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Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Thursday, May 31, 2012

Movie Review: PIRANHA 3D

PIRANHA 3D
2010
R


"The first bite draws blood. The blood draws the pack."
-- Mr. Goodman

Piranha 3D is a 2010 horror-comedy directed by Alexandre Aja that serves as a remake of the 1978 film of the same name. When an underwater earthquake causes a rift to open on the floor of Lake Victoria, another subterranean lake is exposed to the surface. Within those depths lie thousands of allegedly extinct piranha who come up to feast right around the time of the annual Lake Victoria spring break festivities. Saddened by the fact that he's stuck babysitting his younger siblings, Jake Forester (Steven R. McQueen) willingly accepts an invitation to be a "location scout" for Derrick Jones (Jerry O'Connell) and his Wild Wild Girls film crew. The son of local sheriff Julie Forester (Elisabeth Shue), Jake knows that what he's doing goes against everything she probably wants; what he doesn't know, however, is that there is a very fishy menace lurking just beneath the water's surface. And with the throngs of college co-eds partying out on the lake, it's only a matter of time until the massacre can ensue.

I wanted to re-watch Piranha 3D in anticipation of the sequel, Piranha 3DD, which is set for release tomorrow. As many of you may have seen in my 2012 Summer Movie Preview, I'm rather excited for the sequel, and all of that excitement stems from the fact that I loved its predecessor oh so much. Now, I'm sure there are a lot of you scratching your heads, wondering why anyone could ever love a movie like Piranha 3D, but if you'll allow it, I shall explain.

Now, I could start off by talking about the screenplay or the acting or any of those typical facets of film that I usually like to talk about, but the point would be a bit moot. The acting is decent considering the genre - although, I was then and still am impressed with O'Connell's superbly comedic performance - and we're getting a slew of fantastic cameo appearances from the likes of Richard Dreyfuss, Christopher Lloyd and Eli Roth, as well as a pitch-perfect over-the-top bit by Ving Rhames. There are a few other actors who play more important plot roles - namely, Adam Scott and Jessica Szohr - but it's really the bit appearances and the leads who steal the show. And the screenplay is your run-of-the-mill horror creature tale: creature escapes, creature kills people, heroes fight back. That's really all it boils down to. However, there's something about this film that makes it just a little bit better.

At its very base, the film industry relies on one standard: to entertain the audience. When we go to the movies, we can have a slew of emotions. Sometimes we laugh, sometimes we cry, sometimes we scream in terror. But a good film will deliver whatever emotion it hopes to convey, and in that moment, we as the audience can be entertained. This is where Piranha 3D excels. Yes, the story and the concept are ridiculous. Yes, the special effects are shoddy and over-the-top. And yes, there's nothing terribly profound about anything that happens. But it still proves to be one of the more entertaining films in recent years. It goes all out and never lets off the gas, and although it's ridiculous, I still can't help but smile and laugh and cringe along with it all.

To be fair, I should probably say that my biggest love for this film is the fact that it directly references Jaws - admittedly my favorite film of all time - on many an occasion. From the very get-go, we're getting a steady stream. In the opening scene, we see an elderly Richard Dreyfuss essentially reprising his role from Jaws (although it isn't credited as such, most likely for copyright reasons and all that jazz). He's singing along to "Show Me the Way to Go Home" on the radio whilst attempting to catch a "fast fish." Fast-forward a little bit, and we see Ving Rhames' deputy talking about how the spring break season is a "big financial week for our town." Any fans of Jaws will be squealing with glee at these references. Or maybe it's just me being a fanatic. I'll admit that's definitely a possibility.

When it was released in 2010, Piranha 3D actually became one of the surprise critical and commercial successes of the summer. After spending a modest budget of $24 million to make the film, it returned over $83 million worldwide, and a lot of that success had to do with positive word of mouth. As of today, the film holds a seventy-three percent approval rating on Rottentomatoes.com, where one can find the following consensus:
Playing exactly to expectations for a movie about killer fish run amok, Piranha 3D dishes out gore, guffaws and gratuitous nudity with equal glee.
I couldn't have said it better myself.


Movie Review Summary
Grade: B
Should You Watch It? Yes

Saturday, February 25, 2012

Top 10 Films of 2010

The year is 2010, and a lot has happened in the movie world. To help take you back in time, here's a look back at some of the film-related events that took place:
Toy Story 3 becomes the year's highest-grossing film, earning over $1.06 billion at the worldwide box office.
The King's Speech wins the Academy Award for Best Picture as well as three other awards, including Best Director (Tom Hooper), Best Actor (Colin Firth) and Best Original Screenplay.

The world loses the likes of Zelda Rubinstein, Peter Graves, John Forsythe, Gary Coleman, Dennis Hopper, Rue McClanahan and Leslie Nielsen.
I've been able to see 132 films released in 2010, and from those, I've compiled my own top ten list. As one can imagine, some great films had to be left off the final list. Here's a look at some of the movies (listed alphabetically) that just missed the cut:

Easy A
Exit Through the Gift Shop
Nowhere Boy
The Town
Toy Story 3

But enough about the runners-up; here's the list you've been waiting to see! Counting down from number ten to number one, I've listed each film and have given the principal cast list as well as if and how fared at the Academy Awards. Also, I've listed the film's rank on my "Best Films of All-Time" list, if applicable. So without any further delay, here's my top ten movies of 2010!

