Movie Review: JOHN CARTER

JOHN CARTER

2012

PG-13

"When I saw you, I believed it was a sign that something new can come into this world."

-- Tars Tarkas

John Carter is a 2012 science-fiction action film directed by Andrew Stanton that serves as his first major directorial foray into the realm of live-action cinema. Based off the first novel from Edgar Rice Borrough's Barsoom series, the film tells the story of Civil War veteran John Carter (Taylor Kitsch), who finds himself mysteriously transported to an unknown world called Barsoom. Upon his arrival, he is captured by a race of strange creatures known as the Tharks, led by a creature called Tars Tarkas (voiced by Willem Dafoe). After proving his warrior merit, Tars Tarkas admits John into his tribe and claims that he will help the Tharks defeat their enemies. Never one to fight for a cause, Carter tries to back out of the duty but is swayed after saving a young woman named Dejah Thoris (voiced by Lynn Collins). She explains to John that Barsoom is what he knows to be Mars, and that her world is slowly dying. The constant struggle between her home city of Helium and the enemy city of Zodanga has brought the world to its breaking point, and she believes that John is the man who can make a change. Although he initially avoids the fight, John finally decides to battle for the good of Barsoom.

When Disney prepared to release John Carter, they had expected it to be their next big franchise. With a $250 million budget and an accomplished director at the helm, who was to say that it wouldn't be a smash hit? Still, in the months prior to its release, I don't recall seeing many trailers for the film, and I don't think it really got as much publicity as it needed. Added to the mixed reviews it received from the critical community, and John Carter simply did not perform at the box office. Ultimately, the film barely made back all the money it cost to make, and it finally settled for a tiny $30 million profit. Still, I had every desire to see the film but never had the chance to do so while it played in theaters. And so, to RedBox I went.

The first thing you're going to notice about John Carter is that it's mildly confusing. Now, I've seen plenty of movies with screenplays that make little to no sense, and this one definitely doesn't rank amongst those dregs. However, from the very get-go, you're going to be scratching your head wondering exactly what's going on. We get the basic idea: a man is transported to Mars, where he is captured and all that jazz, but there's little things going on in between that make for a little bit of confusion. It's almost as though we're feeling the same confusion that the John Carter character must be feeling upon his transport, and if that was Stanton's aim, then kudos to him. As the film continues along, however, it ultimately falls into a rote action flick that becomes very predictable very, very quickly. The breath of imagination quickly leaves the film, and I was left wondering how the man who wrote and directed both Finding Nemo and WALL-E could bring forth something so pedestrian.

One thing I did like about the film's storyline, however, was the parallels between the Barsoomian people's war and the American Civil War in which Carter himself fought. We're seeing two opposing cities (a la the North and the South) do battle against one another while a more rudimentary culture (a la the Native Americans) stands by and watches from the side. In that sense, the film does bring something rather interesting, but it serves more as a basis for Stanton's entire concept than as a plot point itself.

The cast in the film does a serviceable job throughout, but I wasn't really overly impressed by anyone in particualr. Kitsch, whose biggest claim to fame is his role on TV's "Friday Night Lights," does well with the role, but it doesn't seem like there was a lot to go with. He has the necessary physique for the action sequences, but with only a small bit of intelligent dialogue, there really wasn't much for him to do. Collins falls into the same category, bringing out the character but not bringing anything overly fantastic. We do get some nice vocal performances from the likes of Dafoe and Thomas Haden Church (in a small bit), as well as some slightly stronger live-action roles from the likes of Mark Strong and Dominic West. And there's even some very small roles from people like Ciarán Hinds, Bryan Cranston and Daryl Sabara, but they're here and gone relatively quickly.

The one thing that John Carter does have going for it is its special effects which are sure to dazzle. Although I'm not quite sure it's anything truly spectacular, I'm sure seeing this Barsoomian world on the big screen was quite a sight to behold. After the visual brilliance of a film like WALL-E, I'm glad to see that Stanton didn't lose sight of his visual performance, even if the rest of the film doesn't quite measure up.

At the end of the day, John Carter is a relatively uneven action film that falls into standard cliché very quickly. Still, there's enough to keep you engaged throughout the film, even if you're going to be a tad bit confused from time to time. Viewers beware: this one runs a bit longer than two hours, and the film starts to overstay its welcome around the ninety-minute mark.

