Followers

This Movie Guy Headline Animator

Showing posts with label Jack Nicholson. Show all posts
Showing posts with label Jack Nicholson. Show all posts

Wednesday, August 15, 2012

Movie Review: THE PLEDGE

THE PLEDGE
2001
R


"I made a promise, Eric. You're old enough to remember when that meant something."
-- Jerry Black

The Pledge is a 2001 dramatic film directed by Sean Penn that centers around one man's obsession with solving a murder mystery. On the day of his retirement, Detective Jerry Black (Jack Nicholson) tags along on a call for the rape and murder of a young girl. It falls into his hands to tell the girl's parents of the tragedy, and to give them assurance and peace of mind, he promises to bring the culprit to justice. The police soon find their prime suspect, but Jerry doesn't believe this man to be the true perpetrator. Still, he lets bygones be bygones and starts on his retirement, ultimately settling in a small Nevada town. He starts a relationship with a young waitress named Lori (Robin Wright) and her daughter, and though his life is moving forward, he can never shake the case from his mind. It continues to gnaw at him until a string of events occur that cause him to look into the case once again.

I first heard about The Pledge after reading about it in Leonard Maltin's book, 151 Movies You've Never Seen. I started to see it listed on NetFlix's Instant Watch, and I was ultimately drawn to the film by its loaded cast. What I couldn't really know was just what type of film I'd be getting myself into.

The film's screenplay is a slow but delicate piece that manages to keep the viewer engaged despite its plodding pace. In the first part of the film, things seem to move quickly, but as soon as Jerry makes his move to retirement, everything slows down to a crawl. It's only in the film's seemingly anti-climactic finale that the speed kicks up again, but we're left scratching our heads as the credits start to roll. However, the pacing seems to work within the constructs of the film. The manic start and end satisfy the need for a bit of action, but the slow-moving pieces in between help give us a sense of Jerry's character. At the same time, we can see him formulating a plan for catching this mysterious monster, and it all helps work toward the effectiveness of the finale. I previously stated that the ending seemed a tad bit anti-climactic, but that's only true to the untrained eye. The Pledge's story actually offers a completely devastating and depressing conclusion, giving a somewhat satisfying finish to the entire endeavor.

Bolstering the solid screenplay is the fantastic work of the cast, which is essentially a who's-who of big-time Hollywood stars. Nicholson is the film's centerpiece, and he provides one of the better roles of his career, bringing a slew of emotions to the Jerry character. His work with the conclusion helps bring the brilliance of the film as a whole, and simply have to applaud the three-time Oscar winner. Wright also manages to bring forth a great turn in her supporting role, and I also thought the young Pauline Roberts did a splendid job as well. Also be on the watch for a number of great small or cameo appearances from the likes of Aaron Eckhart, Benicio Del Toro, Patricia Clarkson, Vanessa Redgrave, Mickey Rourke, Helen Mirren and Tom Noonan.

Where The Pledge most succeeds, however, is in the atmosphere it creates. Penn does a great job in crafting a realistic world where we can believe everything that's happening. As time continues to pass and another meeting with our mysterious killer looms on the horizon, the film slowly gains this very disgusting feeling, almost as though you know what's going to happen but still don't want it to come across the screen. There was a number of moments where I was sure I knew the direction the film was headed but was surreptitiously proven wrong. You just get this knot in your stomach as the film progresses, and you can only hope that, by the film's end, it will have gone away. What makes this film stand apart, however, is that it doesn't take that knot away. Instead, it gives you something to chew on and ponder well after you've finished watching. I think Maltin put it best in his book when he said the following:
The Pledge is the kind of movie that stays with you, precisely because it poses as many questions as it answers - and because Jack Nicholson makes such a lasting impression.
The combination of a stellar screenplay, a superb cast and an eerie atmosphere makes The Pledge one of the better movies I've seen of late. Kudos to Mr. Penn on this one. 


Movie Review Summary
Grade: A-
Status: Should See

Sunday, April 22, 2012

Happy Birthday, Jack Nicholson!