*****

10. Blue Valentine
Rated: R
Directed by: Derek Cianfrance
Starring: Ryan Gosling, Michelle Williams, Faith Wladyka, John Doman
Academy Awards: 1 nomination
All-Time Ranking: 132
***
Originally rated NC-17, Blue Valentine gained some much-desired publicity after a very public effort to reduce the rating down to a more reasonable R. As a result, I was able to see the film in theaters, and I was thoroughly surprised by just how good it was. It's a strange film that leaves you feeling a little bit strange and a lotta bit dirty, but the performances by Gosling and Williams, who received an Academy Award nomination for her work, as so darn good that it's hard not to like this movie to some degree. You're not going to like the story, and you're probably not going to like the characters, but you can easily appreciate the talent level of the actors bringing those characters to life. Just be ready for a very awkward film that proves to be brilliantly beautiful at the same time.

*****

9. Tangled
Rated: PG
Directed by: Byron Howard, Nathan Greno
Starring: Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman, Jeffrey Tambor, Brad Garrett
Academy Awards: 1 nomination
All-Time Ranking: 130
***
I'm going to get a lot of grief about placing Tangled ahead of Toy Story 3, but I had to go with the original fare over another sequel, no matter how good it might have been (I scored the films in the same way). Disney's first foray into the concept of a three-dimensional princess tale proved to be much better than anyone probably expected, and although it may take a little time for it to turn into a Disney classic, it's still offered quite a few memorable moments, like the song "I See the Light." It's a magical tale and deserves recognition alongside the former Disney princess tales.

*****

8. The King's Speech
Rated: R
Directed by: Tom Hooper
Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce
Academy Awards: 12 nominations, 4 wins
All-Time Ranking: 129
***
The eventual Best Picture winner, there truly was a lot to like about The King's Speech. From the moment I saw the film's first trailer the summer before its release, I was calling it the front-runner in the Best Picture race, and it offered everything necessary to win the award. It has a great screenplay, and it's cemented by stellar acting performances from Firth and Rush, and even Bonham Carter manages to make a few memorable moments. Although I don't agree that it was the best film of 2010, I still highly recommend this film and think it should be seen by any cinephile.

*****

7. The Social Network
Rated: PG-13
Directed by: David Fincher
Starring: Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Rooney Mara, Armie Hammer
Academy Awards: 8 nominations, 3 wins
All-Time Ranking: 128
***
The Social Network was the film that gave The King's Speech the biggest run for its money, and I personally thought it was a better film, if only slightly better. I thought Eisenberg did a great job as the lead, and I was blown away by Armie Hammer's dual portrayal of the antagonistic twins, but it really came down to Fincher's direction that made this film so great. He was able to establish a specific tone and feel from the outset, and it carries through the entire film. It's this tone that truly makes the film something special; the acting and all that is ancillary in comparison.

*****

6. Get Low
Rated: PG-13
Directed by: Aaron Schneider
Starring: Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black
All-Time Ranking: 126
***
Get Low was a little film released over the summer that I'm sure not many people had the opportunity to see. It featured a stellar performance by Robert Duvall as an old hermit who was well-feared around the nearby communities. As he finds himself approaching his death, the hermit enlists an undertaker to set up a living funeral for him so that he can hear the stories that people tell as well as give his own life story in the hopes that those who have feared him for years will finally be able to understand him. It's a quiet and beautifully-crafted tale, and Duvall's character's final story of his life is heart-wrenching, to say the least. This one's going to pull at the heartstrings.

*****

5. The Kids Are All Right
Rated: R
Directed by: Lisa Cholodenko
Starring: Annette Bening, Julianne Moore, Mia Wasikowska, Josh Hutcherson, Mark Ruffalo
Academy Awards: 4 nominations
All-Time Ranking: 113
***
A quirky, offbeat dramatic comedy centered around a lesbian couple and their children, The Kids Are All Right offers quite the character study of a number of characters throughout the course of the film. The central two arcs lie with Bening and Moore's characters, but we're also getting some interesting arcs from the supporting actors in Wasikowska and Hutcherson, who simply want to have some sort of relationship with their biological father. It's a strange tale fueled by a strange familial situation, but for whatever reason, the film works and proves to be both funny and heart-warming.

*****

4. Waking Sleeping Beauty
Rated: PG
Directed by: Don Hahn
All-Time Ranking: 70
***
This one is probably more of a personal pleasure than anything else, but I found it to be a well-crafted documentary that was able to stir my emotions. It tells the story of Disney Animation from the mid-1980s to the mid-1990s, showing how the studio was able to break out of a slump and enter into their "Renaissance" period with films like The Little Mermaid, Beauty and the Beast and The Lion King. It's an impassioned story about the men and women who worked day and night to bring Disney animation back to its former glory, and you get a real sense of accomplishment as you watch them work. This is an absolute must-see for any Disney fan.


*****

3. 127 Hours
Rated: R
Directed by: Danny Boyle
Starring: James Franco, Clémence Poésy
Academy Awards: 6 nominations
All-Time Ranking: 51
***
I actually saw this film at an advance screening a few months before it was released to the public, and I was absolutely blown away by the power that the film held. Franco gives a tour-de-force performance as Aron Ralston, the man who's arm became trapped underneath a rock as he hiked in Utah. Anyone familiar with Ralston's story will know how the film will end, and yet, there's still no way to prepare yourself for this climactic moments. However, it's the time Ralston spends stuck in the canyon that really makes this film, as we see Franco slowly drift into delirium and madness. A truly remarkable spectacle.

