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Showing posts with label Jaws. Show all posts
Showing posts with label Jaws. Show all posts

Thursday, August 23, 2012

Jaws: An Experience

Anybody who reads this page on a regular basis will surely know these two facts: Jaws is my hands-down favorite film of all time, and it's the film I consider to be the greatest ever created. Now, I've gone back and forth on that latter statement - Hitchcock's Psycho and Curtiz's Casablanca give it a run for its money - but the more I watch Jaws, the more I'm convinced that it deserves that top honor. I have grown up watching the film over and over again, and it's the one movie that, if caught on TV, I will drop what I'm doing to give it yet another view.


The one thing I've always wanted to do, however, was see the film on the big screen. Having been born thirteen years after the film's initial theatrical release, I never had many chances to do just that. I'd hear about screenings here and there, but they were always out of my locale and driving range, and so, I'd sadly sit back and think about what might have been. Seeing Jaws in a movie theater became one of my life's goals. There seemed something grand about the idea, and I wanted to have the chance to see the film as so many did back in 1975. My dad always used to recount tales to me about seeing Jaws during its initial theatrical run, and he would tell me about how terrifying it actually was. I simply had to have the experience for myself.

Along comes this little company called Cinemark who, in honor of the one-hundredth anniversary of the founding of Universal Studios, has chosen to "re-release" a number of classic Universal films for one night only over the course of the next month or so, and they started tonight with Jaws. Needless to say, I jumped at the chance as soon as I saw that a theater only eight miles away would be playing it. I was so excited that I actually bought my ticket before realizing I had been scheduled to work at my outside job tonight, but I quickly scrambled to switch shifts around. Finally, I had the night free, my ticket bought, and my spirit jumping for joy. (Im)patiently, I waited the week until I had the chance to see the flick. That night was tonight.

Before I get into the specifics of my viewing experience, I want to talk a little about what the film means to me. As I previously stated, I grew up watching the film, and from an early age, I can remember being drawn to its simple story of man versus nature. Looking back, I can honestly say I didn't really understand the movie as a child and adolescent, nor do I remember the film as a whole. The only parts I remember were the ocean sequences where we saw Chief Martin Brody (Roy Scheider), Matt Hooper (Richard Dreyfuss) and Captain Quint (Robert Shaw) battling the massive shark one-on-one. I have no early recollections of the first half of the film where we delve into small town politics and a number of other themes and ideas. Rather, I just remember the film as being man versus shark, and for a young boy with an insatiable appetite for action and suspense, that was all I really needed.

It wasn't until my late adolescence and young adulthood that I started to view Jaws in a very different light. As it was always one of my personal favorite films, I always had a copy of it readily on hand for whenever I felt the need to give it another go. I started to see the brilliance of the film, and considering how difficult it was to bring it to life, I started to garner quite a bit of respect not only for the film as an entity but also for the cast and crew, helmed by a young Steven Spielberg. On the surface, the film presents a very simple storyline of man against beast, but with all of the politics behind the decision-making, there's so much more going on in the film than meets the eye. It's a brilliant film that almost didn't make it to the cutting room floor, but for whatever reason, Spielberg managed to pick up the pieces and bring it all together, making one of the most memorable and influential films in cinematic history.

Fast forward to today, and I'm getting myself ready to head out to the theater. I'm leaving extra early in order to alleviate any possible traffic or parking issues I might hit. Dressed in my light blue Amity Island shirt (compliments of my awesome girlfriend), I set out for the theater and made it there with plenty of time to spare. To create my full experience, I ordered both a large popcorn and a large soda so that I could fully enjoy the world's first-ever "blockbuster."

I have to admit to this: as the opening credits started to roll, I turned into a bit of a blubbering fool. After so many years of waiting and wondering whether I would ever have the chance to see Jaws in a movie theater, my wish was finally coming true, and I simply couldn't hold in my emotion. Surrounded by a nearly sold-out theater of equally-interested enthusiasts, I settled in for what would be the most fulfilling movie-going experience I have ever had.