Today, we're celebrating the 75th birthday of the legendary, three-time Academy Award-winning actor, Jack Nicholson. He started acting in the mid-1950s and made his first feature film appearance in 1958's The Cry Baby Killer, but it wasn't until his performance in 1969's Easy Rider that he truly entered the public consciousness. Six years later, after hitting it big in 1974's Chinatown, Nicholson won his first Oscar for his leading role in the 1975 film One Flew Over the Cuckoo's Nest, and a star was born. Since then, Jack has appeared in such big-time fare as 1980's The Shining, 1983's Terms of Endearment, 1989's Batman, 1992's A Few Good Men, 1997's As Good As It Gets and 2006's The Departed. Most recently, audiences have seen Nicholson in 2010's How Do You Know, and it is currently unknown as to what his next project might be. And so, to celebrate his birthday, I've listed my ten favorite of his performances, and I've managed to find clips for each for your viewing pleasure. Once again, happy birthday, Jack!


10. President James Dale
Mars Attacks! (1996)

*****

9. Edward
The Bucket List (2007)

*****

8. Dr. Buddy Rydell
Anger Management (2003)

*****

7. Warren Schmidt
About Schmidt (2002)

*****

6. Joker / Jack Napier
Batman (1989)

*****

5. Melvin Udall
As Good As It Gets (1997)

*****

4. Wilbur Force
The Little Shop of Horrors (1960)

*****

3. Frank Costello
The Departed (2006)

*****

2. Jack Torrance
The Shining (1980)

*****

1. R.P. McMurphy
One Flew Over the Cuckoo's Nest (1975)

Friday, July 1, 2011

DVD Challenge #14: THE DEPARTED

The Departed
2006
R
Run-time: 2 hours, 31 minutes

Directed by: Martin Scorsese
Starring: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Vera Farmiga, Ray Winstone & Alec Baldwin


It's been a little while since I've seen this former Best Picture winner, but it was high time that I sat down and gave The Departed another viewing. I'll never forget the first time I saw the film: I was living in Santa Cruz at the time, and my mother and some friends had driven up the coast to see me. They thought the best way to enjoy the company would be to take in a movie, so we opted to go with this Scorsese venture. And while I don't personally think it's the best of Scorsese's films - for me, that would have to be 1976's Taxi Driver - but it was the one that finally garnered him an Academy Award win for Best Director. If you ask me, that has to say quite a bit.

What most people don't know is that The Departed is actually a bit of a remake, fashioned as an Americanized version of the 2002 Hong Kong film Infernal Affairs. I personally haven't seen that particular film, so I can't really compare and tell you which is better, but with an all-star cast like the one we're given in this version, I think the original fare would be hard-pressed to be considered the better of the two. Let me break this down for you a little bit: just between the actors listed above, they have a whopping twenty Academy Award nominations and three wins (although, twelve nominations and all three wins belong to Nicholson). Still, that's quite an impressive roster that we're dealt. Wahlberg scored an acting nomination for his role in the film, but I personally believe that Nicholson was snubbed a bit as he delivers easily the best and most entertaining performance in the film. I could probably go on for days about how good each particular member of the cast proves to be, but that would take me literally days. Just know that you're given an all-star cast that delivers on all cylinders.

Now, I know there have been some individuals who had issue with the film's screenplay. Namely, they were a tad confused by the speed with which the film ends. To be fair, the final ten minutes of the film pass at blinding speed, almost giving the audience no time to absorb everything they're seeing. Yes, it's frantic, but I personally think it offers just the right amount of catharsis needed for a film of this nature. The overall plot is so elaborate that the audience finds itself getting so worked into the story that we need some sort of drastic release at the end. This is where The Departed truly delivers. Sure, the journey towards the end is fantastic, but the ultimate payoff is the reason that this film has reached into the annals of film history and cemented itself as an instant classic.