*****

2. Inception
Rated: PG-13
Directed by: Christopher Nolan
Starring: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Marion Cotillard, Pete Postlethwaite, Michael Caine
Academy Awards: 8 nominations, 4 wins
All-Time Ranking: 42
***
I had been waiting for Inception since I first heard bits and pieces of the cast list over a year prior, and when I finally sat down and watched it on opening day, I thought it was the greatest film I had ever seen. I loved it so much that I went to see it again the following day, and I was further impressed by the screenplay and storyline. A few months later, I purchased the DVD and watched the film a third time, and I started to see a few holes here and there, but Inception still has enough bravado and originality to keep it as one of the better films released in the past few years. Nolan cements himself as a creative genius with this one.

*****

1. Black Swan
Rated: R
Directed by: Darren Aronofsky
Starring: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder
Academy Awards: 5 nominations, 1 win
All-Time Ranking: 23
***
In my movie-watching lifetime, I have only been rendered speechless by three films. The first was the iconic 1972 film, The Godfather, the second was 2007's No Country for Old Men and the third was Black Swan. Everything about the film was firing on all cylinders, from the pitch-perfect acting to the perfectly-crafted screenplay that parallels the storyline of Swan Lake with the story that Portman's character is living. It's this parallel that makes the film all the more powerful, and when the film's final credits began to roll, I simply couldn't find the words to express how I felt. This is Aronofsky's masterpiece.

Monday, August 29, 2011

Movie Review: BIRDEMIC: SHOCK AND TERROR

BIRDEMIC: SHOCK AND TERROR
2010
Not Rated


"I hear a mountain lion! I gotta get back to my house, and you better get to your car!"
-- Tree Hugger

Birdemic: Shock and Terror is a 2010 horror film directed by James Nguyen that centers around freak flocks of birds attacking citizens in a small town in northern California. At the beginning of the film, we see the budding relationship between software salesman Rod (Alan Bagh) and fashion model Nathalie (Whitney Moore). As the two become closer and closer, they start to take their relationship to deeper, more intimate levels. After spending an evening in a motel in a small town, a flock of eagles starts to attack the outside of their room, crashing into the window in an attempt to get inside. They team with another young couple, Ramsey (Adam Sessa) and Becky (Catherine Batcha), and together, they flee the motel. Along their road to survival, they meet Dr. Jones (Rick Camp), who tells the group that global warming has led the birds to their inexplicable acts of rage. As the group tries to stay alive, they face more and more danger, and it takes more and more willpower just to keep moving on.

Have you ever driven down the highway and seen an accident, and as bad as it may look, there's simply no way for you to take your eyes away? That's Birdemic. From the very start, I knew I was witnessing one of the absolute worst pieces of cinema I had ever beheld, but I was powerless to avert my eyesight from the television screen. There's absolutely nothing going right for this film, and it's a trainwreck from the opening credits.

Let's start with the premise: we're obviously stealing the very concept of Alfred Hitchcock's 1963 classic, The Birds, and appropriating it to modern times. Unfortunately, the screenplay does absolutely nothing to aid this contemporary telling of the story. For the first forty-five minutes, all we see is the courtship between our two stars. It takes half the movie for us to see our first bird attack, and boy is it a doozy. The eagles start to kamikaze themselves into gas stations, causing mass explosions. Then they start to attack the motel. Then they chase anything and everything outside, as long as it's in the film's direct shot. For whatever reason, the computer-generated birds seem to avoid the background cars that continue to roll down the highway as though there's no danger whatsoever. Trust me, there's continuity issues galore in this one. And please don't get me started about this film's political agenda. Now, I have no problem with films exploring political issues and making statements, but when they're made this blatantly in such a humdrum manner, I almost find it offensive. To use a film like this as a backdrop for your ideas on political issues is almost a slap in the face to the people who agree with your statement.

The camera editing is also atrocious in the first half of the movie. To be fair, Birdemic is an incredibly low-budget flick, but if a twelve-year-old with a modest budget can make higher-quality work, then there's something to be said about the badness that these adults bring to the screen. The editing is so bad that it's laughable, but luckily, it clears up a bit once the attacks star to occur. Unfortunately, that's when we're given our wonderful dose of CGI birds. Again, this is a low-budget film, but I honestly think they could've done a little bit better than what they brought to the table.

And what can I say about the acting? Bashing our male lead alone would be enough for me to write an entire paragraph, but I won't get into the specifics for each and every character. Moore is the shining point of the film, and she's terrible at best. Some of the supporting characters are equally atrocious, including the cameo from our Tree Hugger (Stephen Gustavson), who was quoted above.

Even the soundtrack is downright horrendous. I mean, it's not like the music itself is bad, but it all feels so pretentious that it makes you laugh right alongside it. Seriously, this film should have a laugh track.

All that being said, I have to say that I absolutely loved this film. It easily falls into the "so bad, it's good" category, and I found myself completely entertained from start to finish. I was rolling with laughter from the opening credits, and I continued to do so when the end credits crawled across the screen. There's no shock, and there's no terror, but there's definitely plenty of comedy. If you're a fan of trash films, Birdemic is a definite must-see. I can guarantee that you'll be highly entertained. I just can't wait to see the sequel.



Movie Review Summary
Grade: F
1.5 Thumbs Up


Rankings
Worst All-Time: #2

Tuesday, April 12, 2011

Movie Awards: BEST OF 2010

Here it is, my "Best of 2010" awards! Below are thirty categories of nominees chronicling a wide spectrum of cinematic techniques. These awards encompass nominees from the 132 films from 2010 I've been able to see. As it currently stands, there are fifty-six films nominated in these awards, with Black Swan holding the most nominations at seven.

