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Showing posts with label Christopher Nolan. Show all posts
Showing posts with label Christopher Nolan. Show all posts

Tuesday, May 1, 2012

Trailer Breakdown: THE DARK KNIGHT RISES

When the teaser trailer for the upcoming 2012 Christopher Nolan-directed film The Dark Knight Rises was released over the summer, I had every intention of creating a trailer breakdown for it. The time came and went, however, and the idea was tossed to the scrap pile. Now, we have two full-length trailers that have been released for the film, and I find it only fitting to bring you a trailer breakdown not only for the new trailers but also for the teaser I so terribly forgot. As I always do with my trailer breakdowns, I have gone through and watched the trailers a number of times and have written down some questions and comments that came to mind. Below for your viewing pleasure are the three trailers followed by their respective questions. Let me know if you thought of anything else while watching these videos - there's a high chance there is something I might have missed.



Now that you've been reminded of the teaser trailer, here are the thoughts I had whilst watching it:

1. One of the most prevalent images in the teaser trailer is that of the crumbling skyscrapers that ultimately form the "Batman" insignia. What might this mean?
Despite the penchant for the dramatic, I think this image is rather easy to decipher. If we remember the end of 2008's The Dark Knight, we have the Joker (Heath Ledger) behind bars, Harvey Dent (Aaron Eckhart) deceased, and the Batman (Christian Bale) run out of town and believed to be the villain. Because Dent supposedly will assume the graces as the hero and the evilest mastermind that Gotham has seen is now locked away, it might be safe to say that Gotham experienced a bit of a renaissance in terms of a drop in crime. However, with the visage of Bane (Tom Hardy) looming on the horizon, one can only imagine the destruction that Gotham soon faces. In a sense, the image of a crumbling Gotham is a sign of things to come.

2. Speaking of Bane, we actually catch a glimpse of him here in the teaser.
While this is a little old news by now, the teaser trailer was the first time anyone truly got to see Tom Hardy all done up as our central antagonist, Bane. Adorned with a massive breathing apparatus on his face and head, he still manages to send a shiver down the spine. We even get to see him square off against Batman in the final images in the trailer in what's sure to be a wonderfully-choreographed fight.

3. We're getting a lot of images and dialogue from the previous films. What gives?
I think this was done for a few of reasons. First, I think the filmmakers wanted to give everyone a recap of what had happened in the previous films while setting up this final chapter with something familiar. Secondly, I think they wanted to emphasize the finality of this film. Regardless of box office output and accolades, this will be the final installment in Nolan's Batman trilogy. They have two title cards that say, "Every hero has a journey. Every journey has an end." We also get a voice-over using dialogue from Liam Neeson's character in Batman Begins that says the following:
If you make yourself more than just a man, if you devote yourself to an ideal, then you become something else entirely. A legend, Mr. Wayne. A legend.
And, at the end of the trailer, we get another title card that says, "The Legend Ends." All of this ties together to emphasize the finality of this film. Finally, I think that, by using older scenes, they didn't have to use as much material from the new film, which is probably a plus for them given the nature of how popular this movie will probably be.

4. What exactly is Commissioner Gordon (Gary Oldman) saying in this trailer?
I remember that when this teaser first premiered, there was a lot of debate as to what exactly Oldman's character was saying while lying on the hospital bed. After a number of listens, here's what I was able to scrape out (Note: the conversation also includes a line from Christian Bale, either as Batman or as Bruce Wayne):
Gordon: We were in this together, and then you were gone. Now there is evil rising. The Batman has to come back.
Wayne: What if he doesn't exist anymore?
Gordon: He must... he must...
Now that that part's out of the way, let's talk about what it might mean. Obviously Gordon is referencing how he and Batman had worked together to bring down the crime in Gotham, but once Batman left, Gordon was left alone, waiting for evil to return. He knows he cannot combat it on his own, so he's essentially pleading for Batman to return to Gotham and reinstate himself as the vigilante power he once was. Wayne is obviously doubting whether he could possibly reprise his role as the Batman, but Gordon insists it must happen if Gotham is to remain alive.


