Movie Review: THE PLEDGE

THE PLEDGE

2001

R

"I made a promise, Eric. You're old enough to remember when that meant something."

-- Jerry Black

The Pledge is a 2001 dramatic film directed by Sean Penn that centers around one man's obsession with solving a murder mystery. On the day of his retirement, Detective Jerry Black (Jack Nicholson) tags along on a call for the rape and murder of a young girl. It falls into his hands to tell the girl's parents of the tragedy, and to give them assurance and peace of mind, he promises to bring the culprit to justice. The police soon find their prime suspect, but Jerry doesn't believe this man to be the true perpetrator. Still, he lets bygones be bygones and starts on his retirement, ultimately settling in a small Nevada town. He starts a relationship with a young waitress named Lori (Robin Wright) and her daughter, and though his life is moving forward, he can never shake the case from his mind. It continues to gnaw at him until a string of events occur that cause him to look into the case once again.

I first heard about The Pledge after reading about it in Leonard Maltin's book, 151 Movies You've Never Seen. I started to see it listed on NetFlix's Instant Watch, and I was ultimately drawn to the film by its loaded cast. What I couldn't really know was just what type of film I'd be getting myself into.

The film's screenplay is a slow but delicate piece that manages to keep the viewer engaged despite its plodding pace. In the first part of the film, things seem to move quickly, but as soon as Jerry makes his move to retirement, everything slows down to a crawl. It's only in the film's seemingly anti-climactic finale that the speed kicks up again, but we're left scratching our heads as the credits start to roll. However, the pacing seems to work within the constructs of the film. The manic start and end satisfy the need for a bit of action, but the slow-moving pieces in between help give us a sense of Jerry's character. At the same time, we can see him formulating a plan for catching this mysterious monster, and it all helps work toward the effectiveness of the finale. I previously stated that the ending seemed a tad bit anti-climactic, but that's only true to the untrained eye. The Pledge's story actually offers a completely devastating and depressing conclusion, giving a somewhat satisfying finish to the entire endeavor.

Bolstering the solid screenplay is the fantastic work of the cast, which is essentially a who's-who of big-time Hollywood stars. Nicholson is the film's centerpiece, and he provides one of the better roles of his career, bringing a slew of emotions to the Jerry character. His work with the conclusion helps bring the brilliance of the film as a whole, and simply have to applaud the three-time Oscar winner. Wright also manages to bring forth a great turn in her supporting role, and I also thought the young Pauline Roberts did a splendid job as well. Also be on the watch for a number of great small or cameo appearances from the likes of Aaron Eckhart, Benicio Del Toro, Patricia Clarkson, Vanessa Redgrave, Mickey Rourke, Helen Mirren and Tom Noonan.

Where The Pledge most succeeds, however, is in the atmosphere it creates. Penn does a great job in crafting a realistic world where we can believe everything that's happening. As time continues to pass and another meeting with our mysterious killer looms on the horizon, the film slowly gains this very disgusting feeling, almost as though you know what's going to happen but still don't want it to come across the screen. There was a number of moments where I was sure I knew the direction the film was headed but was surreptitiously proven wrong. You just get this knot in your stomach as the film progresses, and you can only hope that, by the film's end, it will have gone away. What makes this film stand apart, however, is that it doesn't take that knot away. Instead, it gives you something to chew on and ponder well after you've finished watching. I think Maltin put it best in his book when he said the following:

The Pledge is the kind of movie that stays with you, precisely because it poses as many questions as it answers - and because Jack Nicholson makes such a lasting impression.

The combination of a stellar screenplay, a superb cast and an eerie atmosphere makes The Pledge one of the better movies I've seen of late. Kudos to Mr. Penn on this one. 

Movie Review Summary

Grade: A-

Status: Should See

Movie Review: THE GIRL WITH THE DRAGON TATTOO

THE GIRL WITH THE DRAGON TATTOO

2011
R


"The fear of offending is stronger than the fear of pain."
-- Martin Vanger

The Girl with the Dragon Tattoo is a 2011 film directed by David Fincher that serves as a remake of the 2010 Swedish film Män som hatar kvinnor, which in turn was an adaptation of the late Stieg Larsson's 2005 novel of the same name. After he is sued for allegedly offering incorrect information about a high-level businessman, Mikael Blomkvist (Daniel Craig) is offered the chance to retaliate if he can aid aging patriarch Henrik Vanger (Christopher Plummer) in discovering the details surrounding his niece's disappearance nearly forty years earlier. Mikael has luck in the early stages of his investigation, but as time goes by and fewer and fewer clues surface, he enlists the help of a young hacker named Lisbeth Salander (Rooney Mara), who happens to be the person who exposed the miscues that led to his being sued. As the two dig deeper into the secrets that lie within the Vanger family history, they find a very convoluted plot that slowly begins to unfold, leading them to a strange and dangerous ending.