Movie Review Summary

Grade: C-

Status: Don't Need to See

Top 10: Documentaries

For this week's installment into the 'Top 10' canon, I'm taking a look at some of the best documentary features I've ever seen. Documentaries have a special ability to give their audiences a view at a real subject in the real world, and the best ones will still prove to be just as entertaining - and often times more informative - as their scripted counterparts.

My days of watching documentaries are relatively small as I've only recently (as in, the past few years) gotten into the habit of giving them a view. At the current moment, that will be reflected in this particular list. You'll notice that most of the inclusions are recent pictures, but that shouldn't deter you from giving any of them a view. And as with my other 'Top 10' lists, this one will be ever-changing based off the new films I see.

And so, without any further delay, here's a look at the top ten documentaries I have ever seen:


10. Zombie Girl: The Movie (2009)

Over the years, the making of a number of films has been chronicled through documentary features, but I'm not quite sure that any has taken on the task of displaying the directorial debut of a twelve-year-old girl. When Emily Hagins started working on her zombie flick, Pathogen, a crew of documentarians took interest and gave the world an insight into the making of her first feature-length venture. What results is an honest look at the world of independent filmmaking, and it's going to make you root for Hagins from start to finish.

9. Cropsey (2010)

Billed as a documentary that delves into the concepts of urban mythology, Cropsey ultimately proves to be a blend of the documentary, courtroom and horror genres. By taking the real-life events of missing children cases in Staten Island, filmmakers Barbara Brancaccio and Joshua Zeman create an always-engaging piece that's going to leave you wondering. It's going to haunt you for a while, and I think that was the film's intention all along.

8. Dear Zachary: A Letter to a Son About His Father (2008)

Speaking of films that are going to stay with you... Dear Zachary is one of the most emotionally exhausting films you are ever going to see. It tells the tragic story of one man's attempt to create a film for the infant son of his late best friend, who was murdered in cold blood. Although you always know it's a documentary, Dear Zachary is edited in a way that it almost seems like a dramatic thriller. What makes it so emotionally responsive is the fact that it is a true story. I'd dare anyone to try and watch this without shedding a tear or two.

7. Waking Sleeping Beauty (2010)

Many of my readers will know that I'm a bit of a Disney fanatic, and when given the opportunity to watch a documentary about Disney, you'll be sure I'll jump right in. Add the fact that this particular gem follows the brilliance of the Disney Animation "renaissance" period, which created films like The Little Mermaid, Beauty and the Beast and The Lion King, and you've got yourself the makings of something that everyone in my generation is going to love and enjoy.

6. The King of Kong: A Fistful of Quarters (2007)

I've never been much of a video gamer, but I do tend to enjoy your classic arcade games. The King of Kong showcases a number of hardcore gamers attempting to stamp their name in the record books as the best of the original "Donkey Kong" arcade game. What makes this film so engaging is the fact that, despite it being a documentary, we're given a clear protagonist and antagonist. We know who we want to cheer for and who we want to root against, and that makes it all the more entertaining and emotionally powerful.

5. Exit Through the Gift Shop (2010)

One of the first documentaries I ever watched based off its critical merit, Exit Through the Gift Shop took me into a world I knew nothing about and made me care about it immensely. It tells a very interesting story about one man's dream to become one with the street artists around the world, and he manages to do so, even if it means bringing the art down to his own level. With a finale that's going to evoke a number of emotions, this one's definitely one to keep your eye on.

4. The People vs. George Lucas (2010)

Any fan of Star Wars is going to want to take a look at this particular endeavor. It managed to capture my own personal feelings about George Lucas and his take on the original films in comparison to the more recent prequel trilogy. We're seeing a very strong love-hate relationship from fans in relation to Lucas, and I think that these emotions carry quite well throughout the film. Once again, if you love Star Wars and you haven't seen The People vs. George Lucas, do yourself a favor and watch it right now.

3. Jesus Camp (2006)

Although this film was released in 2006, it took me a few years before I actually sat down and gave it a view. Having spent nearly eight years working with the teenage youth program at my own church, I was shocked to see just how differently some organizations and religions take their camps. Of all the films on this particular list, Jesus Camp might be one of the most horrific. It's going to leave you with a bad taste in your mouth, but I think that's just what the filmmakers intended. It's a hard watch, but in a way, it might be a necessary one.

