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Showing posts with label Aziz Ansari. Show all posts
Showing posts with label Aziz Ansari. Show all posts

Wednesday, August 17, 2011

Movie Review: 30 MINUTES OR LESS

30 MINUTES OR LESS
2011
R


"Guess what? You just brought a gun to a bomb fight, officer!"
-- Nick


30 Minutes or Less is a 2011 action comedy directed by Ruben Fleischer that centers around a young man's attempt to rob a bank in order to save his own life. One night, down-on-his-luck pizza delivery boy Nick (Jesse Eisenberg) makes a delivery to a seemingly abandoned junkyard where he is ambushed and attacked. When he awakes the next morning, he finds a bomb strapped to his chest. His attackers tell him that they need him to rob a bank and bring them $100,000, and if he doesn't comply, they'll set off the bomb. Nick quickly runs to his best friend Chet (Aziz Ansari) for help with the plan. At the same time, we learn that Nick's attackers are two low-level low-lifes named Dwayne (Danny McBride) and Travis (Nick Swardson), who need the money in order to hire a hitman (Michael Peña) to murder Dwayne's dad (Fred Ward) so that he can collect on his massive inheritance. These conflicting storylines add to the drama and the misadventure of both parties, making the simple plan go awry time and time again.

I'll start by saying that 30 Minutes or Less is definitely an acquired taste. It's one of those films that you'll only enjoy if you like this particular brand of humor. When you have four main leads who essentially play the same character in every one of their films, it's a little difficult for this one to branch off and become its own entity. Eisenberg plays the fast-talking nerdy guy who's a little down on his luck but still thinks he's smarter than everyone else. Aziz Ansari is over-the-top and loud, yelling half his lines for comedic effect. Danny McBride is... Danny McBride - there's not much more explanation needed there. Swardson breaks a little bit from his standard, but it's not much. So our big four in the film aren't bringing anything new and different to this one, so I couldn't help but picture them in their other movies. That doesn't bode well for 30 Minutes or Less. Still, we get a couple of good moments from Michael Peña, who proves to be the funniest character in the film.

Now the screenplay works relatively well considering the the storyline. I liked how they intersected the conflicts that both Nick/Chet and Dwayne/Travis face throughout the film, and some of the situational comedy works the best. Normally, I would blame the dialogue for some of the acting atrocities here, but considering who's in the film, the blame might belong to the actors themselves this time around. That being said, the film does move forward quickly and proves to be well-paced, so that should be commended. Some of the laughs are a little bit stale, but the action sequences, although few and far between, are some of the film's highlights.

30 Minutes or Less is Ruben Fleischer's second directorial effort - his first was 2009's Zombieland - and it's definitely a step down from that first film. Still, it's difficult to compare the two films considering the genres are slightly different, but as an overall entertaining experience, 30 Minutes doesn't even come close. It generated a few laughs here and there, and it kept my attention throughout, but there's nothing lasting or memorable about what occurs on-screen. I wouldn't recommend seeing this one in theaters, but it might be good for a late-night viewing once you're able to rent it.



Movie Review Summary
Grade: C
Thumbs Sideways

Tuesday, October 12, 2010

Movie Review: GET HIM TO THE GREEK

GET HIM TO THE GREEK
2010
R


You can view the trailer here

Two years after the smash hit Forgetting Sarah Marshall, director Nicholas Stoller once again teamed up with British comic superstar Russell Brand to take another look at his character, the raunchy-yet-lovable rock-n'-roll superstar Aldous Snow. This time around, Brand steps more to the forefront of the storyline, teaming up with Jonah Hill as Hill's character (Aaron Green) tries to get Snow back to Los Angeles in time for an anniversary concert at the Greek Theater. As one can imagine, the trip from London to Los Angeles doesn't go exactly as planned; however, the hilarity that ensues makes the movie worth watching. I mean, who would want to watch a movie about a record company intern completely controlling an out-of-control musician? It would be downright boring.

Stoller wrote the screenplay and really takes the audience into the lifestyle of the no-longer sober Aldous. Rather than following along with Aaron's strict desire to do his job, Snow pulls him into the partying lifestyle to which he has become accustomed. Essentially, we watch the pair move from city to city and party to party, consuming a plethora of drugs and alcohol along the way. The film even has its serious moments, where Brand showcases that he can turn a little bit darker. It made me want to see him in a more dramatic role someday.

Unfortunately, I found that the movie did get a little too mired down in its own brooding close to the end. I understand what Stoller was going for (the aging rocker out of his prime coming to grips with the fact that he feels alone in the world), but something just didn't click with it all. Whereas Forgetting Sarah Marshall balanced the comedy and drama very well, Get Him just didn't have the same type of flow.

In terms of acting, there isn't really that much to complain about. Brand resurrects Aldous Snow in true form, and it's a delight to see him grace the screen once again. Hill plays his typical self, which is getting run a little bit dry, but his personality counters Brand well this time around. Surprisingly, Sean 'Diddy' Combs stood out with the most comedic value throughout the movie. He's not by any means a good actor, but his manic approach to the owner of a record-production company who knows how to treat his artists proved to be downright hilarious. A number of cameo appearances also add a little fun, with the likes of Aziz Ansari, Meredith Vieira, and a somewhat-random Tom Felton adding to the hilarity.

If Get Him to the Greek does anything right, it's the inclusion of some more original material from Aldous Snow's band, Infant Sorrow. In Forgetting Sarah Marshall, we got tastes of "We've Got to Do Something" and "Inside of You." Now that Brand is essentially the star, we get a slew of new material, highlighted by the ever-awful "African Child (Trapped in Me)," "The Clap," and "Furry Walls." In fact, nearly the entire soundtrack (available on iTunes) is comprised of songs by Infant Sorrow. Just the music makes this one worth watching.

Movie Review Summary:
Grade: B
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