We also get an utterly fantastic and innovative musical score from the likes of Howard Shore, who has also scored films like Se7en, The Aviator and the Lord of the Rings trilogy. However, he may have presented my favorite of his compositions with this film. Here's a little taste of what he brings to the table - I'd bet you that you'll enjoy it:



Overall, Scorsese definitely brought a winning combination of screenplay and acting to the screen for this Best Picture winner. It's a movie that definitely doesn't get old with multiple viewings, and in fact, I'm sure I've started to appreciate it all the more each time I watch it. If you haven't seen this film, you should drop what you do and give it a gander. I can almost guarantee you'll enjoy it.

Rankings
Best All-Time: #106
Best Since 2000: #41

Awards
2006: 9 nominations, 2 wins

Previous DVD Challenge: TOY STORY (1995)

Thursday, April 21, 2011

Movie Review: AS GOOD AS IT GETS

AS GOOD AS IT GETS
1997
PG-13



As Good As It Gets is a 1997 dramatic comedy directed by James L. Brooks that follows the exploits of a man afflicted with obsessive-compulsive disorder (OCD) as he starts to break out of his shell. Melvin Udall (Jack Nicholson) is a quirky but accomplished novelist who secretly suffers from OCD. Because of his obsessions and compulsions, he comes off as a rash and unlikable man, but no one can really see behind the veneer he has created for himself. When he meets a younger waitress named Carol (Helen Hunt), he starts to get to know her in the hopes of winning her favor. Melvin learns that Carol's son suffers from very bad asthma attacks that constantly send him to the emergency room, so he enlists the help of a doctor to take special interest in his case. Taken aback by his kindness, Carol does her best to thank him but cannot find the right way to do so. When Melvin reluctantly agrees to drive his homosexual neighbor Simon (Greg Kinnear) to Baltimore, he asks Carol to join them for the trip in the hopes that something might spark between them. Drama and comedy ensue and take us for a ride all the way to the end of the film.

I've been meaning to watch this movie for quite a while, considering it's an Oscar-winning flick. Plus, I'll watch just about anything with Jack Nicholson, so this has been very high on my to-watch list for quite some time. The first thing you're going to notice about the film is the level of acting. While As Good As It Gets was nominated for seven Academy Awards - including Best Picture and Best Original Screenplay - it only took home statuettes for its two lead actors: Nicholson and Hunt. Now, of the other eight films nominated in the lead acting categories, I've only seen one of them (Titanic, for which Kate Winslet was nominated for Best Actress), so I can't really tell you whether Nicholson and Hunt truly deserved their awards. While they're both very good in the film, I'm not entirely sure whether they're Oscar-caliber performances, but as I said, I don't have knowledge of their direct competition. Nicholson does a good job playing a convincing man with OCD, going through all the quirks and ticks necessary to make the character realistic. At the end of the day, however, we're given another typical Nicholson performance. There just isn't much dichotomy between his different roles of the past twenty years. Fortunately, he's good regardless. Hunt also does well, but I didn't really think there was anything truly spectacular about her character. If anyone delivers a great performance, it's Kinnear - who was also nominated for an Oscar but ultimately lost to Robin Williams in Good Will Hunting - as an openly gay man who's facing the very real threat of losing everything that he's ever worked to attain. Also, be on the lookout for smaller roles and cameos from Cuba Gooding Jr., Skeet Ulrich, Jamie Kennedy and Harold Ramis.

Despite the fact that we're given an Oscar-nominated screenplay, I'm not entirely sure whether I was entirely sold by it. Sure, it gives us a very interesting look at a sick man, shedding light on an ailment that many people probably don't entirely understand. We also get a good dose of drama along the way from all of Melvin's situations and ordeals. Perhaps the story is more character-driven than plot-driven, and that's why I'm not really feeling very strongly about the storyline which proved to be a rote tale of romance wrapped in a different kind of paper. Melvin's character arc from beginning to end is pretty drastic, but there didn't seem to be much weight associated with it all. I never felt fully connected to his character - had I been, I think the gradual change in his personality would have been all the more powerful. Carol and Simon also go through some major character arcs, but for the same reason, I didn't feel like they impacted me all that strongly.

