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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, April 16, 2012

Movie Review: 8 MILE

8 MILE
2002
R


"So, I hear you're a real dope rapper."
-- Alex


8 Mile is a 2002 Academy Award-winning drama directed by Curtis Hanson that served as rapper Eminem's first major foray into the acting world. After he and his girlfriend separate, Jimmy Smith Jr. (Eminem), known by his friends as "B-Rabbit," makes his way home to his mother's (Kim Basinger) trailer in the hopes of finding his feet once again. An aspiring hip-hop artist, Rabbit agrees to attend a rap battle hosted by his close friend Future (Mekhi Phifer), but he chokes once on-stage and leaves the battle amidst taunts and jokes. Embarrassed, Rabbit attempts to commit himself to his work at a steel-pressing factory, where he crosses paths with a young woman named Alex (Brittany Murphy) with whom he immediately takes interest. At the same time, Rabbit is told by a friend named Wink (Eugene Byrd) who claims to have connections with hip-hop big-wigs that he has managed to secure studio time for Rabbit. Unfortunately, nothing plays out exactly as he plans, and Rabbit has to deal with a number of situations over the course of a week that culminate in his being signed up for another rap battle against his will.

I can distinctly remember when 8 Mile first hit theaters back in 2002. At the time, I wasn't much a fan of Eminem - or the rap and hip-hop genre, for that matter - but there was something intriguing about seeing him on the big screen. I ultimately had to wait for the film to be released on DVD before I had a chance to see it, and although I didn't fall in love with it immediately, I could instantly see its merits as a film. Today, the film holds a 76% approval rating on Rottentomatoes.com, where the critical consensus reads as follows:
Even though the story is overly familiar, there's enough here for an engaging ride.
And, the fact that the film managed to secure a win at the Academy Awards also heightens its desirability.

Now, the above critical consensus definitely hits the nail on the head. There's nothing truly revolutionary about the film's story or its storytelling style. We've all seen the underdog-beating-the-odds bit before, even in the realm of the musical world, but there's something just a tad bit different about this particular film. Maybe it's the fact that it's taking the rap genre head-on and manages to fire on all cylinders. In a way, the story is very autobiographical to the life of Eminem, who grew up as Marshall Mathers. At the time of the film's release, Eminem was the king of the rap world, and his superstardom drove millions to the theaters to take in the movie. Because the film tells such a personal story, it manages to draw forth quite a bit of emotion. Sure, it's not anything brilliant, but it's honest in its storytelling, and it keeps you rooting for Rabbit until the film's slightly predictable finale.

The acting in the film ranges from very good to relatively decent, and some of the lesser performances drag the movie down a bit. Eminem provides a strong lead, and he shows that he has enough gusto to hold his own in front of the camera. I also thought Murphy did well with a very shallowly-written character, though a little more character depth could have proven to be a brilliant turn. I also have to give a lot of credit to Byrd and to Evan Jones, who played Rabbit's friend Cheddar Bob. Sadly, the cast in its entirety does not flourish. Basinger is a bit bothersome, hamming it up and playing her character as over-the-top as one could possibly imagine. It works in a few scenes, but for the most part, you really just want her to shut up. Michael Shannon has a bit part that is also over-acted, but because he isn't on-screen for all that long, it's a little more forgivable. Also be on the lookout for a cameo from Xzibit.

The reason this film gained so much critical acclaim, however, was the song that won it an Oscar. The track, titled "Lose Yourself," shocked Oscar audiences - as well as Oscar presenter Barbra Streisand - when it nabbed the golden statuette. Lets take a trip down memory lane and give it a listen, shall we?



At the end of the day, 8 Mile isn't bringing anything brilliantly new to the table. However, it still manages to keep the viewer engaged, and it offers a very personal look at one of the more popular rappers and musical artists of the 21st century. If you're a fan of Eminem and you haven't seen the film, then this is probably a must-watch. If you're a fan of music and music-centric films, give this one a go. If you're neither of those, you might want to pass on this one, but know that even for someone who didn't necessarily care strongly for either of those in 2002, I still found 8 Mile to be rather enjoyable.