When I first heard about the proposed remake of the Swedish adaptations of Larsson's Millennium trilogy, I have to say I was a tad bit worried for a few reasons. First, I wondered whether initiating a remake so quickly after the success of the Swedish films was a good idea. The first of those films was released in Sweden in 2009 and hit the United States in 2010, so U.S. audiences only had to wait another year for an English-language version. While some quick remakes have found success (i.e., 2010's Let Me In, which was a remake of the 2008 Swedish Låt den rätte komma in, or Let the Right One In), I was still a little concerned about the prospects for this particular franchise. Secondly, because of the way the storyline is crafted, I could only think of a few possible directors that could have handled the remake. When it was announced that David Fincher would be taking the helm, some of my worries were silenced, but I still held a little bit of doubt. Ultimately, there wasn't any way I was going to be able to watch this film without comparing it to its Swedish predecessor, so I hope you'll forgive me if this turns into more of a compare-and-contrast piece than a straight-forward review.

There isn't much to say in terms of the film's screenplay that I didn't already say in my review of the Swedish version, which you can read here. I found Steven Zaillian's script to be tightly-written and intriguing, but I did have a few issues that probably serve as nitpicking more than anything else. One of my biggest issues was the fact that, while the film takes place in Sweden, every character happens to speak in English. Normally this wouldn't be much of an issue, but the fact that the filmmakers chose to leave all of the visually-written objects - including signs, posters and car decals - in Swedish threw me a little off. While I'm hearing English being spoken, I'm seeing words in Swedish, and it just took me a little out of the movie. That's not necessarily a good thing for any film, much less one that's throwing you so much information on a consistent basis that you need to be able to keep up.

We are getting a rather good ensemble cast, although I'm not sure it quite measures up to the one from the film it's following. Mara and Craig are fine as our leads, and Mara is getting quite a bit of praise for her performance, but I personally didn't think she came close to being as effective as Noomi Rapace was in her role. I was pleasantly surprised to see Christopher Plummer's turn in this one, even if his role didn't consist of much screen-time. Also be on the lookout for fine performances from the likes of Robin Wright, Stellan Skarsgård and Joely Richardson, who help fill out the cast list nicely.

At the end of the day, I thought that The Girl with the Dragon Tattoo did enough to keep me engaged, but I couldn't help but think that it just wasn't quite as good as the original 2010 film. Although it hasn't garnered much success at the box office, both of the series' sequels have received the green-light for production, so be on the watch for Mara and Craig to team up twice more in the next few years. Still, if you are looking to watch this film, I honestly think you should at least give the Swedish adaptation a chance. This one is good, but it's just a half-step behind its predecessor.

Movie Review Summary
Grade: B+
1.5 Thumbs Up

Trailer Breakdown: THE GIRL WITH THE DRAGON TATTOO

A teaser trailer has been released for the upcoming American remake of the Swedish film Män som hatar kvinnor, which translates to The Girl with the Dragon Tattoo. That film was the first of the Millennium trilogy and was based on a series of novels written by Stieg Larsson. I reviewed the original film in December, giving it a rather glowing review. It even fared well enough to nab three nominations in my personal "Best of 2010" list, so that should say quite a bit about its overall quality. When I first heard about the remake, my immediate thought was, "Well, of course they're going to remake it. That's what we do as Americans." However, as I heard the list of cast and crew grow, my feelings of worry slowly started to dissipate. Could we actually be getting a legitimate remake? I suppose we'll have to wait and see. Here's the new teaser trailer for your viewing pleasure. I'll break it down after the jump.

And now for some thoughts and questions that came up while I was watching the trailer:

1. This trailer is ridiculously fast-paced. Should we expect that from the actual film?
At the end of the day, this is just a teaser trailer, and it should be taken as such. It's purpose is to give us a taste as to what we might see in the film, so I'm not sure whether we should take any of the pacing style here and assume it will convey to the actual feature film. I personally thought that the original Swedish film was a little on the slow side, but that ultimately worked towards its advantage. The plot was so intricate that it almost needed to be a little bit slow in order for it to be understandable. This American remake, however, has David Fincher at the helm. He's known for creating some fast-paced flicks (i.e., 1999's Fight Club; 2010's The Social Network), but he's also shown he can slow it down (i.e., 2008's The Curious Case of Benjamin Button). Despite the blinding speeds shown in this teaser, I think the final product will end up being a little bit slower. However, if it does maintain a fast pace, I couldn't think of a director other than Fincher that I'd rather have handling it.