And now, for the first full-length trailer:



So there's the first full-length trailer for The Dark Knight Rises; let's see what I thought about while watching it:

1. What's with the football game and the kid singing "The Star Spangled Banner?"
Right when I first saw this trailer, that was my initial thought. If you were only working off that first image, you would probably never guess that this was a trailer for a Batman film; however, it ultimately comes into play later in the trailer when we see Bane set off explosives that cause the football field to collapse. For those of you who may have seen the seven-minute prologue for this film at theaters in the past week or so, you'll know that Bane is going to be portrayed as a terrorist rather than your average criminal. That being said, his destruction of a public place seems to fit the mold a little bit better. And, with the crooning of the national anthem throughout the trailer, there's this odd sense of foreboding that the music somehow fits perfectly. It's an eerie combination, but somehow Nolan makes it work here.

2. What is all this talk about "war heroes" and "peacetime?"
The first mention of this in the trailer comes when Commissioner Gordon is coming up to give a speech at what appears to be a memorial for Harvey Dent. Two men in the crowd discuss how the mayor is going to let Gordon go in the next few months because he's a "war hero," and those aren't needed in times of peace. If you recall what I said about the concept of a "crumbling Gotham" back at the top of this post, I think this idea makes a little more sense. Allegedly, The Dark Knight Rises will take place eight years after the events of The Dark Knight, meaning that there has been an extended time of peace and prosperity in Gotham. As a result, the mayor may think that Gordon is no longer necessary in his position. As we see later in the trailer, however, a new evil is, indeed, rising, as is evidenced by the quote, "There's a storm coming," which is said a little later in the trailer. It looks as though Gotham might be getting ready to experience a scene of utter and complete chaos.

3. Who is that woman dancing with Bruce Wayne?
This is actually our first real look at Selina Kyle, more commonly known as Catwoman, who will be portrayed by Anne Hathaway. Although we're not getting a ton of detail from the trailer, I think it's safe to say that Hathaway looks to be a bit feisty in this one, and I'm sure we can all breathe a heavy sigh of relief.

4. We get our "first" real snippet of Bane's dialogue in this trailer, but what does he say?
For those of you who have seen the film's prologue, you might know that there has been quite a discussion about Bane's dialogue in the film. I personally have not seen the prologue, but I know that many a moviegoer is scratching their head as to what exactly Bane said in his scenes. We do get one line of dialogue from him in this trailer, and it reads as follows:
When Gotham is ashes, you have my permission to die.
Because he has a breathing apparatus, it may be a tad bit difficult to understand exactly what he's going to be saying. I read an article chronicling the prologue that talked about how an unintelligible villain may have been Nolan's only real option after having an over-the-top and charismatic villain in Ledger's Joker in The Dark Knight. To go in the polar opposite direction, Nolan may have done just enough to distance his Bane from his Joker so that audiences won't necessarily be able to compare the two. Instead, they'll be able to look at each villain as an individual and see how effective they actually are.

5. Finally, is the film going to get too bogged down with too many big-time stars?
I often ask this question whenever a film looks to have a massive cast list that includes a lot of A-list actors. Sometimes ensembles can work, but often times, there's just too much bravado on-screen for the audience to handle. Generally, I have faith in Nolan and his direction, so I'm holding out hope that this will all work out; however, here's a look at the major players who will be appearing in this film, some of whom I've already mentioned:

Christian Bale (as Bruce Wayne / Batman)
Tom Hardy (as Bane)
Gary Oldman (as Jim Gordon)
Anne Hathaway (as Selina Kyle / Catwoman)
Joseph Gordon-Levitt (as John Blake)
Marion Cotillard (as Miranda Tate)
Morgan Freeman (as Lucius Fox)
Michael Caine (as Alfred)
Juno Temple (as Holly Robinson)


I don't know about you, but that seems like quite the crowded screen...