Movie Review Summary
Grade: B
1.5 Thumbs Up

Wednesday, October 26, 2011

Favorites: HORROR MOVIE SCORES

While great films are generally multi-faceted in their effectiveness, taking a solid screenplay and talented actors to craft an enjoyable cinematic experience, the best films also incorporate strong musical scores in order to set the overall mood. While some of the most iconic orchestral scores spawn from dramatic (i.e., The Godfather) or action (i.e., Star Wars) films, the horror genre has presented a plethora of memorable themes that continue to haunt viewers years past their original release dates. So, to start my "6 Days of Halloween," I've compiled my thirteen favorite horror film scores in order to set the mood for the days leading up to All Hallow's Eve. These are the scores that have stuck with me personally, haunting my dreams and reminding me of the horror that their films conveyed. Mind you: for this particular list, I ordered them in terms of their ability to scare me. Essentially, on a list of my favorite scores of all time, some of these might be ordered in a different way. So without any further delay, here's the list of my favorite horror movie scores. Don't let them keep you up too late tonight...


13. Child's Play
1988
Composed by: Joe Renzetti


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12. An American Werewolf in London
1981
Composed by: Elmer Bernstein


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11. Rosemary's Baby
1968
Composed by: Krzysztof Komeda


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10. It
1990
Composed by: Richard Bellis


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9. King Kong
1933
Composed by: Max Steiner


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8. Poltergeist
1982
Composed by: Jerry Goldsmith


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7. A Nightmare on Elm Street
1984
Composed by: Charles Bernstein


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6. Saw
2004
Composed by: Charlie Clouser


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5. ThanksKilling
2009
Composed by: Kajmir Royale


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4. Jaws
1975
Composed by: John Williams


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3. The Exorcist
1973
Composed by: Mike Oldfield


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2. Halloween
1978
Composed by: John Carpenter


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1. Psycho
1960
Composed by: Bernard Herrmann

Friday, March 25, 2011

Favorites: FILM SCORES (NOT BY JOHN WILLIAMS)

If you were reading my blog back in the beginning of February, you'll have noticed my post for John Williams' birthday. In it, I chronicled my ten favorite film scores composed by Mr. Williams, and I think I made a rather fantastic list. That being said, John Williams is not the only fantastic composer scoring movies, so it's only fair to give some other composers their due credit. So, I've compiled a list of my twenty-five favorite film scores that were not scored by John Williams. There's twenty-one different composers included in this list, so hopefully I've given you a bit of an eclectic mix. I'm giving snippets of the scores for your listening pleasure, so I hope all the links work. Enjoy!


25. THE COVE
Composed by: J. Ralph
2009


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24. SPIDER-MAN
Composed by: Danny Elfman
2002


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23. FINDING NEVERLAND
Composed by: Jan A.P. Kaczmarek
2004


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22. BACKDRAFT
Composed by: Hans Zimmer
1991


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21. MYSTIC RIVER
Composed by: Kyle Eastwood
2003
(This was the best I could find - it has a tiny bit of the score.)


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20. FRIDAY NIGHT LIGHTS
Composed by: Explosions in the Sky
2004


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19. THE DEPARTED
Composed by: Howard Shore
2006


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18. YOUNG FRANKENSTEIN
Composed by: John Morris
1974


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17. THE MUMMY
Composed by: Jerry Goldsmith
1999


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16. BATMAN BEGINS
Composed by: Hans Zimmer & James Newton Howard
2005


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15. INCEPTION
Composed by: Hans Zimmer
2010


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14. WATERWORLD
Composed by: James Newton Howard
1995


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13. BATMAN
Composed by: Danny Elfman
1989


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12. INDEPENDENCE DAY
Composed by: David Arnold
1996


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11. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING
Composed by: Howard Shore
2001


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10. HALLOWEEN
Composed by: John Carpenter
1978


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9. TITANIC
Composed by: James Horner
1997


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8. THE GODFATHER
Composed by: Carmine Coppola
1972


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7. THE GOOD, THE BAD AND THE UGLY
Composed by: Ennio Morricone
1967


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6. BACK TO THE FUTURE
Composed by: Alan Silvestri
1985


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5. TERMINATOR 2: JUDGMENT DAY
Composed by: Brad Fiedel
1991


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4. PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL
Composed by: Klaus Badelt
2003


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3. PAN'S LABYRINTH
Composed by: Javier Navarrete
2006


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2. PSYCHO
Composed by: Bernard Herrmann
1960


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1. BROKEBACK MOUNTAIN
Composed by: Gustavo Santaolalla
2005