2. The Bridge (2006)

When I re-watched this film last night, it spurred me to create this particular list. The subject of suicide is generally taboo and often times off-limits, but The Bridge handles it with the grace and respect it rightfully deserves. It's not an easy film to watch - you're going to see snippets of jumpers plunging to their deaths - but if you can stomach that, then the stories from family and friends should shed a lot of light on the emotions that people face when suicide enters their lives.

1. The Cove (2009)

Arguably the most angering and emotional documentary I've ever seen, The Cove details the story of a rag-tag group of activists attempting to shut down the dolphin slaughters in Taiji, Japan. To do this, they covertly set up a number of cameras in the cove where the slaughter takes place in order to show the world the atrocities that occur each year. All animal lovers beware: you see the slaughter in full, and that was the film's desire all along. The images may be horrifying, but they may be the only way to pull people into action in order to stop this annual act.


And that concludes my 'Top 10' list of the best documentaries I've ever seen. I hope you enjoyed it! Check back next Tuesday for the next list!

Movie Review: THE BRIDGE

THE BRIDGE

2006
R



"I don't know why people kill themselves. And yet, it's a small step to empathize... to say... well, because I think we all experience moments of despair."

-- Caroline Pressley

The Bridge is a 2006 documentary directed by Eric Steel that offers a rare insight into the taboo subject of suicide. In 2004, Steel and his crew set up a number of cameras around the Golden Gate Bridge in San Francisco, California in order to capture victims of suicide jumping to their deaths. After gaining over ten thousand hours of footage, the crew learned they had caught twenty-three of the reported twenty-four suicides that took place over the course of the year. In the aftermath, Steel and his fellow filmmakers chose to interview the family and friends of the victims in order to gain insight into both the minds of the deceased as well as their own perspectives on the tragic situation. 

Those of you who have been reading my reviews for quite some time may remember my original review of this film nearly two years ago. I had mixed feelings about the film, but ultimately found it to be a hauntingly brilliant look at the thoughts and emotions that come forth at the hands of a suicide. After watching it tonight for the second time, I am reaffirmed in my stance, and I continue to think that The Bridge is one of the greatest - as well as one of the bravest - documentaries ever brought to the silver screen.

I don't think I can get away with saying that yesterday's tragic death of director Tony Scott helped influence my decision to give this film another go-around. Since then, I've heard a lot of people, including some of my readers, question why Scott would choose to take his own life. I've made it no secret that I myself have struggled with depression and mental illness in the past, I can understand just how low a person needs to be to consider this option. Still, it can be mind-boggling for an individual who has never reached that level of despair. 

That's why I think The Bridge is both so beautiful and so important. Through the numerous interviews with family and friends - as well as one with a jump survivor - we as the audience experience the full range of imaginable emotions tied to losing a loved one to suicide. From anger to guilt to acceptance, each interviewee offers another piece of the puzzle. And yet, at the end of the day, the film does not offer any answers, but it never truly sets out to give them.

The Bridge is not a film you're going to enjoy. It's a heart-wrenching look at a very real subject, and it's definitely not for the faint of heart. However, I think the stories it tells are vital to raising awareness for problems such as mental illness. There's so many people in the world who don't understand the concept of depression, and sometimes, it takes a drastic measure for someone to start to think about it. That's not the way the world should be. When I first watched the film in 2010, my closest friend watched it simultaneously from about five hundred miles away, and after finishing the film, we had a chance to discuss it at length. In my previous review, I brought up a number of her comments, and I'd like to bring one back in this review, as I think it sums up my thoughts on the film perfectly: 

I don't think you're supposed to like [The Bridge], but I do think it was beautifully and tastefully done. As beautiful and as tasteful as you can get with suicide, at least.

I don't think I could agree more.

Movie Review Summary

Grade: A

Status: Must-See

Movie Review: PARANORMAN

PARANORMAN

2012

PG

"Can't you be like other kids your age?"
-- Perry Babcock

ParaNorman is a 2012 animated film directed by Chris Butler and Sam Fell that serves as the latest piece of stop-motion animation to hit the silver screen. The film tells the story of a young boy named Norman Babcock (voiced by Kodi Smit-McPhee) who has the ability to see and speak to the dead. As one can imagine, no one in his small town - including his family - truly believes his seemingly outrageous stories, and as a result, Norman has become a bit of an outcast among his peers. One day, however, his equally-outcast uncle Mr. Prenderghast (voiced by John Goodman) tells Norman that a 300-year-old witch's curse is about to destroy the town, and the boy is the only one who can prevent it from happening. Initially pushing the idea aside, a string of eerie visions leads Norman to believe his uncle. With the (reluctant) help of his only friend Neil (voiced by Tucker Albrizzi), his sister Courtney (voiced by Anna Kendrick), Neil's brother Mitch (voiced by Casey Affleck) and a local bully named Alvin (voiced by Christopher Mintz-Plasse), Norman sets out to save the town from the evil about to come upon it.