And so, without any further delay, here are my "Best of 2010" awards!

*****

Best Animation
Nominees:
How to Train Your Dragon
Megamind
Metropia
Tangled
Toy Story 3

Winner: Toy Story 3

*****

Best Visual Effects
Nominees:
Alice in Wonderland
Inception
Scott Pilgrim vs. The World
Skyline
TRON: Legacy

Winner: Scott Pilgrim vs. The World

*****

Best Original Song
Nominees:
Cher for "You Haven't Seen the Last of Me," Burlesque
Mandy Moore & Zachary Levi for "I See the Light," Tangled
Randy Newman for "We Belong Together," Toy Story 3
Rikka Rikka for "Life in a Nutshell," The Parking Lot Movie
Russell Brand for "Going Up," Get Him to the Greek

Winner: Mandy Moore & Zachary Levi

*****

Best Original Score
Nominees:
Alex Lasarenko, Cropsey
Alexandre Desplat, The King's Speech
Carter Burwell, True Grit
Daft Punk, TRON: Legacy
Hans Zimmer, Inception

Winner: Hans Zimmer

*****

Best Cameo or Brief Appearance
Nominees:
Derek Jeter, The Other Guys
Jackie Earle Haley, Shutter Island
James Franco, Date Night
Michael Sheen, TRON: Legacy
Richard Dreyfuss, Piranha

Winner: James Franco

*****

Best Young Star
Nominees:
Chloë Grace Moretz, Kick-Ass
Dakota Fanning, The Runaways
Hailee Steinfeld, True Grit
Kodi Smit-McPhee, Let Me In
Madeline Carroll, Flipped

Winner: Dakota Fanning

*****

Best Villain
Nominees:
Barry Pepper, True Grit
Ben Mendelsohn, Animal Kingdom
Helena Bonham Carter, Alice in Wonderland
Jackie Earle Haley, A Nightmare on Elm Street
Peter Andersson, The Girl with the Dragon Tattoo

Winner: Jackie Earle Haley

*****

Best Vocal Performance
Nominees:
Alan Rickman, Alice in Wonderland
Donna Murphy, Tangled
Johnny Depp, When You're Strange
Steve Carell, Despicable Me
Timothy Dalton, Toy Story 3

Winner: Donna Murphy

*****

Best Supporting Actress, Comedy
Nominees:
Anne Hathaway, Alice in Wonderland
Ellen Wong, Scott Pilgrim vs. The World
Julianne Moore, The Kids Are All Right
Patricia Clarkson, Easy A
Rose Byrne, Get Him to the Greek

Winner: Julianne Moore

*****

Best Supporting Actress, Drama
Nominees:
Anne-Marie Duff, Nowhere Boy
Dianne Wiest, Rabbit Hole
Helena Bonham Carter, The King's Speech
Melissa Leo, The Fighter
Mila Kunis, Black Swan

Winner: Anne-Marie Duff

*****

Best Supporting Actor, Comedy
Nominees:
Chris Evans, The Losers
John Mahoney, Flipped
Kieran Culkin, Scott Pilgrim vs. The World
Stanley Tucci, Easy A
Steve Carell, Dinner for Schmucks

Winner: Stanley Tucci

*****

Best Supporting Actor, Drama
Nominees:
Armie Hammer, The Social Network
Christian Bale, The Fighter
Geoffrey Rush, The King's Speech
Jeremy Renner, The Town
Michael Shannon, The Runaways

Winner: Christian Bale

*****

Best Actress, Comedy
Nominees:
Annette Bening, The Kids Are All Right
Chloë Grace Moretz, Kick-Ass
Emma Stone, Easy A
Julianna Margulies, City Island
Tina Fey, Date Night

Winner: Annette Bening

*****

Best Actress, Drama
Nominees:
Hye-ja Kim, Mother
Michelle Williams, Blue Valentine
Natalie Portman, Black Swan
Nicole Kidman, Rabbit Hole
Noomi Rapace, The Girl with the Dragon Tattoo

Winner: Natalie Portman

*****

Best Actor, Comedy
Nominees:
Andy Garcia, City Island
Edward Norton, Leaves of Grass
Johnny Depp, Alice in Wonderland
Kevin Spacey, Casino Jack
Steve Carell, Date Night

Winner: Kevin Spacey

*****

Best Actor, Drama
Nominees:
Colin Firth, The King's Speech
George Clooney, The American
James Franco, 127 Hours
Robert Duvall, Get Low
Ryan Gosling, Blue Valentine

Winner: James Franco

*****

Best Director
Nominees:
Ben Affleck, The Town
Christopher Nolan, Inception
Danny Boyle, 127 Hours
Darren Aronofsky, Black Swan
David Fincher, The Social Network

Winner: Darren Aronofsky

*****

Best Screenplay, Comedy
Nominees:
Andrew Scheinman & Rob Reiner, Flipped
Bert V. Royal, Easy A
Dan Fogelman, Tangled
Lisa Cholodenko & Stuart Blumberg, The Kids Are All Right
Michael Ardnt, Toy Story 3

Winner: Michael Ardnt

*****

Best Screenplay, Drama
Nominees:
Aaron Sorkin, The Social Network
Andres Heinz, John J. McLaughlin & Mark Heyman, Black Swan
Catfish
Christopher Nolan, Inception
Danny Boyle & Simon Beaufoy, 127 Hours

