mother watch "The Young and the Restless," I can tell you that I know just how many stories can be occurring all at once on such a show, and I'm sure "Dark Shadows" was no different. Where the film fails is in its attempt to bring all those story-lines into one two-hour engagement. It proves to be too much to handle, and the entire story proves to be muddled. At the end of the day, it's just a strange tale that could've been fleshed out a little bit better, in my opinion.

Fortunately, we're getting some decent performances to augment the film where the screenplay is lacking. Depp is his usual self, bringing forth yet another memorable character for his ever-growing filmography. He might have been able to mail in this performance, and he still would have managed to be the star. That's not knocking the rest of the cast, but no one quite reaches his level. This is Depp's film, and it should be treated as such. Aside from him, I thought we were getting some good performances from the likes of Jackie Earle Haley and Bonham Carter. I thought Pfeiffer and Green weren't used in the proper way, and both of their performances seemed a tad bit strange. I also thought that Chloë Grace Moretz was vastly underutilized. As one of the stronger actresses making her way up the Hollywood ranks, she definitely has a lot more to offer than what she shows here. Perhaps we can chalk this one up to the screenplay rather than her acting talents. And a quick note: be on the watch for cameos from the likes of Christopher Lee and musician Alice Cooper, the latter of which proves to be both hilarious and entertaining.

If anything is holding this film together, it's Elfman's fancifully dark score. He always seems to have a knack for creating a pitch-perfect musical accompaniment, and Dark Shadows proves to be no different. It's not quite his best score, but it definitely ranks as one of the better ones, if I do say so myself. Here's a little snippet for your listening pleasure:


At the end of the day, Dark Shadows is an entertaining film that's not really going to stay with you for very long. Although it's better than most films released nowadays, it doesn't quite measure up to some of the past Depp-Burton collaborations. You're probably better off watching a film like 2007's Sweeney Todd: The Demon Barber of Fleet Street, or even 1999's Sleepy Hollow. They're both just a bit better than this particular venture.


Movie Review Summary
Grade: B-
Should You Watch It? Maybe

Tuesday, May 29, 2012

Happy Birthday, Danny Elfman!

Today, we're celebrating the 59th birthday of Academy Award-nominated composer Danny Elfman. A Los Angeles native, Elfman has made quite a name for himself in his thirty-year career, crafting himself into one of Hollywood's premiere film composers. His first composing work came in 1982's Forbidden Zone which he followed with 1985's Pee-Wee's Big Adventure, the film which started his frequent collaboration with director Tim Burton. Elfman went onto score Burton's 1988 film Beetlejuice and his 1989 film Batman, and that was just the start. In the 1990s, Elfman scored such big-time films as Edward Scissorhands, The Nightmare Before Christmas, Mission: Impossible, Men in Black and Good Will Hunting. He followed it up with the 2000s, in which he stamped his name across films like Spider-man, Big Fish, Charlie and the Chocolate Factory, Milk and Alice in Wonderland. Most recently, audiences have heard Elfman reprise a former score in Men in Black III as well as offer something a little bit new in Dark Shadows, and they'll next be able to hear his work in the upcoming 2012 film Frankenweenie. And so, to celebrate his birthday, I've compiled a list of my ten favorite of his scores, and I've managed to find snippets of each score for your listening pleasure. Once again, happy birthday, Danny Elfman!