From the very outset I could tell I was in for quite an evening. While seeing the film for the (note: estimation) one-hundredth time wasn't going to bring forth any real changes in my view of the film. What was really surprising, however, was the audience reaction. As I said, the theater was mostly-filled, with probably around two-hundred occupants (none of whom left during the film's entirety, by the way). It was the way the audience reacted to the film that made this evening such an enjoyable experience.

Now, back in 1975, Jaws scared the crap out of people. It kept people out of the ocean for years, to the point where you could go to the beach and see hundreds of people sitting along the shore, but none of them would dare venture into the water. By today's standards, Jaws really isn't the scariest of flicks, but there are a few moments of suspense and jump-out-of-your-seat thrills there for your enjoyment. And let me tell you: there was plenty a scream in the theater tonight. Another interesting point is that I'd forgotten just how funny the film is. The audience was roaring with laughter at all the right places, and that made for even more entertainment. But what really got to me was the reverence that the crowd showed to the final act, starting with Quint's monologue about the U.S.S. Indianapolis. Just before that point, we were laughing as he and Hooper compared tattoos, but as soon as Robert Shaw delved into the haunting story, the theater went silent. And from that point, the audience was hooked into the action, all the way to the finish. And yes, the film got a stirring round of applause as the final credits started to roll. It was utterly beautiful. I shed another tear or two as I, along with the rest of the audience, sat through the credits in their entirety.

I had always known that Jaws had an incredible amount of staying power, but tonight's screening proved to me just how strong that power is. People still love this film just as much as I do, and they're passing it onto their children and their children's children. I saw a number of families out tonight, and I couldn't be happier that the film is being introduced to today's generation. It's a film that needs to be seen by all, and I just hope that newer audiences will love it as much as I do. I know that it's definitely a bit dated, but it's still one of - if not "the" - greatest film ever put on the silver screen. I'm just so glad that I finally had the chance to see my favorite film in the grandest way possible. And as for the continuation of its staying power, Jaws need only look at one of its final lines, uttered by Dreyfuss's Hooper:
Keep kicking.

Monday, August 13, 2012

Movie Review: JAWS

JAWS
1975
PG


"Come on into the water!"
-- Chrissie Watkins

Jaws is a 1975 action thriller directed by Steven Spielberg that has become one of the most beloved films in American cinema history. When the half-eaten remains of a young girl are washed onto a beach in Amity Island, Police Chief Martin Brody (Roy Scheider) attempts to close the beaches just before the Fourth of July holiday. He is immediately met with resistance from some of the town's political leaders, including Mayor Larry Vaughn (Murray Hamilton), who tries to explain to Brody that Amity's very livelihood is reliant on the income it will receive over the holiday weekend. Reluctantly, Brody allows the beaches to remain open, only to see a young boy killed by the same shark in broad daylight. The town goes into a panic, and through another series of attacks, the police chief is able to convince Vaughn that outside help is necessary to defeat the beast. He enlists the help of a young scientist named Matt Hooper (Richard Dreyfuss) from the Oceanographic Institute as well as a local grizzled shark hunter named Quint (Robert Shaw) to captain their vessel. The rag-tag trio sets out onto the horizon in search of the massive shark that has terrorized the entire community.

I chose to write about Jaws as my first "Must-See Monday" post for a few reasons. First, I thought the timing with the twenty-fifth anniversary of the Discovery Channel's Shark Week was too good an opportunity to pass. Secondly, I have never held back my personal love for this particular film. I have always commended it both for its cinematic integrity as well as its social relevance and its importance to film history as a whole. It is easily my favorite film, and it's one that I can watch over and over and still find entertaining from start to finish.

There's a number of facets working together in this film that elevate it to such a lofty standing in my book. For starters, we have a fantastic screenplay that delves into more than the casual viewer will realize. The film is based off Peter Benchley's 1973 novel of the same name, but as with many book-to-film adaptations, the two have very stark differences. What's unique in this particular example, however, is that the film version of Jaws is the only movie I have ever seen that I believe surpasses its source novel. Now don't get me wrong: I have read and own the novel on a number of occasions, and I think it is a fantastic literary endeavor. However, there are a number of storylines in the book that cause it to get weighed down just a tad, and I think the film's writers were able to get to the meat of the story and stick to that throughout.