Winner: Christopher Nolan

*****

Best Cast, Vocal
Nominees:
Despicable Me
How to Train Your Dragon
Megamind
Tangled
Toy Story 3

Winner: Tangled

*****

Best Cast, Comedy
Nominees:
Casino Jack
Easy A
Flipped
The Kids Are All Right
Scott Pilgrim vs. The World

Winner: The Kids Are All Right

*****

Best Cast, Drama
Nominees:
Black Swan
The Fighter
The King's Speech
Nowhere Boy
The Social Network

Winner: The King's Speech

*****

Best Documentary
Nominees:
Cropsey
Exit Through the Gift Shop
The Parking Lot Movie
Waking Sleeping Beauty
When You're Strange

Winner: Waking Sleeping Beauty

*****

Best Foreign Language Film
Nominees:
The Girl Who Played with Fire
The Girl with the Dragon Tattoo
John Rabe
Mother
A Prophet

Winner: Mother

*****

Best Animated Film
Nominees:
Despicable Me
How to Train Your Dragon
Megamind
Tangled
Toy Story 3

Winner: Tangled

*****

Best Horror/Thriller
Nominees:
Let Me In
A Nightmare on Elm Street
Paranormal Activity 2
Piranha 3D
Shutter Island

Winner: Paranormal Activity 2

*****

Best Action/Adventure Film
Nominees:
Inception
Iron Man 2
Kick-Ass
Machete
Scott Pilgrim vs. The World

Winner: Inception

*****

Best Comedy
Nominees:
Easy A
Flipped
Kick-Ass
The Kids Are All Right
Scott Pilgrim vs. The World

Winner: The Kids Are All Right

*****

Best Drama
Nominees:
127 Hours
Black Swan
Get Low
The King's Speech
The Social Network

Winner: Black Swan

*****

Best Picture of the Year
Nominees:
127 Hours
Black Swan

Get Low
Inception
The Kids Are All Right

Winner: Black Swan

Tuesday, February 1, 2011

Movie Review: THE PARKING LOT MOVIE

THE PARKING LOT MOVIE
2010
Not Rated



The Parking Lot Movie is a 2010 documentary directed by Meghan Eckman that follows current and former attendants of The Corner Parking Lot in Charlottesvile, Virginia. It was filmed over a three year period. We see the state of working at such a low-end job through the eyes of these attendants. The audience gets to hear the trials and tribulations that they have to go through on a daily basis. We also get to see the camaraderie that develops between these young men as they face the same struggles.

One of the best parts about having NetFlix is finding little gems like The Parking Lot Movie. I never would have heard about it otherwise, most likely. I mean, who would ever think to make a movie like this? When I see parking lot attendants, I usually never give them a second thought, but this movie kinda opened my eyes to the monotony of it all.

The interesting thing about these parking attendants is that they're all ridiculously well-educated (during the closing credits, we see how successful many of them are now). They've got philosophy and religion and anthropology majors, and even a few professors here and there trying to scrape in a few more dollars. That's part of the reason this movie succeeds: we have highly intelligent young men taking us through their daily journey with the assholes and yuppies of society who will fight tooth-and-nail to try to get out of paying their two-dollar fee while they drive their $50,000 car out of the lot. I mean, at times, I wanted to side with the drivers, but other times I was all with the attendants. I can't decide whether I love them or hate them, but that doesn't take away from the fact that they're all absolutely fascinating.

Apparently this has already been said, but I can't help but see this as a real-life version of the 1994 Kevin Smith film Clerks. If you haven't seen that movie (you should probably drop what you do and watch it right now!), it's about two small-time employees of a quickie mart and a video rental store. That film follows them through a day in their lives as they deal with their own problems with customers. The Parking Lot Movie is that story imagined in reality. It's funny, it's thoughtful and it's absolutely compelling. If you can find it (it's on NetFlix Instant Watch, for those of you who have it), then give it a watch. You just might enjoy it.

Movie Review Summary:
Grade: A-
2 Thumbs Up


Addition to Awards
2010: 2 nominations

Friday, January 7, 2011

Movie Review: KIMJONGILIA

KIMJONGILIA
2010
Not Rated

You can watch the trailer here

Kimjongilia is a documentary directed by N.C. Heiken that brings together a series of interviews with North Korean citizens that have escaped their oppressed lives under the rule of the infamous Kim Jong-il. Each interviewee describes, in detail, the harshness of their livelihood while living in North Korea as well as the methods they took towards escaping such a hellish place.

I'm just gonna be up front about this: there's a lot wrong with this documentary that should have knocked it outta the park, both factually and emotionally. Yes, we get the facts (there's a number of screenshots that look like a high school freshman created them giving us the details of North Korea's history), and we get the emotion from a number of very good interviews, but there's a lot of intangibles about the presentation of the film that just throw everything off. The biggest portion of the film that simply seems a little off-kilter are the random scenes of interpretive dance that are thrown in from time to time. At certain points during an interview or during stock North Korean footage, a girl will come onto the screen and perform some sort of interpretive dance that is supposed to relate to what is being said; however, it rarely fits and simply took me away from the facts I was being given at that moment.

In addition, I felt as though that there wasn't enough talk of Kim Jong-il. There was much reference to his father, Kim Il-sung, but aside from a few shots of the man himself (as well as the various interviewees expressing their disdain for him), there isn't much said about the man from whom the movie takes its name. At least, not enough to warrant the name, in my opinion. Maybe you'd think otherwise.