Wednesday, March 23, 2011

Favorites: SONGS FROM FILM

I've been meaning to do this post for a while now, and I finally sat down and compiled the list. Basically, I'm running down my twenty-five favorite songs from movies from all of cinematic history - but I'm only using songs that were written specifically for a particular movie (or stage musical adapted to film). If I went with any song ever used in a movie, I'd overwhelm myself - I mean, that list would definitely include The Animals's "House of the Rising Sun" as seen in 1995's Casino. But I digress... This list will not include any songs from animated Disney films as I've already done a separate blog just specifically for my favorite Disney songs. I only picked one song from any particular movie, and that proved to be quite a struggle. Many of these songs come from musical films with amazing soundtracks, so picking just one song was rather difficult. Also, some of the songs do have strong language, so just know that going in. But that being said, here's my list. I hope you like it!


25. "Will You Be There"
Performed by: Michael Jackson
Free Willy (1993)

This song just brings back so many nostalgic memories of one of my favorite childhood films. And you knew I wasn't going to leave MJ off this list.

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24. "Mist and Shadow"
Performed by: Billy Boyd
The Lord of the Rings: The Return of the King (2003)

You'd be hard-pressed to find this song hidden on the film's soundtrack, but it's one of the strongest scenes in an already great movie.

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23. "Kickapoo"
Performed by: Tenacious D feat. Meat Loaf & Ronnie James Dio
Tenacious D in: The Pick of Destiny (2006)

"Kickapoo" is the opening number from Tenacious D's film, and it opens up with fantastic vocal cameos. It almost has that rock opera feel to it as well.

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22. "Men in Tights"
Performed by: Ensemble
Robin Hood: Men in Tights (1993)

Who doesn't burst into laughter whenever this song starts playing? There's some good songs in this movie, but "Men in Tights" takes the cake.

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21. "Stu's Song"
Performed by: Ed Helms
The Hangover (2009)

What DO tigers dream of when they take a little tiger snooze?

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20. "Pure Imagination"
Performed by: Gene Wilder
Willy Wonka & The Chocolate Factory (1970)

Willy Wonka's song early in the film sets the stage for the wonder we're about to experience. It really is "pure imagination."

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19. "Snakes on a Plane (Bring It)"
Performed by: Cobra Starship
Snakes on a Plane (2006)

Yes, this song is ridiculous, and some may call it downright terrible. But it was incredibly catchy at the time of the film's release, and it has stuck with me since.

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18. "Fever Dog"
Performed by: Stillwater
Almost Famous (2000)

How can I keep the fictional rock band Stillwater off this list, especially when they've got a song as good as "Fever Dog"?

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17. "La Resistance Medley"
Performed by: Ensemble
South Park: Bigger, Longer & Uncut (1999)

Because I couldn't really decide which song I liked most from the South Park movie, I went with the one that brings them all together in medley form.

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16. "(I've Had) The Time of My Life"
Performed by: Bill Medley & Jennifer Warnes
Dirty Dancing (1987)

Yes, this is a very good song - Oscar winning, in fact - and it definitely belongs on anyone's list of favorite movie songs. This one's for you, Dréa!

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15. "Hail, Holy Queen"
Performed by: Ensemble
Sister Act (1992)

I probably like this song a lot more than I should, but when my church's choir sings it every once in a while, I've grown to love it more and more.

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14. "Chim Chim Cher-ee"
Performed by: Dick Van Dyke & Julie Andrews
Mary Poppins (1964)

There's a ton of fantastic music in this Disney venture, but our chimney sweep song is just too good to pass, terrible accent and all.

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13. "Professional Pirate"
Performed by: Tim Curry & Ensemble
Muppet Treasure Island (1996)

Those of you who know me know that I have a tiny obsession with Tim Curry, so when he pops up in a very good Muppet film with a stirring solo, I'm not going to pass it by.

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12. "I Am a Man of Constant Sorrow"
Performed by: The Soggy Bottom Boys
O Brother, Where Art Thou? (2000)

The only way this song could possibly be better is if George Clooney were actually providing the lead vocals. Doesn't take away from its amazing-ness, though.

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11. "Blazing Saddles"
Performed by: Frankie Laine
Blazing Saddles (1974)

This is one of the most stirring and memorable theme songs I've ever heard, and I just love it. Kudos, Frankie Laine.

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10. "I Don't Want to Miss a Thing"
Performed by: Aerosmith
Armageddon (1998)

Yes, Aerosmith wrote this song just for the film Armageddon, as evidenced by its Golden Globe nomination. It was one the biggest hits as I entered adolescence.