What the audience gets is a tense thriller that works in two "acts," so to speak. In the first act, Brody has two key antagonists: the shark, and the politicians trying to keep him from protecting the community. While the main continuous strain comes from the mayor and his cronies, and we only see the film's true terror surface now and then, we as the audience know who the true villain is. Once the politicians reach a breaking point, the film shifts into the second act, where things become a bit more clear-cut. Now, we have man versus shark, and it's this struggle that proves to be the most memorable as well as the most effective.

Through the first act, we get to good sense as to the characteristics of each individual on-screen. While the story moves along at a relatively steady pace, we have the opportunity to learn the good and the bad of each character. Character development isn't necessarily something that most people are going to talk about when it comes to this movie, but I think a lot has to be said both for the screenplay as well as the stellar cast who manages to bring forth spot-on performances. The trio of Scheider, Shaw and Dreyfuss proves to be one of the most enigmatic groupings of characters I've ever seen on-screen at one time, and they all manage to play off each other well. I do have to say that this might be Robert Shaw's greatest film role, and his monologue about the U.S.S. Indianapolis is easily one of the most haunting scenes ever devoted to celluloid. Add a slew of great smaller performances (i.e., Hamilton and Lorraine Gary), and you've got quite a cast.

At the end of the day, however, the film's best character has to be the shark itself, and yet, we as the audience don't actually see it until about halfway through the film. Spielberg had a hell of a time getting this movie made, and a huge part of the problem was the mechanical shark they wanted to use to bring the menace to life. As most film fans will know, the shark barely ever worked properly, so a number of other methods were crafted in order to keep the filming process in the works. There's a very clever use of sleight of hand throughout the film. Spielberg used tricky camera shots that allowed for the idea of the presence of the shark without there ever being a shark anywhere on-screen. In the first few attacks, we never actually see the shark, but the violence of the attacks may make the viewer think back and remember the shark anyway. The fact that we don't actually see the shark only makes the film all the more terrifying, and it always keeps the audience questioning when it will strike next.

Once the film reaches its second act, we see the mechanical shark do its work. By today's standards, it doesn't look like much, but back in 1975, the fact that they got this massive machine to work at all is utterly impressive. It benefits from the sleight-of-hand build-up it receives, and it makes it a little more believable as time goes by. In addition to the aforementioned techniques, some live stock footage of a real great white is used towards the end of the film, if only to give perspective as to just how large it was supposed to be.

The final piece that brought the shark to life was, in fact, the film's legendary cinematic score, brought forth by the brilliant John Williams. In the time where we do not see the shark, the ever-present sound of a tuba lets us know that something is coming, and in a way, the score makes for a character all its own. It's menacing and terrifying all at the same time, and there's a reason that it has remained such a classic score all these years later. Give it a listen here, if you'd like:


At the end of the day, however, there isn't much I can say about Jaws than has already been said by countless others. It is one of the defining films not only of the 1970s but also of cinematic history as a whole. I would challenge anyone to find a film that has had as much social impact as this venture, and even then, less than a handful could be named. The fact that even thirty-seven years later, Jaws is still entirely entertaining only helps prove that this is one of the greatest films of all time. It will always hold a special place in my heart.


Movie Review Summary
Grade: A+
Status: Must-See

Wednesday, February 8, 2012

Happy Birthday, John Williams!