I apologize that this is such a short review, but it's an equally short movie (barely reaching seventy minutes), so I'm okay with leaving it here. I think that this documentary had quite a bit of potential to blow the door open to a country that we're learning more and more about in today's society, but it held back just a little too much. If you're going for condemnation, then you have to go all the way, but Kimjongilia never once pushed the pedal to the metal.


Movie Review Summary:
Grade: C-
1.5 Thumbs Down

Movie Review: A PROPHET

A PROPHET
(Un prophète)
2010
R

You can watch the trailer here

A Prophet is a French film directed by Jacques Audiard that shifts in language from French to Arabic to Corsican. I honestly never knew the difference since I was reading subtitles anyways, so that's neither here nor there. If you know any of those languages, I'm sure you'll be able to pick out the changes.

We're quickly introduced to Malik (Tahar Rahim), a 19-year-old Arab man who has been put into prison after assaulting a police officer. He's about as fresh as they come, innocent in both the ways of the world and the ways of prison life. After a few days in prison, he's noticed by César Luciani (Niels Arestrup), the kingpin of a group of Corsican mafia situated inside the prison. Luciani enlists Malik to kill a snitch who's been put into the prison, and after much practice and patience, Malik does so, effectively proving his way into the Corsican group. From there, he starts to work his way up the ranks, soon earning status as Luciani's right-hand man despite the fact that he's Arab. Malik, with the help of another inmate, also starts to run drugs through the prison and soon becomes quite a big-shot on his own. This leads to a number of altercations with other prisoners as well as with Luciani who has been sending him on his leave days to take care of business on the outside. All the while, Malik is haunted by the ghost of Reyeb (Hichem Yacoubi), the man he killed for Luciani early in the film. Over the course of the film, we see Malik's transformation from an illiterate and unknowing boy to a man savvy in the ways of the [prison] world and perhaps the world outside the prison walls.

We're given a great screenplay that never really takes its foot off the gas. Once Malik starts his descent into the ways of the mafia, he never lets up and continues down the path towards an amount of power he probably never could have imagined. At times, the story is over-the-top, giving us the violence of living inside a prison (and also showing us the crimes Malik is ordered to commit while on leave), but at other times, things turn quite subtle, showing Malik's transformation from boy to man. Malik is a very interesting and well-written character, and although I thought the movie stretched on a little bit too long (it runs at over two-and-a-half hours), it still punched home its resolution in the final scene.

I don't think I can say enough about Rahim as our lead because he's utterly fantastic. He takes the audience through every stage of his maturation, and it's done so convincingly that it's almost as though Rahim changed from a boy to a man during the course of filming the movie. We also get a very good performance from Arestrup - he won the French analogue of the Oscar for his supporting role - that helps breathe life to the Corsican mafia which would otherwise have fallen flat. Adel Bencherif also proves a worthy actor in his role as Malik's closest friend.

Although I had some issues with the movie's soundtrack - they inserted a couple of English-language songs that completely took me away from the movie for a few minutes - A Prophet is still a solid entry into the annals of French film as well as crime dramas.


Movie Review Summary:
Grade:
B+
2 Thumbs Up

Addition to Awards
2010: 1 nomination

Thursday, January 6, 2011

Movie Review: FROZEN

FROZEN
2010
R

You can watch the trailer here

If you watch the trailer, you'll see a review from Brad Miska from Bloody-Disgusting that says that Frozen "will do for skiing what Jaws did for swimming." I bring this up for two reasons. The first is that there's a number of references to that iconic film - a couple mentions in the actual movie, and then the production company is called "A Bigger Boat." The second reason, however, is that although I think Miska may be over-stepping it just a tad, he's definitely got the right idea about this movie.

The first scene of the film, which was directed by Adam Green, shows us Dan (Kevin Zegers), his best friend Joe (Shawn Ashmore) and Dan's girlfriend Parker (Emma Bell) as they're trying to con their way onto a ski lift. They eventually get on and spend most of the day riding the bunny hills because Parker isn't all that experienced of a snowboarder. As the day is coming to a close, the three are sitting in the lodge and Joe tells his friends that he wants to go for one last run on a "real" slope instead of the bunny hills, so the group makes their way to the lift. Through a number of errors from the grounds crew, the lift is shut down leaving our three leads stranded at night in the midst of an oncoming storm. As they try to decide what they should do, Dan decides to take matters into his own hands... I won't say any more because I'm anti-spoiler, so if you want more, you'll just have to watch.

Now, the screenplay isn't anything amazing, but to be fair, there's not a lot that can be done when your leads (and basically only actors on-screen) are stuck on a ski lift for seventy-five percent of the film, so you have to cut them a little bit of slack. However, it did just enough to keep me utterly fascinated with the goings-on of the movie. There's even a rather haunting scene where Parker describes her utter terror about her dog back at home (if you've got a dog or love dogs, that bit is going to make you think and be utterly terrified with your mortality). So they do a good job with the limitations they give themselves.

The acting is also good considering the type of movie we're getting. I wasn't entirely impressed with Zegers, but Ashmore and Bell are both very good in their respective roles. Considering we're relying on three people to carry us through the film, they have to bring at least a B-game or high C-game to keep us interested, and they do that at least. So kudos to them.

It's by no means a perfect movie, but Frozen kept me captivated for its entire 93-minute run-time. I couldn't take my eyes away from the screen, and that's saying a lot for a movie on a ski lift in some random mountain I've never heard of.