As many of my readers will know, I've been eagerly awaiting the arrival of August 17, 2012 for the two major films being released. Some of you may have seen my quick review of The Expendables 2 on the affiliated Facebook page yesterday, and now I've had the chance to see ParaNorman, for which I was more excited. Always a fan of stop-motion animation, the concepts behind this particular film seemed incredibly attractive, and I've almost been counting down the days until I could see just what directors Butler and Fell could bring forth.

I have to start by talking about the stop-motion animation. Being such a big fan of the medium, I have to say that I was utterly blown away by just what ParaNorman had to offer. I've seen plenty of great pieces of work from past stop-motion films, but ParaNorman seems to take this one to a new level. I can't quite put my finger on exactly what makes this film stand apart, but I do think that there are little nuances here and there that just make this world seem just a bit more real. There were times that I was left open-mouthed by the beauty of the film, and for that alone, it needs to be applauded.

Luckily for the audience, we're also getting a stellar screenplay that brings a off-beat type of charm to the film. From the very outset, we learn of Norman's spectacular ability see and communicate with those who have passed on. At the same time, we also learn of the struggle Norman must face as a result of his gift, and it immediately gave me the opportunity to relate to the character. From there, we jump right into the action, learning of the witch's curse and Norman's ability to stop it. We meet a number of wonderfully fleshed-out characters who help or hinder Norman along the way. At the same time, we're listening to a perfectly-scripted set of dialogue for each individual character, each of whom brings a little bit more to the overall scheme. And at the end of the day, the film manages to bring itself full circle, touching on the concepts of bullying and evil in the real world. It's a truly well-done piece of work by director Butler, who also penned the script.

While we're on the subject of the characters, I have to say that the vocal cast did a splendid job in bringing these characters to life. Smit-McPhee is great in the central role, and it's easy to fall in love with the character from the very start. I thought Albrizzi and Kendrick offered two of the better roles in the film, and I think Mintz-Plasse deserves a lot of credit as well. Also be on the listen for Leslie Mann and Jeff Garlin as Norman's parents; each of them does quite well with their respective roles.

Where ParaNorman truly succeeds is in its tone and its blending of genre. As an animated film, a film-goer will most likely assume it's going to be a comedy that's branded for children. That's not entirely the case with this particular film. Like past stop-motion ventures like 2005's Corpse Bride and 2009's Coraline, there's a bit of darkness revolving around ParaNorman. While there is quite a bit of comedy - both in dialogue and in slapstick form - throughout the film, we also have a bit of horror and suspense for the avid horror fans. There were a few moments where the tenseness of the film truly felt palpable, and I don't think I've ever had that feeling in an animated film before. I have to give a lot of credit to the entire cast and crew for bringing forth a film that pushes the boundaries of the animation genre. Parents should just beware that this one might not be for the very little ones.

At the end of the day, ParaNorman is a great film that deserves to be mentioned as one of the better stop-motion ventures in cinematic history. As I read some other critical reviews of the film, I stumbled across this particular snippet from Washington Post writer Sean O'Connell, and I thought I'd share:

[ParaNorman is] A colorfully macabre stop-motion animation comedy that embraces the sociopolitical allegories of George A. Romero's zombie pictures and reworks them into a feature-length episode of "Scooby-Doo."

Needless to say, I couldn't agree more, and that's what makes this film so darn enjoyable.

Movie Review Summary

Grade: A-

Status: Should See

Trailer Breakdown: RED DAWN

One of the latest trailers to hit the Internet is the first for the upcoming remake, Red Dawn, which is directed by Dan Bradley and stars Chris Hemsworth. As I usually do with these trailer breakdowns, I'll be bringing up some questions concerning the film just after the trailer. To start, take a glance at this first look of the new film:

And now, for a few questions that came to mind while watching the trailer:

1. To start, what is Red Dawn?

As I previously stated, Red Dawn is an upcoming action flick that serves as a remake of the 1984 film of the same name. This film will center on an apparent invasion from the North Korean army that lands in a small, nondescript American town. An on-leave Marine (Hemsworth) visiting home gets caught in the middle of the attack, and he leads a rag-tag group of survivors in a strike against the enemy. This follows the basic plot and concept of the original film, with the key difference being that the foe in the 1984 venture was the Soviet Union, not the North Koreans. 