Today, we are celebrating the 80th birthday of five-time Academy Award-winning composer John Williams. Lauded as one of the greatest cinematic composers of all time, Williams has found a way to enter the collective public consciousness more often than any of his peers. While I could easily go through his list of work, I'd rather make this a more personal post. I've grown up listening to John Williams, and his work became a part of my life at an early age. I can remember listening to one of his "Greatest Hits" albums on family road trips, and it was from this particular CD that I garnered my initial appreciation for Williams's exceptional talent. My dad is just as taken by each John Williams score, so much so that he has associated a score with each of his three children. In his mind, I was given the score to the 1978 film, Superman, which has become one of my all-time favorites. The fact that this man has scored such iconic films as Jaws, Star Wars, the Indiana Jones series and, more recently, the start of the Harry Potter saga goes to show that he has quite a bit of range, and he is extremely well-respected throughout the Hollywood community. I mean, the man has nabbed a whopping forty-seven Oscar nominations in his career, bringing home the aforementioned five statuettes. There must be something brilliant about him, right? Most recently, we've heard his work in the 2011 films War Horse and The Adventures of Tintin, for both of which he received Oscar nominations. We'll next hear his work in the 2012 film, Lincoln. So, to celebrate his birthday, I've listed my ten favorite of John Williams's film scores, and I've provided a snippet of each for your listening pleasure. Once again, happy birthday, Mr. Williams. I look forward to hearing more of your work in the coming years.


10. War Horse
2011


*****

9. Schindler's List
1993


*****

8. Harry Potter and the Sorcerer's Stone
2001


*****


6. Superman
1978


*****


4. Jurassic Park
1993


*****


2. Star Wars
1977


*****

1. Jaws
1975


*****

And now, for your added viewing pleasure, I've included a fan video entitled "Star Wars (John Williams Is the Man)" by Corey Vidal that became an overnight Internet sensation a few years back. I just love this video, and it truly serves as a real tribute to John Williams's composing prowess. Enjoy!

Sunday, December 18, 2011

Happy Birthday, Steven Spielberg!

Today we're celebrating the 65th birthday of three-time Academy Award-winning director Steven Spielberg. After creating a number of short and made-for-TV films, Spielberg got his first hit with the smash box-office success Jaws in 1975. He immediately followed that film with his 1977 critical sensation, Close Encounters of the Third Kind. In 1981, he introduced the world to Indiana Jones in Raiders of the Lost Ark, a film that has since spawned three sequels. He also brought forth other films in the 1980s like 1982's E.T. the Extra-Terrestrial and 1985's The Color Purple. The early 1990s saw him bring the world Jurassic Park and Schindler's List, for which he won his first two Academy Awards. Five years later, he nabbed another Oscar for Best Director for 1998's Saving Private Ryan. His work has been a little more sparse since the turn of the millennium, and the last time audiences witnessed his directorial efforts was in the 2008 film, Indiana Jones and the Kingdom of the Crystal Skull; however, he has two films debuting this month: The Adventures of Tintin and War Horse, both of which are sure to make a splash at the next Academy Awards. So, to celebrate this twelve-time Academy Award-nominee's birthday, I've created a list of my ten favorite Spielberg films. I hope you enjoy the videos! Once again, happy birthday, Steven!


10. Munich
2005


*****





5. Schindler's List
1993


*****

4. Jurassic Park
1993


*****

3. Saving Private Ryan
1998


*****

2. Raiders of the Lost Ark
1981


*****

1. Jaws
1975

Thursday, November 24, 2011

Ten Movies I'm Most Thankful For: A Thanksgiving Special

Happy Thanksgiving, everyone! Today's holiday is a time to take pause and think about everything for which we are thankful. As we celebrate with family and friends, I thought I'd take a look and see what films I was most thankful for. While I'm sure I could come up with dozens of films that I love just as much as the ones in the following list, I think these are the ten films I'm most thankful have been made over the years. So while you sit back, eat turkey and watch football, give this list a view. Once again, happy Thanksgiving to one and all!

*****

The 400 Blows
1959
This French film (originally titled Les quatre cents coup) was a bit of an eye-opener for me. I think it's one of those films that everyone needs to see at least once in their lifetime, but it's only going to have an emotional impact if you watch it at just the right time in your life. Fortunately for me, I watched it at exactly the right moment in my life's journey. The story tells of a boy who's looking to find meaning in his own life, and after a series of trials and tribulations, he is able to break away from conformity only to find himself wondering where to turn next. I was in a similar situation when I watched this film, and the boy's inner turmoil reflected my own almost exactly. While it didn't offer any explanation or advice, just seeing my own conflict portrayed so beautifully was enough to leave me in tears.