2. What's the storyline of the film?
There really isn't much in this teaser to get people interested in any semblance of a story. I think that this particular trailer works more as a means to grab the attention of people who may already be fans of the novels or the original Swedish films. Everything moves so quickly that it's almost impossible to understand anything that's going on if you don't have prior knowledge of the story. Still, the fast pace could draw some into the trailer in the hopes that they'll be receiving an action thriller come December. The trailer just doesn't give much in terms of guessing what might happen in the film. If you already know the story, then you're one step ahead.

3. Since we're not getting any clues to the storyline, what can we get from the trailer?
Because we're simply given a string of flashing scenes for nearly one hundred seconds, I think the thing that most viewers will take away are the actors featured within the trailer. For those of you paying attention, you'll be happy to find the following actors and actresses who will be holding important roles within the film: Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård, Robin Wright, Embeth Davidtz and Joely Richardson. It's a pretty legitimate cast list, if I do say so myself. Will they be able to hold up to the Swedish original? We'll have to wait and see.

4. Who covered "Immigrant Song" for the trailer?
I'm not quite sure as to the reasons behind using Led Zeppelin's "Immigrant Song" in this teaser trailer, but I can say that I'm thoroughly impressed with the rendition offered by Academy Award-winner Trent Reznor and Karen O. It adds to the overall pace of the trailer, and it gives us a little taste of what we might be hearing once the final product hits theaters. Reznor is helming the score, of course.

5. "The feel bad movie of Christmas?"
Having seen the original film, I'd have to say that this might be the perfect tagline moving forward. I don't want to get into too many specifics about the storyline for fear of ruining it for those of you who may not know the story already, but it's definitely a visceral experience that's going to leave you wondering just how to feel.

Overall, I'd say I'm pretty excited about the potential for this particular remake. Having been a fan of the original film, I'd have to say that I do have rather lofty expectations. However, with the direction of Fincher and the look of this trailer, I feel a lot more confident in my overall judgment.

The Girl with the Dragon Tattoo will hit theaters in the U.S. on December 21, 2011.

Movie Review: THE CONSPIRATOR

THE CONSPIRATOR

2011
PG-13

The Conspirator is a 2011 historical drama directed by Robert Redford that portrays the trial of the men and woman accused of conspiring to assassinate President Abraham Lincoln in the days following the "end" of the Civil War. The film essentially starts on the night of the assassination, where we meet Frederick Aiken (James McAvoy), a Union soldier and lawyer who is celebrating the imminent end of the war. After the President is shot, mass chaos erupts in the streets of Washington, D.C., and in a whirlwind of days, a number of individuals are either killed or brought into justice on suspicion of having something to do with the assassination plot. Aiken is brought into the military tribunal by Senator Reverdy Johnson (Tom Wilkinson) to defend Mary Surratt (Robin Wright), the only woman accused of the treasonous act. Aiken initially struggles with the posting, citing that he fought the Southerners throughout the war and has no desire to defend one who may have helped kill Lincoln. However, as the trial commences, it becomes increasingly clear that the cards are stacked against Mary, who seems to be much more innocent than the government is willing to accept. With the help of Mary's daughter Anna (Evan Rachel Wood), Aiken sets out to prove the tribunal of Mary's innocence despite his personal beliefs to the contrary.

I was initially drawn to this film simply because it presents a historically-based story centered around one of the most tragic moments in American history. Because I'm fascinated with the history of the United States, I was intrigued to see a film that talked about the aftermath of Lincoln's assassination rather than just the murder itself. The screenplay works relatively well, and it presents a compelling argument for the innocence of Surratt, who proved by the the first woman ever sentenced to death under the United States legal system. We receive a slew of great courtroom scenes that show the lengths that the government took in order to achieve justice (read: revenge) as swiftly as possible. My only beef with the screenplay was that the dialogue all seemed a little too simplistic. I couldn't find the characters entirely believable because I just didn't believe that they would speak in the way that they did. Aside from that, however, we get a solid and easily understandable storyline to follow.

We also get a nice bit of acting from the ensemble, center-pieced by a fine performance from James McAvoy. It took me a little while to warm up to his character, but as the film progressed, I felt more and more connected with him. Aiken is given a rather complete character arc as he struggles with the loopholes the government uses in order to make the tribunal as unconstitutional as one can imagine. What starts as a terrible bit of luck turns into a fight for basic human rights as Aiken does his best to convince the generals that serve as the tribunal's jurors. I wouldn't quite say that McAvoy delivers a tour-de-force performance, but he definitely steals the show from an otherwise pedestrian group. Robin Wright is okay, but she's given a lot less screen-time than one would imagine considering her top-billing. Sadly, she doesn't do much with a role that isn't entirely developed, so it's probably not her fault. Wilkinson is rather good in a limited amount of scenes, but he definitely makes you notice him. Be on the lookout for some other relatively well-known actors, such as the following: Alexis Bledel, Kevin Kline, Danny Huston, an inexplicable Justin Long, and Norman Reedus (who's most memorable from his starring role in The Boondock Saints).