2. How will this film hold up against the original film?

The original Red Dawn film holds the illustrious status of being the first film released in the United States to achieve the newly-created PG-13 rating. It earned this rating after being considered, at the time, to be the most violent film ever made according to the Guinness Book of World Records, which states it holds a rate of 2.23 violent acts per minute. Made on a very modest budget of $4.2 million, the film managed to return nearly $40 million at the box office, making it a financial, if not critical, success. Considering the nature of the storyline, critics were divided on the film, which currently holds a fifty-three percent approval rating on Rottentomatoes.com. Still, there are some pretty lofty goals in there for this new Red Dawn to achieve, but will it be able to stand up next to its predecessor?

3. Considering the state of today's political society, how will this film be met by critics and audiences?

In recent years, the threat of a North Korean attack on the United States has always been on the back-burner with the news, and in light of the North Korean's recent misfire with their missile testing, I wonder whether this film's release is timely or not. In a way, the film is taking the idea of a possible attack and bringing it to life, following it through by showing that a small group of young Americans can take down an entire section of enemy army. I have a feeling that the film will be met by heavy resistance from the critical community, but there should be factions of audiences that will probably fall in love with the concept.

4. Plot Issue: This trailer makes it seem as though the North Korean army has a personal vendetta against the main family. Why would they?

The trailer clearly shows Hemsworth's character's father (seemingly) being murdered by a Korean military leader in execution style. The scene then jumps immediately to Hemsworth uttering, "They messed with the wrong family." I have a bit of an issue with this: Why would an army bent on taking over an entire country waste their time with one individual family? I'm sure the film will concoct some way to make it all make sense, but based off the trailer, it already seems a little bit silly. Still, it could easily make for a more emotional piece, but I can't see any way that this subplot won't be a cheap attempt at drawing that emotion from the viewer. 

5. Where does this film place Chris Hemsworth on the Hollywood scene? 

To answer this question, I'd like to take a look at Hemsworth's brief filmography. He made a memorable appearance in 2009's Star Trek, but it wasn't until his starring role in 2011's Thor that he became a household name. That name only grew with the release of The Avengers and Snow White and the Huntsman, both action films that showcased his ability to be an action star. If Red Dawn manages to be a success, it should solidify Hemsworth's status as the next big thing in action, and with sequels to Thor and Snow White and the Huntsman already in the works, he shouldn't have a problem continuing that particular vein of success.

6. How will the rest of the cast play out?

We're actually getting some relatively big names in this particular venture, and it should be a cast that performs well. Most prominent are the inclusions of Josh Hutcherson - fresh of the success of The Hunger Games - and Jeffrey Dean Morgan, but we're also going to see the likes of Josh Peck and Adrianne Palicki. In an action movie, acting sometimes gets shoved off to the wayside, but here's to hoping that this cast can bring something of value to the screen.

7. How will first-time director Dan Bradley handle the film?
After making a bit of a name for himself as a stunt coordinator, Bradley had the opportunity to go behind the camera with Red Dawn, making this his first directorial effort. I've seen many a first-time director make a quality film, but there's plenty more who have failed miserably. Given the type of film, I'd be a little worried that this first venture might be a bit underwhelming, but with his background in stunts, I'd say that the visual effects and stunt work should be top-notch.

8. At the end of the day, will Red Dawn just be another dumb, big-budget action remake?

This is always going to be the biggest question for a film like this. Remakes are always going to be taken with a grain of salt, and while it can be done, it's tough to make a quality remake. People are going to remember the source material in a nostalgic way, so to top an original film, a remake has to be something truly spectacular. Will Red Dawn be able to do just that? My money's on no, but I've been wrong before. 

Red Dawn will hit theaters in the United States on November 21, 2012.

Movie Review: THE PLEDGE

THE PLEDGE

2001

R

"I made a promise, Eric. You're old enough to remember when that meant something."