Movie Review Summary:
Grade: C+
1.5 Thumbs Up

Movie Review: PREDATORS

PREDATORS
2010
R

You can watch the trailer here

In case you haven't noticed, the lack of original thought in Hollywood has led to a slew of sequels, remakes and reboots, which probably led to the eventual green-light for the production of Predators. Although I'm not a die-hard fan of Arnie's 1987 original - I've seen it before, but it's been ages - I remember finding it at least moderately entertaining, and it had a rather clever premise. In crafting this semi-sequel, semi-reboot, director Nimród Antal tried to capture some of that entertainment.

Sparing any type of a prologue, the audience is immediately thrust into the action as we see a man plunging towards the earth but managing to activate his parachute just before he hits the highest peaks of the treetops below. Once he lands on terra firma, we meet this unnamed soldier (Adrien Brody) as he watches more people fall from the sky. Once everyone is accounted for, we find eight people - four soldiers, one drug cartel henchman, one Japanese mob guy, one death row inmate, and a doctor - now stranded in a jungle they do not recognize. The only female in the group, a similarly unnamed soldier (Alice Braga), suggests that the group stay together because there's strength in numbers. And so, the crew sets out, trying to figure out where they are. However, they soon realize they are no longer on Earth and instead have been taken to another planet that's used as a type of game preserve, and they are now the game. Action - and a bit of unwanted hilarity - ensues as the group does their best to compete against the "predators" hunting them around the planet.

I think it goes without saying that there's not much of a screenplay to talk about here. It's basically your standard action flick with a few good fighting sequences that are much too seldom and too far in-between. The dialogue isn't anything to applaud, but it suits the context of the movie. Of course, there will always be the one guy who seemingly and inexplicably knows everything - enter Adrien Brody, everyone - and as a result becomes the unwilling leader of the group. Some people live, most people die; I think you know how these types of movies go by now.

At least there's a little redemption from the characters. The acting is "action movie good," but if you put this level of performance into a drama, I'd laugh it out of the theater. All of the characters are distinct and different from one another, but there's so many different people that you never really get a good insight into any of them, aside from Brody, Braga and Topher Grace. (By the way, I just want it to be publicly known that I'm not a fan of Mr. Grace. I couldn't tell you what it is about him that I don't like, but something just doesn't rub me the right way about him. I mean, aside from the fact that he's a terrible actor. He's not quite at the Shia LaBeouf level of hatred, but he's close.) We do get a small role from Machete himself, Danny Trejo, but when he's -- SPOILER ALERT -- out of the film in the first twenty minutes, -- SPOILER ALERT -- you know you're not in for much of a quality flick.

It's not that the movie is bad; in fact, it's even entertaining at times. But there are quite a few scenes that will leave you a little bit bored, wondering when the next predator is going to rip some guy's spinal cord from his body. If you're a fan of the original, I'm sure it's worth watching this installment, but it's not going to blow you away. For what it is, it's a decent flick, but it's not really going to stick with you for a long time.


Movie Review Summary:
Grade: C
1 Thumb Up

Wednesday, January 5, 2011

Movie Review: TiMER

TiMER
2010
R

You can watch the trailer here

TiMER takes an interesting premise - the creation of a digital device that will tell you who your soulmate is and when you are going to meet them - and almost runs away with it, but much like the concept of such a device, this movie is not without its faults.

In the beginning of the Jac Schaeffer-directed film - which may or may not take place in the future - we meet Oona (Emma Caulfield) who is desperately searching for her "one [true love]" with the use of the revolutionary TiMER. Unlike everyone around her, Oona's TiMER has yet to start its countdown, meaning her soulmate either does not exist or has yet to receive a TiMER device. Oona lives with her sister Steph (Michelle Borth) whose TiMER tells her she still has a few years until she'll meet her one. As a result, Steph spends much of her time engaging in one night stands with TiMER-ed men who already have their dates set in stone. Oona, on the other hand, believes in staunchly waiting for her TiMER to do its job; that is, until she meets Mikey (John Patrick Amedori), a man who only has four months until he meets his one. The two spend the night together, but something about Mikey draws Oona closer, and she starts to question whether the TiMER is really the answer to finding love.

I was a little hesitant going into this film. A friend had told me about it a few months ago, but I randomly found it whilst searching through NetFlix, so I figured I'd give it a shot. And for most of the film, I was actually quite impressed, with the screenplay at least. It took an outrageous and sci-fi-infested notion and made it seem believable, all the while infusing the ethics of such a system throughout. It gave the pros and the cons and all of the gray area in-between for the TiMER as Oona struggled with the life she had lived with one. I think it goes as far as questioning what true love actually is. There was a scene in the film when Oona questions whether the TiMER actually presents you to your soulmate or if it's all just a self-fulfilling prophecy, and I thought that it completely summed up the inner struggle she had been having. My only major issue with the screenplay, aside from its slight predictability, was the film's ending, and it has nothing to do with how it was written. I simply didn't like it from a personal and emotional standpoint. I know that may not seem like the best objective review, but when it comes to movies, many things come down to personal preference, and I simply did not prefer how TiMER ended.

In terms of acting, there's nothing really to stand up and applaud, but the performances fit the tone well. Caulfield does enough to keep our attention, but she's hardly strong enough to demand the screen. Borth is good in a supporting role, and she has a few lines that are pretty good, but at the same time, there are a few that leave you scratching your head, wondering how that was left in the final cut (one such line is given in the trailer above - see if you can find it).