And now, for the latest full-length trailer:


Now that you've had the chance to watch the latest trailer, take a look at the thoughts that crossed my mind while watching it:

1. We're seeing a lot of familiar faces in the trailer, but we're also being introduced to what may be a bigger character than previously anticipated. What's up with that?

As you may have noticed, we are seeing quite a few characters from previous films as well as some we've already met in past trailers. We catch glimpses of Batman, Catwoman, Gordon, Lucius Fox, Alfred and Bane, but the biggest change here is that we're getting our first real look at Joseph Gordon-Levitt's character. As of right now, all that is really known about the character is that his name is John Blake, and he's a beat cop assigned to work under Gordon. However, if you've been listening to the rumor mill as of late, there's a little bit of talk that John Blake may be the character that stands up to take Batman's place should something terrible befall our hero. Perhaps it's just Internet rumor, but I wouldn't doubt Nolan taking a chance to leave his mark on the franchise.

2. I also thought there was a lot more action in this trailer.
Although previous trailers - as well as the previous films in Nolan's Batman saga - have shown quite a bit of action, I never truly thought of these films as strictly action-based. However, there's definitely quite a bit happening in this latest trailer. We're getting snippets of the opening scene - the one with Bane on the airliner - that has already been played for millions of fans, but it's the second half of this trailer that truly shows quite a bit of battle. We even catch a glimpse or two of hand-to-hand combat between Bane and Batman, which should be quite the treat for the audience.

3. Speaking of a fight between Bane and Batman... I thought I saw Bane holding a broken Batman mask?
Your eyes did not deceive you. As we've already seen in one of the film's teaser posters, this trailer confirms that there will be a scene in which Bane will toss away a broken Batman mask. In one strain of the comic books, Bane is the villain who finally kills Batman, and there's been a lot of talk as to whether Nolan will be going that route with his saga. The continued images of a broken down Batman and Bruce Wayne make it seem as though this might be the case, and this trailer even goes so far as to suggest that Bane may have a bit of a personal vendetta against Wayne. At one point, after hurting and terrorizing our hero, Bruce asks Bane why he didn't just kill him. Bane simply replies, "Your punishment must be more severe."

4. Should we still be worried that we won't be able to understand Bane?
After the first few trailers were released, there was a growing panic amongst fans that Bane may be entirely inaudible. I'm not sure whether this trailer debunks that idea or if we've just grown accustomed to trying to figure out his dialogue, but he seemed to speak more clearly this time around. The quote I gave you above is easily the most understandable line he's uttered in the trailers, but even another line - "I'm Gotham's reckoning" - is moderately understandable. Perhaps there's hope after all.

5. What will the relationship between Batman and Catwoman be?
It's starting to seem more and more apparent that the two will be allies during the film. The first full-length trailer made it seem as though the two might have a bit of a conflicted relationship, but this new one shows them working side-by-side on many an occasion. The two do happen to have one of the more interesting dialogue exchanges in the new trailer, however:
Catwoman: You don't owe these people any more. You've given them everything.
Batman: Not everything. Not yet.
I'll let your mind run wild with what that might mean. I have too many theories running through my head at the moment. 

6. Holy smokes, Batman! Is that the Batwing? 
Yes. Yes, it is. We finally catch a glimpse of the Batwing, and boy does it already look glorious. I know the cast and crew had some issues with the Batwing during filming, but the final product looks as though it should bring quite a bit to the table. I suppose we'll still have to wait and see.

*****

Ultimately, all of these questions will have to wait until the film is released this summer. Until then, I can tell you that I'll be waiting (im)patiently until I am able to see the film hit the big screen.

The Dark Knight Rises will be released in U.S. theaters on July 20, 2012.