*****

2001: A Space Odyssey
1968
2001: A Space Odyssey is not a film to be enjoyed. It is a film to be watched and admired and thought about for ages. Every time I watch this film, I always get the urge to spend a month watching the movie over and over again. While I'm sure there's been countless interpretation of Stanley Kubrick's film, we may never know if any of them are actually correct. And I think that's what makes this film so brilliant. You can sit down and watch it a dozen times, and you could easily have a dozen different ideas and interpretations. It's definitely not a film for everyone; if you can't find a way to get into it, it's going to be a long, drawn-out experience for you. But for those of you who are able to see the beauty in the film, you'll realize that it isn't just a movie: it is an experience that should be taken by any true fan of film.

*****

Brokeback Mountain
2005
There's actually a fundamental and personal reason for me to be thankful for Brokeback Mountain, and I think the story will suffice as explanation. I was raised in a strict conservative household, and although I don't remember any overt concessions or statements against the homosexual community, I immediately opposed this film upon its release, claiming it was just a "gay cowboy" movie. I went so far as to cheer against it at that year's Academy Awards despite having not seen the film. It took me three more years to sit down and watch the film, and I found it to be one of the most beautiful romances I have ever seen on-screen. It may not have been the only driving force, but it completely changed my views on love and who should be allowed to love one another. In a way, I have this film to thank for my overall tolerance, and for that, I think we can all be thankful.

*****

The Cove
2009
Much in the way Brokeback Mountain opened my eyes to the world, The Cove did the same in terms of animal cruelty. I had not been much for documentaries until a few years ago, and when I heard about The Cove and its subject matter, I have to admit I was a little hesitant to give it a watch. I knew exactly what I was going to see, and that alone would be enough to keep a lot of people from watching this film. However, I will take the stance right now and say that every person - man, woman and (maybe) child - needs to see The Cove. It needs to be universally known exactly what's happening around the world in terms of animal cruelty, and even though this film only focuses on one specific happening, it talks about how prevalent such cruelty has become around the world. It made me want to rise to action, and the best way I know how to do that is to draw attention to this film's existence.

*****

Gone with the Wind
1939
This is the classic film to top all classic films, and it's also the first film to use "foul" language (although by today's standards, the use of the word "damn" isn't all that shocking). While it blazed that particular trail, it also set the standard in terms of romantic dramas, and I have yet to see a film that surpasses it in its magnitude and sheer force. It's a long film, so there may not be many people who have the patience to sit through it nowadays, but true film aficionados will know this to be one of the greatest films ever to grace the silver screen. Even seventy-two years later, it's still one of the most beautiful films I have ever seen, and it ranks very highly among my favorites.

*****

Happiness
1998
One particular friend is going to scoff at the fact that I've included this film on this list. She claims it's one of the grossest movies she's ever seen, but I can see where she's coming from with her statement. However, the dark comedy and sarcasm in which the subject matter is portrayed is so brilliantly done that I can't begin to hate this film in any regards. The reason I'm thankful for Happiness, however, is it's the first film to show me that there really are no boundaries in the film medium. In a day and age where so much is controlled by the Motion Picture Assocation of America, it's refreshing to see a film that pushes the taboos aside and just lets it all go. (Disclaimer: this film definitely isn't for everyone; it deals with a lot of sexual content that shouldn't be viewed by younger audiences, so be forewarned.)

*****

Jaws
1975
How could I possibly leave my favorite film of all time off this list? You can read my post about the film itself linked above if you want to get all my insight about the film (it's a longer post, just so you know), but at a very basic level, I think everyone has to be thankful for their favorite movie. It's a film I can come back to any day and be able to sit down and watch it in its entirety and be thoroughly entertained. What makes this movie so great for me is that it is so thoroughly entertaining, and it always finds a way to make me re-fall in love with it. It's simple yet so perfectly brilliant in its methods of filmmaking that it's hard not to like. But most importantly, Jaws reminds me that film is supposed to be about entertainment. While I can go on for ages nit-picking films in my reviews, it really comes down to whether or not a movie is entertaining. Jaws will always find a way to keep me engaged, and for that, I am thankful.