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9. "Summer Nights"
Performed by: John Travolta, Olivia Newton-John & Ensemble
Grease (1978)

I really wanted to go with "Greased Lightning" here, but "Summer Nights" was too strong to ignore. It chronicles Danny and Sandy's love affair and leads them towards each other again. Too good!

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8. "Hot Patootie/Bless My Soul"
Performed by: Meat Loaf & Ensemble
The Rocky Horror Picture Show (1975)

This was probably the toughest movie from which to pick a single song. I could've easily gone with "The Time Warp" or "Rose Tint My World," but Meat Loaf's lone number has to take the cake as my favorite in the film. Oh, and check out John Stamos's fantastic rendition from "Glee."

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7. "Lose Yourself"
Performed by: Eminem
8 Mile (2002)

Eminem scored an Oscar for this song. If the Academy liked it enough to give HIM an award, then there must be something rather great about it.

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6. "Leave"
Performed by: Glen Hansard
Once (2007)

I still maintain that this is one of the most emotionally-charged songs I've ever heard, from a movie or not. Seeing it in the movie is almost unbearable (for me).

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5. "The Weary Kind"
Performed by: Ryan Bingham & T-Bone Burnett
Crazy Heart (2009)

It took me a little while to come around to this song, but I heard it one day, and it just struck a chord. The vocals are different, and the song's really simple, but the statement is brutally poignant.

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4. "So Close"
Performed by: Jon McLaughlin
Enchanted (2007)

I know that this song made my other music list, but it's definitely good enough to reach across the aisle and make a splash here.

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3. "Come What May"
Performed by: Ewan McGregor & Nicole Kidman
Moulin Rouge! (2001)

The best love song I've heard to date from a movie, bar only Aladdin's "A Whole New World."

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2. "Singin' in the Rain"
Performed by: Gene Kelly
Singin' in the Rain (1952)

A Clockwork Orange may have tainted this song for me a little bit, but there's no denying that the titular song from Gene Kelly's 1952 vehicle is one of the most iconic in film history.

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1. "Over the Rainbow"
Performed by: Judy Garland
The Wizard of Oz (1939)

If you're a lover of film, then there's no reason why you shouldn't absolutely love "Over the Rainbow." This is far and away my favorite movie song; nothing else even comes close. When those schoolkids performed it at the Academy Awards a month ago, it brought a tear to my eye. It's the quintessential movie song, and it's lasted over eighty years. That kind of staying power simply cannot be beat. So simple, and yet so brilliant.

Saturday, November 27, 2010

Favorites: DISNEY SONGS

For those of you who don't know, I saw Disney's 50th animated movie, Tangled, yesterday in theaters, and it got me thinking about my favorite Disney songs of all time. So, I have compiled a list of my twenty favorite ones. PLEASE UNDERSTAND that they are simply my favorite ones - I'm not saying they're the best ones of all time. My favorite does not mean I think they're the best. I tried to keep it to only animated movies, but one exception had to be made! But please, enjoy :]


20. "When She Loved Me"
from Toy Story 2



19. "Once Upon a Dream"
from Sleeping Beauty



18. "Friend Like Me"
from Aladdin



17. "The Bare Necessities"
from The Jungle Book



16. "Hakuna Matata"
from The Lion King



15. "Beauty and the Beast"
from Beauty and the Beast



14. "Why Should I Worry?"
from Oliver & Company



13. "Cruella de Vil"
from 101 Dalmatians



12. "Bella Notte"
from Lady and the Tramp



11. "Part of Your World"
from The Little Mermaid



10. "You've Got a Friend in Me"
from Toy Story



9. "I'll Make a Man Out of You"
from Mulan



8. "Kiss the Girl"
from The Little Mermaid



7. "I See the Light"
from Tangled



6. "You'll Be in My Heart"
from Tarzan



5. "Go the Distance"
from Hercules



4. "Best of Friends"
from The Fox and the Hound



3. "So Close"
from Enchanted



2. "When You Wish Upon a Star"
from Pinocchio



1. "A Whole New World"
from Aladdin

Monday, October 18, 2010

Movie Review: SEX & DRUGS & ROCK & ROLL

SEX & DRUGS & ROCK & ROLL
2010
Not Rated


You can watch the trailer here

I first heard about Sex & Drugs & Rock & Roll a few months ago on the tailwind of early Oscar talk. All the buzz for the film centered around the lead performance of Andy Serkis, most famous for his work as Gollum in The Lord of the Rings trilogy, as Ian Dury. Admittedly, I knew absolutely nothing about Dury or his life going into the film, but considering the film's title, I could easily imagine just what the movie might entail.

