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Showing posts with label 2001 Space Odyssey. Show all posts
Showing posts with label 2001 Space Odyssey. Show all posts

Thursday, November 24, 2011

Ten Movies I'm Most Thankful For: A Thanksgiving Special

Happy Thanksgiving, everyone! Today's holiday is a time to take pause and think about everything for which we are thankful. As we celebrate with family and friends, I thought I'd take a look and see what films I was most thankful for. While I'm sure I could come up with dozens of films that I love just as much as the ones in the following list, I think these are the ten films I'm most thankful have been made over the years. So while you sit back, eat turkey and watch football, give this list a view. Once again, happy Thanksgiving to one and all!

*****

The 400 Blows
1959
This French film (originally titled Les quatre cents coup) was a bit of an eye-opener for me. I think it's one of those films that everyone needs to see at least once in their lifetime, but it's only going to have an emotional impact if you watch it at just the right time in your life. Fortunately for me, I watched it at exactly the right moment in my life's journey. The story tells of a boy who's looking to find meaning in his own life, and after a series of trials and tribulations, he is able to break away from conformity only to find himself wondering where to turn next. I was in a similar situation when I watched this film, and the boy's inner turmoil reflected my own almost exactly. While it didn't offer any explanation or advice, just seeing my own conflict portrayed so beautifully was enough to leave me in tears.

*****

2001: A Space Odyssey
1968
2001: A Space Odyssey is not a film to be enjoyed. It is a film to be watched and admired and thought about for ages. Every time I watch this film, I always get the urge to spend a month watching the movie over and over again. While I'm sure there's been countless interpretation of Stanley Kubrick's film, we may never know if any of them are actually correct. And I think that's what makes this film so brilliant. You can sit down and watch it a dozen times, and you could easily have a dozen different ideas and interpretations. It's definitely not a film for everyone; if you can't find a way to get into it, it's going to be a long, drawn-out experience for you. But for those of you who are able to see the beauty in the film, you'll realize that it isn't just a movie: it is an experience that should be taken by any true fan of film.

*****

Brokeback Mountain
2005
There's actually a fundamental and personal reason for me to be thankful for Brokeback Mountain, and I think the story will suffice as explanation. I was raised in a strict conservative household, and although I don't remember any overt concessions or statements against the homosexual community, I immediately opposed this film upon its release, claiming it was just a "gay cowboy" movie. I went so far as to cheer against it at that year's Academy Awards despite having not seen the film. It took me three more years to sit down and watch the film, and I found it to be one of the most beautiful romances I have ever seen on-screen. It may not have been the only driving force, but it completely changed my views on love and who should be allowed to love one another. In a way, I have this film to thank for my overall tolerance, and for that, I think we can all be thankful.

*****

The Cove
2009
Much in the way Brokeback Mountain opened my eyes to the world, The Cove did the same in terms of animal cruelty. I had not been much for documentaries until a few years ago, and when I heard about The Cove and its subject matter, I have to admit I was a little hesitant to give it a watch. I knew exactly what I was going to see, and that alone would be enough to keep a lot of people from watching this film. However, I will take the stance right now and say that every person - man, woman and (maybe) child - needs to see The Cove. It needs to be universally known exactly what's happening around the world in terms of animal cruelty, and even though this film only focuses on one specific happening, it talks about how prevalent such cruelty has become around the world. It made me want to rise to action, and the best way I know how to do that is to draw attention to this film's existence.

*****

Gone with the Wind
1939
This is the classic film to top all classic films, and it's also the first film to use "foul" language (although by today's standards, the use of the word "damn" isn't all that shocking). While it blazed that particular trail, it also set the standard in terms of romantic dramas, and I have yet to see a film that surpasses it in its magnitude and sheer force. It's a long film, so there may not be many people who have the patience to sit through it nowadays, but true film aficionados will know this to be one of the greatest films ever to grace the silver screen. Even seventy-two years later, it's still one of the most beautiful films I have ever seen, and it ranks very highly among my favorites.