-- Jerry Black

The Pledge is a 2001 dramatic film directed by Sean Penn that centers around one man's obsession with solving a murder mystery. On the day of his retirement, Detective Jerry Black (Jack Nicholson) tags along on a call for the rape and murder of a young girl. It falls into his hands to tell the girl's parents of the tragedy, and to give them assurance and peace of mind, he promises to bring the culprit to justice. The police soon find their prime suspect, but Jerry doesn't believe this man to be the true perpetrator. Still, he lets bygones be bygones and starts on his retirement, ultimately settling in a small Nevada town. He starts a relationship with a young waitress named Lori (Robin Wright) and her daughter, and though his life is moving forward, he can never shake the case from his mind. It continues to gnaw at him until a string of events occur that cause him to look into the case once again.

I first heard about The Pledge after reading about it in Leonard Maltin's book, 151 Movies You've Never Seen. I started to see it listed on NetFlix's Instant Watch, and I was ultimately drawn to the film by its loaded cast. What I couldn't really know was just what type of film I'd be getting myself into.

The film's screenplay is a slow but delicate piece that manages to keep the viewer engaged despite its plodding pace. In the first part of the film, things seem to move quickly, but as soon as Jerry makes his move to retirement, everything slows down to a crawl. It's only in the film's seemingly anti-climactic finale that the speed kicks up again, but we're left scratching our heads as the credits start to roll. However, the pacing seems to work within the constructs of the film. The manic start and end satisfy the need for a bit of action, but the slow-moving pieces in between help give us a sense of Jerry's character. At the same time, we can see him formulating a plan for catching this mysterious monster, and it all helps work toward the effectiveness of the finale. I previously stated that the ending seemed a tad bit anti-climactic, but that's only true to the untrained eye. The Pledge's story actually offers a completely devastating and depressing conclusion, giving a somewhat satisfying finish to the entire endeavor.

Bolstering the solid screenplay is the fantastic work of the cast, which is essentially a who's-who of big-time Hollywood stars. Nicholson is the film's centerpiece, and he provides one of the better roles of his career, bringing a slew of emotions to the Jerry character. His work with the conclusion helps bring the brilliance of the film as a whole, and simply have to applaud the three-time Oscar winner. Wright also manages to bring forth a great turn in her supporting role, and I also thought the young Pauline Roberts did a splendid job as well. Also be on the watch for a number of great small or cameo appearances from the likes of Aaron Eckhart, Benicio Del Toro, Patricia Clarkson, Vanessa Redgrave, Mickey Rourke, Helen Mirren and Tom Noonan.

Where The Pledge most succeeds, however, is in the atmosphere it creates. Penn does a great job in crafting a realistic world where we can believe everything that's happening. As time continues to pass and another meeting with our mysterious killer looms on the horizon, the film slowly gains this very disgusting feeling, almost as though you know what's going to happen but still don't want it to come across the screen. There was a number of moments where I was sure I knew the direction the film was headed but was surreptitiously proven wrong. You just get this knot in your stomach as the film progresses, and you can only hope that, by the film's end, it will have gone away. What makes this film stand apart, however, is that it doesn't take that knot away. Instead, it gives you something to chew on and ponder well after you've finished watching. I think Maltin put it best in his book when he said the following:

The Pledge is the kind of movie that stays with you, precisely because it poses as many questions as it answers - and because Jack Nicholson makes such a lasting impression.

The combination of a stellar screenplay, a superb cast and an eerie atmosphere makes The Pledge one of the better movies I've seen of late. Kudos to Mr. Penn on this one. 

Movie Review Summary

Grade: A-

Status: Should See

Top 10: Stop-Motion Animation

For my inaugural 'Top 10 Tuesday' post, I took a little bit of inspiration from this week's upcoming new release, ParaNorman. The film, which tells the story of a young boy who can see the dead, utilizes the art of stop-motion animation to bring its characters and its world to life. And so, in honor of its opening, I thought it'd be fun to take a look at what I think are the top ten films featuring stop-motion animation.

The art of stop-motion animation is arguably one of the most difficult and tiresome, but when done correctly, it can breed brilliant results. The animators who work with stop-motion toll for years on end to craft one feature film, and it turns into a labor of love for most. To find a spot on this list, a film has to have used stop-motion animation in some significant form. Most of the films currently featured are animated films that utilized the technology throughout their run-time, but there are a couple inclusions to the list that simply use the art in very prominent fashion.

And so, without any further delay, here is my list of the ten best films featuring stop-motion animation.