Sunday, August 28, 2011

Movie Review: INSOMNIA

INSOMNIA
2002
R


"A good cop can't sleep because he's missing a piece of the puzzle, and a bad cop can't sleep because his conscience won't let him."
-- Ellie Burr


Insomnia is a 2002 crime thriller directed by Christopher Nolan that centers around a murder investigation in a small town in Alaska. When the body of a seventeen-year-old girl is found, local authorities call for help from Los Angeles homicide detective Will Dormer (Al Pacino) and his partner Hap Eckhart (Martin Donovan) to aid in the investigation. With the help of Detective Ellie Burr (Hilary Swank), the trio starts to piece the puzzle together and soon finds a potential suspect. When they raid the man's cabin, however, Dormer gets lost in the fog and winds up shooting and killing his partner. Because no one else sees exactly what happens, Dormer blames the wanted suspect on the killing rather than taking the heat for the situation. His conscience starts to eat away at him, and he manages to be unable to sleep for his entire stay in Alaska, all while trying to solve the girl's murder. He finds the suspect, a local writer named Walter Finch (Robin Williams), but Finch blackmails Dormer by telling him that he saw what really happened with Dormer's partner. The two create a strange alliance that Dormer hopes will be mutually beneficial, but things continue to spiral out of control as Dormer continues to lose out on sleep.

Of Nolan's seven directorial efforts, Insomnia had been the only film I had yet to see. It had been staring at me from NetFlix's Instant Watch for months, but I finally had the time and the opportunity to sit down and give it a watch. I had always heard good things about the film, but it never really jumped out towards me as a must-see flick despite being directed by one of my favorite directors. Still, I figured I'd give it a shot at some point, and now seemed like just as good a time as any.

One of the first things you're going to notice is that it doesn't necessarily feel like a Nolan film. Of all of his directorial efforts, Insomnia is the only one that Nolan didn't write himself, so that probably explains the different type of feel. In a way, that hurts the film a little bit, but not by much. We're given a rather good screenplay, even if it's a little bit predictable. It's an interesting look at how insomnia can affect an individual's life. The only other film I remember seeing that portrayed an insomniac's lifestyle so effectively was the 2004 Christian Bale vehicle, The Machinist. Still, I just couldn't fall into this screenplay all that much because I could see exactly where it was going. That's not something you can say about Nolan-written scripts.

The acting is pretty solid in this one. Pacino is good as our lead, and even though I'm not the biggest Pacino fan, I thought he successfully drew in his normal, over-the-top personality and brought a quieter and more brooding performance for Insomnia. Sure, he delves into his typical over-the-top yelling persona a couple times, but old habits die hard, right? I thought Williams did a great job as the film's main antagonist. It's always fun to see an actor or actress try out a character different from anything they've done before, and I think that can be said about Williams' role in Insomnia. He brings an effective level of creepy to the screen that translates very well. Swank also does well in her supporting role, but I thought her character was a little under-utilized. There was definitely more opportunity to showcase her, but the filmmakers chose not to take it.

At the end of the day, Insomnia is a good film for Nolan's filmography, but it doesn't really hold a candle to his other work. Still, it's a decent flick that's head-and-shoulders above a lot of the other stuff being churned out by Hollywood nowadays, so I can't completely bash it. If you've got nothing else going on, give this one a view. Perhaps you'll enjoy it a little more than I did.



Movie Review SummaryGrade: B
1 Thumb Up


Addition to Awards
2002: Nominee - Best Supporting Actress, Drama

Monday, August 8, 2011

DVD Challenge #19: MEMENTO

Memento
2000
R
Run-time: 1 hour, 53 minutes

Directed by: Christopher Nolan
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano & Stephen Tobolowsky



The first time I heard about this film was during my freshman year of college at UC Santa Cruz. One of my roommates owned the DVD and had left it lying around our apartment's common room. The unique DVD case caught my attention, and I figured I'd give it a shot. At the time, the only Christopher Nolan fare I had seen was the 2005 film Batman Begins, so I wasn't entirely sure just what I was getting myself into. Two hours later, as I tried to peel myself off the floor, I thought about the experience I had just endured.