That's not to say that As Good As It Gets isn't a good film. It's definitely worth watching, but I just don't think you should go in expecting anything terribly brilliant. I might have entered the film with higher expectations than I should have had, so it's probably my own fault that I'm not fawning over this flick right now. Just don't get me wrong - there's plenty to like here. Do your best to go in with an open and unbiased mind, and I think it will serve you much better than it did for me to go in expecting brilliance.

Movie Review Summary:
Grade: B+
1.5 Thumbs Up

Wednesday, March 9, 2011

Movie Review: THE LITTLE SHOP OF HORRORS

THE LITTLE SHOP OF HORRORS
1960
Unrated



The Little Shop of Horrors is a 1960 sci-fi film directed by Roger Corman that led to a 1986 remake of the same name. Gravis Mushnick (Mel Welles) owns a rundown florist shop that's just barely scraping by on Skid Row. He employs two workers: the nervous and dorky Seymour Krelboin (Jonathan Haze) and the ditsy but beautiful Audrey Fulquard (Jackie Joseph) with whom Seymour is infatuated. When Seymour ruins a customer's order, Mushnick threatens to fire him. In response, Seymour mentions that he has been nurturing a special plant the likes of which no one has ever seen. Mushnick gives him one week to bring the plant, which he aptly names "Audrey Junior," back to health in the hopes that the eccentric piece of flora can generate some revenue for the store. Seymour exhausts all the normal options for maintaining the plant's health, but one night, it begins to speak (with voice work from Charles B. Griffith), calling out "Feed me" just after Seyour pricks his finger on another plant. On a whim, he attempts to feed the plant drops of his blood, and it is immediately satisfied. The next morning, Audrey Junior has quadrupled in size, forcing Seymour to find other sources of blood and flesh to keep the plant healthy for his employer. As his life descends into a nightly string of murder, Seymour begins to question whether the new-found glory he has received as a brilliant botanist is worth the moral price of what he has to do in order to keep his prize alive.

For those of you who've been reading me long enough, you'll know that I immediately fell in love with the 1986 musical version of Little Shop of Horrors (the link to that review is given in the above paragraph). Because of that, I was rather interested to see the source material which was this 1960 film. Roger Corman, ever the king of B-movies, strikes gold here, providing more of a sci-fi comedy than anything truly horrifying as was the original intention of the film. Perhaps this was scary back in the day, but in a year where Psycho dominated the horror scene, I don't think that anyone truly could have been scared by this film's goofy premise.

"Goofy" is definitely the best word to describe The Little Shop of Horrors. Let's start with the screenplay. While the actual story is a little simplistic, it definitely does enough to captivate your interest. I mean, to be fair, if you're watching a movie about a human-eating plant, you're probably not looking for something terribly brilliant (although, with the musical, that's almost what you'd be getting). And this movie's by no means brilliant, but it's definitely fun. The dialogue is a little bit dorky, and there are a few lines where you'll be scratching your head wondering if you heard the character correctly. But while you're scratching your head, you're bound to have a gigantic smile on your face. That's exactly what this story and the dialogue do: bring a smile to your face, be it out of comedy or absurdity or just plain goofiness.

The actors help to bring that type of feel to the movie, playing each character to a tee (at least, I'm assuming, considering it seems like the characters were written a little bit awkwardly). Haze, Joseph and Welles are good as our three leads, and you can definitely see where Rick Moranis and Ellen Greene got the ideas for their characters in the 1986 version - they're nearly spot on from the original actors. Like the musical, we also have a number of smaller roles that are rather stellar. Dick Miller plays a random man who happens upon the flower shop in search of flowers he can eat. John Herman Shaner plays a local dentist with a knack for instilling pain on his patients (a role that Steve Martin played perfectly in the remake). But like the remake, the best performance has to go to the pain-loving dental patient, this time played by a young Jack Nicholson (he was played by Bill Murray in the musical). I'm not sure who I liked better in that particular role because I loved Murray's portrayal. However, Nicholson's manic energy is just too much to ignore, and he easily brings the best scene to the screen in this film. And it is a little bit shocking to see him as such a young man - I think he was twenty-three when this film was released. It's a short scene, so I've elected to insert it here:



Despite the fact that I put that clip in this review, you really should give this film a watch, especially if you're a fan of the musical. It's not quite as good as the 1986 version, but it serves it's purpose very well. The ending is a little bit different - and a little darker, at that - and I'm still debating whether I like it or not; however, it doesn't take away from the fact that this film is totally worth your time.