10. The Lost World (1925)

In the early years of stop-motion animation, there were many films that attempted the art, and some attempts even proved successful. However, The Lost World was one of the first films truly to strike gold with the technique, bringing prehistoric beasts to life right there on the silver screen. Nearly ninety years later, I'm sure many a stop-motion animator still looks back at what these filmmakers were able to do with their clay creatures way back in the 1920s, and even if it's just for that particular facet, The Lost World is definitely worth a watch.

9. James and the Giant Peach (1996)

Although not entirely an animated film, James and the Giant Peach still uses quite a bit of the stop-motion technique to bring Roald Dahl's beautiful story to life. This was Henry Selick's first foray into directing after his feature film debut, The Nightmare Before Christmas, and while he couldn't quite strike the same brilliant chord, he still managed to bring a lively and colorful story to the screen, and he had the animation to back it up.

8. Corpse Bride (2005)

Even though Tim Burton's name is often on these darkly comedic stop-motion animated films, Corpse Bride is actually one of the only ones he's actually helped direct. He and co-director Mike Johnson managed to craft an eerily creepy atmosphere, all while maintaining that light-hearted story that's been the centerpiece for so many of his tales. It's not the best foray in the genre, but it still proves to be entirely entertaining.

7. ParaNorman (2012)

The most recent addition to this particular list proves to be the film that inspired me to create it. After seeing ParaNorman earlier today (you can see my review here), I have to say that the utterly stunning use of stop-motion animation, combined with a wonderfully macabre screenplay and storyline, all add up to craft one heck of a film. Parents beware, however: this animated feature, like Coraline and Corpse Bride, might not necessarily be directly geared for the little ones.

6. Coraline (2009)

Out of all the straight-up animated films on this list, Coraline is the only one I don't necessarily consider a comedy. It's a little too dark for that particular classification, but something about that darkness is what makes it so attractive. Henry Selick worked wonders with the stop-motion here, crafting an immersible, albeit a tad bit trippy, world for his audience to enter. The final product is something rather beautiful.

5. Rudolph, The Red-Nosed Reindeer (1964)

Next to A Charlie Brown Christmas, you'd be hard-pressed to find a more endearing Christmas special, and I think Rudolph definitely deserves a spot on this particular list. Although the animation isn't necessarily the best the world has ever seen, it mixes with a great story and simply proves to be quite the entertaining venture. It's been playing ever year since its initial run, and that has to say quite a bit, right?

4. King Kong (1933)

Eight years after the release of The Lost World, movie watchers around the world got the chance to see the next stage of stop-motion animation with the release of King Kong. Cited by many a director as the movie that launched them towards their current profession, the almost-eighty-year-old movie still manages to impress to this day. The animation is utterly astounding, and to think it was crafted so long ago is a little hard to believe.

3. Mary and Max (2009)

If you haven't heard about this particular Australian import, I won't really be surprised. My sister initially recommended the film to me, and after watching it, I have to say it's one of my personal favorite animated films. It's relatively simple stop-motion animation, but it brings forth some incredibly interesting and endearing characters, both of whom are impossible not to love. It's definitely worth a watch, if you have the time.

2. Fantastic Mr. Fox (2009)

One of the most recent additions to this list, Fantastic Mr. Fox was quite a revelation when it hit theaters in 2009. It was director Wes Anderson's first foray into animation, and his use of stop-motion was a little bit different than anything that had been done before. The attention to detail in the animation is impressive, and he managed to bring his trademark sense of off-beat humor to the classic Roald Dahl story. I might even go as far as to say that it's Anderson's best film, but I'm sure I'll have naysayers on that one. Still, it's quite an impressive feat for a first attempt at the genre.

1. The Nightmare Before Christmas (1993)

It's been nearly twenty years since Nightmare first hit theaters, and it still manages to be the stop-motion standard. What other film has garnered a continued re-release each holiday season? I can't think of any off the top of my head, and yet, The Nightmare Before Christmas still manages to be an audience favorite. It blends brilliantly-choreographed stop-motion animation with a brilliantly-beautiful story chalk full of fantastic musical numbers. This film offers something for nearly every film-goer, and I think that's what's given it such a staying power.


I hope you all enjoyed this first attempt at a 'Top 10' list, and I also hope you liked the endeavor into the art of stop-motion animation. Be sure to check out this week's ParaNorman, and also be on the watch for Tim Burton's Frankenweenie, which is slated for an October release.