Overall, there's definitely some flaws with The Conspirator (one of the biggest being its incredibly slow pace), but there's still enough for you to latch onto and enjoy if you're in the mood for a period piece like this. If anything, go for McAvoy's performance - give him a little time, and I guarantee you that you'll fall for the character at some point.

Movie Review Summary:

Grade: B-
1 Thumb Up

Movie Review: UNBREAKABLE

UNBREAKABLE

2000
PG-13

Unbreakable is a 2000 dramatic mystery film directed by M. Night Shyamalan. The film opens on David Dunn (Bruce Willis), a married man on his way home from New York on a train that derails, killing everyone on-board - except him. Somehow, David walks away from the crash unscathed, causing everyone around him to wonder just how he managed to do so. After leaving a memorial service for all those killed in the crash, David finds a note stuck under his car's windshield asking him how many times he had been sick in his life. The question quickly becomes an obsession, and with the help of his wife Audrey (Robin Wright), David realizes that he had never once been sick in his life. He traces the note to a special art gallery where he meets Elijah Price (Samuel L. Jackson), a man who was born with a type of brittle bone syndrome. After conversing for a little while, Elijah believes that David may be "unbreakable," in that he cannot be injured. He starts to attempt to convince David that the world may need a person like him - a protector, so to speak. David shrugs off the notion, but as time goes by, he starts to wonder whether Elijah may actually be correct.

Now, I watched this film last night but was too tired afterward to write the review, so bear with me if this sounds a little jumbled. I had been meaning to watch this film ever since I watched The Sixth Sense because many people had told me it's actually good Shyamalan fare. And in comparison to some of his recent efforts (i.e., 2008's The Happening and 2010's The Last Airbender), Unbreakable is damn near brilliant. However, compared to the annals of the rest of film history, it simply falls into the "quite good" category. I had a very interesting viewing of this film, considering it's one of the only Shyamalan films I've seen in which I did not know the ultimate twist going into watching it. The Sixth Sense and The Village (which I have yet to watch) were both spoiled for me before I had the chance to see them, so they proved to be a little lackluster (although, the power of The Sixth Sense still ranks it at #142 on my all-time list). That being said, let's get to the actual review of the film...

We actually have a pretty good screenplay, although it literally makes you wait until the very last scene to punch everything home. This seems to be Shyamalan's sole purpose in making film - to make the audience wait until the final moments to garner some resolution. I have to say that I wasn't entirely expecting the final outcome, but as I thought about it as I drifted off to sleep, I realized how obvious it had been. I should have picked up on it a lot sooner, but perhaps I was tired from a long day of movies (in case you didn't notice, check out my other review from yesterday: Insidious; Source Code; Win Win). We've basically got a superhero story on our hands here, but it's not really packaged as such throughout the film. The story really focuses on Dunn's inner struggle as he tries to figure out just what's "wrong" with him. In a way, I guess you can say this is like an origins story of a superhero. The fact that it's all encased within this comic book universe that Elijah so craves makes it all the more dashing. My only real issue with the screenplay was that it moved so slowly that it never lets you properly hook into what's going on. Again, that could've just been me trying to watch it as I slowly succumbed to the wonders of dreamland - maybe I'll have to give this one another view on a fully functional day.

The acting is good, in a very subtle sort of way. I loved Bruce Willis in The Sixth Sense, and I wanted desperately to love him here as well, but I came away merely liking the character. However, his collaboration with Shyamalan helped to bring out the actor in Willis, rather than the comedic action junkie we had all grown to know and love. His roles in both The Sixth Sense and Unbreakable are so glaringly different from roles he's taken on in the past that it's a little awkward to see him as such. That doesn't take away the fact that he is a very good actor, though. Aside from Willis, there's really no one else to talk about except Samuel L. Jackson. It took me a little while for his character to grow on me, but eventually, I was able to fall into his warped sense of reality. Jackson plays him well, with an outward subtlety that almost masks the manic energy floating around inside Elijah's skull. It's quite a sight to behold, actually.

I'd also like to take a moment and give credit to James Newton Howard, who composed the score for the film. Although it's not quite as good as his composition for The Sixth Sense, it's still quite good and fits the film very well. Here's a little taste of the score, in case you're curious to hear it:

Overall, I think I'm going to have to go back and watch Unbreakable again in a few weeks. The more I think about the film, the more I like it, but I might want to give it another go just to prove that my feelings are warranted. In a day and age when Shyamalan has become a bit of a laughing stock in Hollywood, everything he does has to be taken with a grain of salt. However, Unbreakable might actually be one of his better films, and although it's not quite reaching The Sixth Sense, it could very easily come close.

Movie Review Summary:

Grade: B-
1.5 Thumbs Up