Overall, TiMER is a decent movie with an interesting premise, and it might be worth a watch on a lazy afternoon. If you're into romantic comedies with a dash of science fiction, then this might be right up your alley, but it's not a movie that I'm going to staunchly recommend. Give the trailer a watch and see if you might like it.


Movie Review Summary:
Grade: C
1 Thumb Up

(I have changed my "thumb" scale to its current state. Just for your reference, the best possible score would be "2 Thumbs Up" while the worst would be "2 Thumbs Down." The in-between range includes "1 Thumb Up" and "1 Thumb Down," to signify a slight approval or disapproval rating.)

Monday, January 3, 2011

Movie Review: LIFE DURING WARTIME

LIFE DURING WARTIME
2010
R

You can watch the trailer here

I'd like to start by saying that if you haven't seen Todd Solondz's brilliant 1998 film Happiness, then you should probably watch it before you delve into Life During Wartime. It's kind of a sequel, but at the same time, it isn't. None of the original cast comes back, but we're dealing with the same characters and the same families, and it partially picks up about eleven years down the road. Because I'm sure that most people won't have seen Happiness, I don't want to go into too much detail concerning the plot of Life During Wartime. You really should see the first movie - it's a little difficult to watch, but if you "get" the comedy of it, it'll be one of the funniest movies you'll ever see. Life During Wartime simply continues the story, showing the struggles that the characters faced in the first film and how they try to overcome them. A big chunk of this film deals with the concept of forgiving and forgetting and the emotional release that goes along with it.

This film's screenplay starts out very well, giving us the same edginess that Happiness brought twelve years ago. It threw in a couple homages to the original film, and we quickly pick up with a number of character, although some of them look nothing like they did the first time around (i.e., Philip Seymour Hoffman's character Allen is now played by Michael K. Williams). I fell right back into the story, remembering every little nuance of the characters. However, I felt like some of the characters had drastically changed in personality. Sure, they gap in time and the circumstances in their lives may have led to such changes, but some of them seemed a little too drastic. Perhaps that's more on the actors, but more on that in a moment. My biggest issue with Life During Wartime was that it didn't have the bit that Happiness had. Happiness deliberately pushed the boundaries of taboo subjects, and while Life During Wartime started to push similar boundaries, it never once nailed the subject on the head. That's what was so great about Solondz's first venture into these characters' lives - it took you to the edge then kicked you over. Life During Wartime just let us look over the precipice.

As I previously mentioned, the entire cast has been substituted from the first film, and with a twelve year difference in release date, it's not all that surprising. I feel like Solondz would have either wanted everyone back or have no one back, and the latter probably happened. While the cast is good, I just couldn't see any of them as their respective characters. Whenever I saw Allison Janney on the screen, I kept thinking of Cynthia Stevenson. The same goes for most of the rest of the adult cast. I did, however, think that Paul Reubens channeled Jon Lovitz's original performance perfectly, bringing more life to an individual we only saw for one scene in Happiness. So kudos to him. This isn't to say that the cast is bad; it's just difficult to see them play these characters.

I don't know what more I can say about the film. Don't watch it unless you've previously seen Happiness (which everyone should see, but be ready for a disturbing black comedy that you might be afraid to love). If you enjoy that, then give Life During Wartime a chance because it's a solid, if slightly unnecessary, follow-up.



Movie Review Summary:
Grade: C+
Thumb... Ever-so-slightly up

Sunday, January 2, 2011

Movie Review: HARRY BROWN

HARRY BROWN
2010
R

You can watch the trailer here

Honestly, you can't really go wrong with Michael Caine.

Harry Brown is a 2010 action film directed by Daniel Barber that tells the story of a man named, well, Harry Brown who consistently visits his sick wife in the hospital and spends the rest of his day drinking and playing chess with his friend Leonard (David Bradley). Harry knows that there has been a rise in youth violence in his neighborhood but chooses to ignore it as best he can. One night, when he receives a late-night phone call saying that his wife is dying, Harry moves as quickly as he can but has to take the longer, safer route to the hospital causing him to arrive too late to say goodbye. Days later, Leonard confides in him that has been harassed by some of the young people in the neighborhood and he has decided to take action on his own. The following day, police inspector Alice Framptom (Emily Mortimer) informs Harry that Leonard had been killed the previous night. Harry starts to think that the police aren't doing enough to find Leonard's killers, so he decides to take matters into his own hands, using the skills he learned decades earlier as a Marine.

Truthfully, that plot synopsis doesn't really give the story much justice. The screenplay is solid but it's not necessarily going to wow you. It plods along pretty slowly, every once in a while showing its teeth. The only problem is that it doesn't really show its teeth enough. The story moves so slowly that I got pretty bored with it about half an hour in. On top of that, it's a bit predictable, but that's neither here nor there. Nowadays, it seems more common to have a predictable story than an original one. You have to look pretty hard to find something completely original, but when you find it, it's definitely worth the watch.

Without Michael Caine, this movie would be a bit of a travesty. It's his performance that kept me even the slightest bit captivated, especially since the rest of the cast is good at best. Caine is slightly better than good, but this performance doesn't come close to some of the other roles in his repertoire. However, if you put any other older actor in his position, I'm not sure they'd be as compelling as Caine in the role. So I have to give some props to him.

So, if you're going to watch Harry Brown, watch it for Michael Caine, but don't expect anything great. It's a decent flick, and it'd probably be good for a lazy afternoon, but it's not going to stand against the test of time.


Movie Review Summary:
Grade: C+
Thumb... Slightly Down