Unfortunately, you can easily predict every twist and turn this movie's going to take. Perhaps Dury's life actually went like this, but it's essentially the standard tale of every rock and roll legend: they gain fame, the fame gets to their head, they dabble in drugs, they crash, they resurrect, then they die. In that sense, I just felt like I'd seen this story oh so many times before. This screenplay was a little jumbled, and it skipped over a lot of time without really making much reference to the in-between stages. It seemed as though director Mat Whitecross and writer Paul Viragh wanted to focus on the ups and downs of Dury's career rather than his music or his influence on the punk genre.

If the film does have one thing going for it, it's the acting. Serkis is every bit as good as the buzz suggests, and he's extremely captivating to watch. He brings a wide range of emotions to Ian Dury, and it makes him a likable lead worthy of your full attention. In addition, we have a few supporting characters that definitely carry their own weight. Naomie Harris is great as Dury's girlfriend Denise, and Bill Milner is fantastic as his son Baxter. I have no beef with the performances in the film; every actor brings something to the table.

Still, I just couldn't find a way to bring myself fully into the film. I'm gonna have to say it's a result of the jumbled screenplay that started off strangely and didn't give me the opportunity to implant myself in the film. However, Sex & Drugs & Rock & Roll may be worth the watch simply for Serkis's great performance.

Grade: C+
Thumb... Sideways

Tuesday, October 12, 2010

Movie Review: GET HIM TO THE GREEK

GET HIM TO THE GREEK
2010
R


You can view the trailer here

Two years after the smash hit Forgetting Sarah Marshall, director Nicholas Stoller once again teamed up with British comic superstar Russell Brand to take another look at his character, the raunchy-yet-lovable rock-n'-roll superstar Aldous Snow. This time around, Brand steps more to the forefront of the storyline, teaming up with Jonah Hill as Hill's character (Aaron Green) tries to get Snow back to Los Angeles in time for an anniversary concert at the Greek Theater. As one can imagine, the trip from London to Los Angeles doesn't go exactly as planned; however, the hilarity that ensues makes the movie worth watching. I mean, who would want to watch a movie about a record company intern completely controlling an out-of-control musician? It would be downright boring.

Stoller wrote the screenplay and really takes the audience into the lifestyle of the no-longer sober Aldous. Rather than following along with Aaron's strict desire to do his job, Snow pulls him into the partying lifestyle to which he has become accustomed. Essentially, we watch the pair move from city to city and party to party, consuming a plethora of drugs and alcohol along the way. The film even has its serious moments, where Brand showcases that he can turn a little bit darker. It made me want to see him in a more dramatic role someday.

Unfortunately, I found that the movie did get a little too mired down in its own brooding close to the end. I understand what Stoller was going for (the aging rocker out of his prime coming to grips with the fact that he feels alone in the world), but something just didn't click with it all. Whereas Forgetting Sarah Marshall balanced the comedy and drama very well, Get Him just didn't have the same type of flow.

In terms of acting, there isn't really that much to complain about. Brand resurrects Aldous Snow in true form, and it's a delight to see him grace the screen once again. Hill plays his typical self, which is getting run a little bit dry, but his personality counters Brand well this time around. Surprisingly, Sean 'Diddy' Combs stood out with the most comedic value throughout the movie. He's not by any means a good actor, but his manic approach to the owner of a record-production company who knows how to treat his artists proved to be downright hilarious. A number of cameo appearances also add a little fun, with the likes of Aziz Ansari, Meredith Vieira, and a somewhat-random Tom Felton adding to the hilarity.

If Get Him to the Greek does anything right, it's the inclusion of some more original material from Aldous Snow's band, Infant Sorrow. In Forgetting Sarah Marshall, we got tastes of "We've Got to Do Something" and "Inside of You." Now that Brand is essentially the star, we get a slew of new material, highlighted by the ever-awful "African Child (Trapped in Me)," "The Clap," and "Furry Walls." In fact, nearly the entire soundtrack (available on iTunes) is comprised of songs by Infant Sorrow. Just the music makes this one worth watching.

Movie Review Summary:
Grade: B
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