Movie Review Summary:
Grade: B2 Thumbs Up

Monday, January 24, 2011

Movie Review: THE SHINING

THE SHINING
1980
R



The Shining is a 1980 horror film directed by Stanley Kubrick that was based off a Stephen King novel of the same name. It tells the story of Jack Torrance (Jack Nicholson) who takes a wintertime job as the live-in caretaker of the Overlook Hotel. With his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd) in tow, the family settles in as the hotel's only "guests" for the winter. Jack spends much of his time on a writing project that he hopes he will complete during his months of isolation; Wendy and Danny spend their time playing and doing whatever they can to pass the slow-moving days. When Jack, who has been on the wagon for five months, starts to have problems with his project, he quickly becomes irritable and prone to violent outbursts, especially towards his wife. At the same time, Danny, who has some form of telepathy, starts to see visions of horrible atrocities committed at the hotel in the past, drastically changing his overall demeanor. Wendy does her best to sort out the problems with both Jack and Danny, but as time continues to pass, the tension continues to rise until it reaches a boiling point.

There's much, much more to the story - well, I should say screenplay - than what I've outlined above, but right now, it all seems rather jumbled. I have not read Stephen King's original novel, but from everything I've heard, King himself did not care for Kubrick's handling of the story (it ultimately led him to write and produce his own version of The Shining which was made into a TV movie in 1997). That being said, I'm sure there are some intricacies that the book fleshes out than the movie ever could have, but I found myself feeling a little bit lost for most of the film. I understand that there's a level of ambiguity that the movie is supposed to express, but when nearly everything that's said or done is deliberately ambiguous, it makes a film very difficult to follow.

We get an all-star performance from Mr. Nicholson, but by 1980, everyone was already expecting this type of work from him. Although it's not my favorite Nicholson role, it definitely ranks right near the top. He brings a very manic energy to a screenplay that moves extremely, and at times excessively, slow, and he helps give the movie a little bit of life. Once you get past Nicholson, however, the acting plummets quite far. I thought young Danny Lloyd did a good job with his part, coming across every bit as creepy as I'm sure Kubrick wanted. In the beginning of the film, it seems as though the story centers around him, and for a child actor, he does a great job of holding it all together in the early running. Shelley Duvall - who was nominated for a Razzie Award for her role - proves to be the weakest link here as I couldn't take her character seriously at any point of the film. She always had an expression like a deer in the headlights, and all of her more emotional scenes were so over-the-top that I felt pushed away by her character. Every time she "graced" the screen, I wanted to look away, and that's not good when you've only got three characters for most of the film.

I also had major issue with the music in the film. As I explained in my post about how my grading system works, the music in a film plays a very important role. The score I give for this criterion doesn't come down to whether it's good or bad (although the music in The Shining is bad, in my opinion); rather, it's more of a question of whether it fits well with the movie. In a sense, it should complement a film without standing out and being the only thing you notice in a scene. That's really where The Shining goes wrong. I can see why certain compositions were used for certain scenes, but they were so overbearing and so interrupting that they completely took me out of a few tense moments. I haven't had a film's music remove me from the film itself this much since I saw 2007's There Will Be Blood.

Ultimately, I know I'll probably take some hits for the fact that I don't completely adore this flick. IMDb users currently rate it as the fiftieth greatest movie of all time, but right now, I can't bring myself to agree. It's still one of the most iconic films in history, with memorable lines like "Here's Johnny!" and "All work and no play makes Jack a dull boy." Perhaps I'll give it another go in a couple of months - subsequent viewings can always help shed light on previous questions. Until then, the score below is the best I can give The Shining.

Movie Review Summary:
Grade: C+
Thumbs Sideways