*****

No Country for Old Men
2007
When No Country for Old Men was released in 2007, I was living in Santa Cruz, California, and it was playing at my favorite particular theater. I remember the experience vividly: the moment the film ended, I and the eight other people sitting in the theater sat silently through the final credits. The moment the lights returned in the theater, I ran out to buy the original novel in order to understand it. The reason I'm thankful for this film is the fact that it's the movie that made me want to start writing reviews. The amount of thought I put into No Country for Old Men and exactly what it meant spurred me towards this blog, which I ultimately started three years later after I had finished my undergraduate schooling. So, for all of you who enjoy my reviews and this blog in general, you should also thank No Country for Old Men for getting me started down that path.

*****

Psycho
1960
Much in the way I couldn't leave Jaws (my favorite film) off this list, there was no way I could leave Psycho (the best film I've ever seen) off this list either. (To get the whole story behind my viewing of Psycho, check out the link given above because it's a doozy of a story.) Alfred Hitchcock's most iconic film set the tone for the rest of cinematic history. Without this film, who knows where the evolution of movies would have taken us. There are so many movie "firsts" in Psycho that it's a little bit overwhelming. It broke through taboos that filmmakers had refused to break previously. I honestly believe that the face of the cinematic landscape would be drastically different had Hitchcock not released this film back in 1960. Solely based on that, I think there's enough reason to be thankful for this film. The fact that it's also brilliant is just one more plus.

*****

Snow White and the Seven Dwarfs
1937
There's two reasons I'm thankful for Snow White and the Seven Dwarfs. First, it was the first feature-length animated film ever created. Had the film proven to be terrible, there's a chance that animation might never had made much of an impact on the cinematic landscape. Fortunately, it was met by rave reviews, and only three years later, Pinocchio was released to similar reviews, forever stamping the presence of animated films The second reason I'm thankful for Snow White is that it stamped Walt Disney as a legitimate presence on the feature-film stage. While he'd had success with his short films, the success of Snow White put him at the forefront of animation - a place he, as well as the Disney company, have managed to stay until this day.

Wednesday, October 26, 2011

Favorites: HORROR MOVIE SCORES

While great films are generally multi-faceted in their effectiveness, taking a solid screenplay and talented actors to craft an enjoyable cinematic experience, the best films also incorporate strong musical scores in order to set the overall mood. While some of the most iconic orchestral scores spawn from dramatic (i.e., The Godfather) or action (i.e., Star Wars) films, the horror genre has presented a plethora of memorable themes that continue to haunt viewers years past their original release dates. So, to start my "6 Days of Halloween," I've compiled my thirteen favorite horror film scores in order to set the mood for the days leading up to All Hallow's Eve. These are the scores that have stuck with me personally, haunting my dreams and reminding me of the horror that their films conveyed. Mind you: for this particular list, I ordered them in terms of their ability to scare me. Essentially, on a list of my favorite scores of all time, some of these might be ordered in a different way. So without any further delay, here's the list of my favorite horror movie scores. Don't let them keep you up too late tonight...


13. Child's Play
1988
Composed by: Joe Renzetti


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12. An American Werewolf in London
1981
Composed by: Elmer Bernstein


/////

11. Rosemary's Baby
1968
Composed by: Krzysztof Komeda


/////

10. It
1990
Composed by: Richard Bellis


/////

9. King Kong
1933
Composed by: Max Steiner


/////

8. Poltergeist
1982
Composed by: Jerry Goldsmith


/////

7. A Nightmare on Elm Street
1984
Composed by: Charles Bernstein


/////

6. Saw
2004
Composed by: Charlie Clouser


/////

5. ThanksKilling
2009
Composed by: Kajmir Royale


/////

4. Jaws
1975
Composed by: John Williams


/////

3. The Exorcist
1973
Composed by: Mike Oldfield


/////

2. Halloween
1978
Composed by: John Carpenter


/////

1. Psycho
1960
Composed by: Bernard Herrmann