10. Sleepy Hollow
1999

*****

2011

*****

8. Corpse Bride
2005

*****

7. Alice in Wonderland
2010

*****

6. Spider-man
2002

*****

5. Batman
1989

*****

4. Milk
2008

*****

3. Big Fish
2003

*****

1990

*****

1993

Monday, December 12, 2011

Movie Review: THE NIGHTMARE BEFORE CHRISTMAS

THE NIGHTMARE BEFORE CHRISTMAS
1993
PG


"Are you a gambling man, Santa?"
-- Oogie Boogie

The Nightmare Before Christmas is a 1993 animated film directed by Henry Selick and produced by Tim Burton. It tells the story of when holidays collide, clashing the haunted holiday of Halloween with the joy and peace-ridden holiday of Christmas. In the ancient holiday world of Halloweentown, there lives the Jack Skellington (voiced by Chris Sarandon, sung by Danny Elfman) who has become tired of his age-old holiday. As he ventures into the wilderness, he stumbles upon the portals to the other holiday worlds and soon finds himself in Christmastown. Seeing the beauty of the land, he decides to bring some Christmas cheer back to his own town, telling the townsfolk that they are going to take over Christmas this year. They start to prepare their own creepy versions of gifts for all the boys and girls, and they even go as far as to steal the horrible "Sandy Claws" (voiced by Edward Ivory) to keep him from ruining their plans. Unfortunately, Santa is delivered to the incredibly evil Oogie Boogie (voiced by Ken Page), who hopes to make a ruckus of his own.

I was five years old when this film first hit theaters back in 1993, and my earliest memory of the movie was how terrified I was of the trailers I saw in the months leading up to its release. As a young child, the images of terrifying presents on Christmas morning scared me beyond belief. It scared me so badly that I never actually saw the film until a few years ago. And from the moment I first saw the film, I can honestly say that it's one of the most brilliant animated films I've had the pleasure to see in my lifetime.

Let's start with the screenplay. If you're looking for an original story, this one's about as original as they come. Essentially, the monsters from Halloweentown attempt to steal Christmas from the inhabitants of Christmastown in order to add their own dash of holiday cheer. In the time that they spend preparing for the Christmas holiday, the film goes through nearly every Christmas cliché you can possibly imagine and turns it on its ear. Even the film's title is a play on an age-old Christmas tradition: the story "'Twas the Night Before Christmas." At the same time, we're getting a sub-plot of a love story between Jack and a "woman" named Sally (voiced by Catherine O'Hara) as well as a continued predicament with the aforementioned villain, Oogie Boogie, who ranks as one of my all-time favorite cinematic villains. The blending of these intertwining stories puts this screenplay above and beyond your average Christmas, or even your average animated, film.

Our voice acting is also above par, and while no one's truly standing out from the rest, I think part of that has to do with the fact that each and every character's voice fits them so perfectly that there's no one who could truly stand above the rest. Obviously, the collaboration between Sarandon and Elfman to bring Jack to life is simply astounding, but we're also getting some fantastic voice work from the likes of Page and William Hickey, who voices Dr. Finklestein, who plays an integral part of the story.

I think what's truly great about The Nightmare Before Christmas, however, are some of its intangibles. For example, the stop-motion animation is top-notch, and I'd argue that stop-motion wasn't used as effectively again until 2009's Coraline, which was also a Selick/Burton collaboration. The special effects are so good in this film that the earned it an Academy Award nomination in that category (it ultimately lost to Jurassic Park). So if you're not wowed by anything else, at least appreciate the fact that you're seeing an entirely visually pleasing film.

Also, some mention needs to be made of the soundtrack, especially considering this film is a musical. There's two facets to the soundtrack that should be mentioned. First, Elfman's orchestral score is simply beautiful in its own way. Here's a snippet of the score for those of you unfamiliar:



In addition to the orchestral score, we're getting a slew of fantastic original songs to accentuate the film's story. Be on the listen for songs like "Jack's Lament," "What's This?," "Kidnap the Sandy Claws," and my personal favorite, "Oogie Boogie's Song," shown below:



Ultimately, The Nightmare Before Christmas is one of the best animated films I've ever had the pleasure to see, and it's made such a lasting impact on the cinematic landscape that it manages to be re-released every October for a limited span, and people continue to flock to the theaters to see it. It's an annual must-see for me, as I watch it at least once between Halloween and Christmas, just to get my fix. If you haven't had an opportunity to see the film, I strongly suggest you do so this holiday season. I'm almost positive you'll love it.



Movie Review Summary
Grade: A+
2 Thumbs Up