I think the easiest and best way to describe Nolan's Memento is to call it innovative and imaginative. He took a difficult medical condition - anterograde amnesia, which prevents those afflicted from creating new memories - and crafted a film around the condition that can only be called a masterpiece. Based on the screenplay alone, there's enough to love about this film. In line with the main character's thought process, the film moves in reverse, starting from the "end" and slowly working its way towards the "beginning." That may sound a little confusing, but those of you who have seen the film know exactly what I'm talking about. Because we have a reversed timeline, watching Memento is a movie-watching experience unlike any you have ever had.

To add to the originality of the screenplay, Nolan offers a number of twists and turns that would shock us were we moving in the proper direction in time. The audience is literally guessing until the very final moments of the film, and the ultimate pay-off brings one of the better film endings that I've ever had the privilege to see. I'd also like to take a moment to compliment some of the scene cuts and editing that Nolan utilizes to hint towards that ultimate pay-off. There's one particular scene where Leonard (Guy Pearce) is explaining the effects of anterograde amnesia on a man named Sammy Jankis (Stephen Tobolowsky) that holds a scene cut that I never noticed before today's viewing, but it offers a major clue towards the film's climax. Also, there's a moment in the climactic scenes where the film transitions from black-and-white to color in such a seamless fashion that I had to rewind the film to see exactly where the change occurred. It was just that smooth. So, kudos Mr. Nolan. Your brilliance knows no bounds.

In addition to the fantastic screenplay, we're also getting some great performances from the small but stellar cast. Pearce is a revelation as the film's lead, going as far into the role as is humanly possible. He's completely convincing as a man with short-term memory loss, and it's so easy to fall into his character. In the past, I wasn't sure whether I was too fond of either Pantoliano or Moss's characters, but after watching tonight, I've come around. In comparison to Pearce, there's really not much to say, but they definitely bring much-needed depth to their characters despite the lack of screen-time. We also get fantastic brief appearances from Tobolowsky and Harriet Sansom Harris, so be on the lookout for them.

Still, the actors would be nowhere without the brilliant screenplay that Nolan has brought to this film. The screenplay is what carries the film from start to finish, and I can guarantee you that it doesn't disappoint. If you haven't had the opportunity to watch Memento, I strongly recommend doing so. It's one of the defining films of the early 21st century, and it should be considered a near-masterpiece.

Rankings
Best All-Time - #57
Best Drama - #22

Awards
2000: 7 nominations, 4 wins

Previous DVD Challenge: THE ORPHANAGE (2007)

Saturday, July 30, 2011

Happy Birthday, Christopher Nolan!

Today, I'd like to wish Christopher Nolan a happy 41st birthday! Nolan has quickly become one of the premiere directors on the Hollywood scene with his ultra-successful Batman franchise and 2010's smash-hit Inception. My first introduction to his work was 2005's Batman Begins, and it's only been a flourish from there. While he doesn't have a massive number of films under his belt - he's directed seven films, six of which I've seen, since his directorial debut in 1999 - he has found a way to make each one of them simply astounding. I have yet to come across another director who has been so consistently proficient. Nolan ranks as my fifth favorite director of all time, and if you look closely at that list, you'll see that he and Sergio Leone are the only two directors who boast an 'A' for their films' average grade. So, as I usually do on birthday posts, I'm breaking down my five favorite of Nolan's films, giving you little snippets from each film for your viewing pleasure. Be sure to keep a weather eye out for Nolan in the future: his next directorial effort will be the third and final film in his Batman trilogy (2012's The Dark Knight Rises), and he is also producing and working on the screenplay for the new Superman film entitled Man of Steel. Because it seems as though everything this man touches turns to gold, I simply cannot wait for the rest of his career. Once again, happy birthday, Christopher!


5. Memento
2000


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4. The Prestige
2006


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3. The Dark Knight
2008


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2. Following
1999


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1. Inception
2010