*****

Happiness
1998
One particular friend is going to scoff at the fact that I've included this film on this list. She claims it's one of the grossest movies she's ever seen, but I can see where she's coming from with her statement. However, the dark comedy and sarcasm in which the subject matter is portrayed is so brilliantly done that I can't begin to hate this film in any regards. The reason I'm thankful for Happiness, however, is it's the first film to show me that there really are no boundaries in the film medium. In a day and age where so much is controlled by the Motion Picture Assocation of America, it's refreshing to see a film that pushes the taboos aside and just lets it all go. (Disclaimer: this film definitely isn't for everyone; it deals with a lot of sexual content that shouldn't be viewed by younger audiences, so be forewarned.)

*****

Jaws
1975
How could I possibly leave my favorite film of all time off this list? You can read my post about the film itself linked above if you want to get all my insight about the film (it's a longer post, just so you know), but at a very basic level, I think everyone has to be thankful for their favorite movie. It's a film I can come back to any day and be able to sit down and watch it in its entirety and be thoroughly entertained. What makes this movie so great for me is that it is so thoroughly entertaining, and it always finds a way to make me re-fall in love with it. It's simple yet so perfectly brilliant in its methods of filmmaking that it's hard not to like. But most importantly, Jaws reminds me that film is supposed to be about entertainment. While I can go on for ages nit-picking films in my reviews, it really comes down to whether or not a movie is entertaining. Jaws will always find a way to keep me engaged, and for that, I am thankful.

*****

No Country for Old Men
2007
When No Country for Old Men was released in 2007, I was living in Santa Cruz, California, and it was playing at my favorite particular theater. I remember the experience vividly: the moment the film ended, I and the eight other people sitting in the theater sat silently through the final credits. The moment the lights returned in the theater, I ran out to buy the original novel in order to understand it. The reason I'm thankful for this film is the fact that it's the movie that made me want to start writing reviews. The amount of thought I put into No Country for Old Men and exactly what it meant spurred me towards this blog, which I ultimately started three years later after I had finished my undergraduate schooling. So, for all of you who enjoy my reviews and this blog in general, you should also thank No Country for Old Men for getting me started down that path.

*****

Psycho
1960
Much in the way I couldn't leave Jaws (my favorite film) off this list, there was no way I could leave Psycho (the best film I've ever seen) off this list either. (To get the whole story behind my viewing of Psycho, check out the link given above because it's a doozy of a story.) Alfred Hitchcock's most iconic film set the tone for the rest of cinematic history. Without this film, who knows where the evolution of movies would have taken us. There are so many movie "firsts" in Psycho that it's a little bit overwhelming. It broke through taboos that filmmakers had refused to break previously. I honestly believe that the face of the cinematic landscape would be drastically different had Hitchcock not released this film back in 1960. Solely based on that, I think there's enough reason to be thankful for this film. The fact that it's also brilliant is just one more plus.

*****

Snow White and the Seven Dwarfs
1937
There's two reasons I'm thankful for Snow White and the Seven Dwarfs. First, it was the first feature-length animated film ever created. Had the film proven to be terrible, there's a chance that animation might never had made much of an impact on the cinematic landscape. Fortunately, it was met by rave reviews, and only three years later, Pinocchio was released to similar reviews, forever stamping the presence of animated films The second reason I'm thankful for Snow White is that it stamped Walt Disney as a legitimate presence on the feature-film stage. While he'd had success with his short films, the success of Snow White put him at the forefront of animation - a place he, as well as the Disney company, have managed to stay until this day.

Tuesday, July 26, 2011

In Memoriam: Stanley Kubrick

On what would have been his 83rd birthday, we're celebrating the memory of the famous film director, Stanley Kubrick. Over the course of a nearly fifty year career, Kubrick stamped a name for himself in Hollywood lore, crafting some of the most memorable and instantly recognizable films in cinematic history. His work garnered him thirteen Academy Award nominations, including four Best Director nominations and five nominations for work with both original and adapted screenplays. Strangely enough, however, his only Oscar win came in the form of a statuette for Best Special Visual Effects for the 1968 film, 2001: A Space Odyssey, which is probably a tad bit blasphemous, to be sure. Still, there's no denying the Kubrick stamp that he placed on all his films. There's something about his work that leaves you a little bit mesmerized, and that's what makes the appeal all the more lasting.

So, like I normally do with my general "birthday" posts, I'm listing my favorite Kubrick films. I've given a clip from each particular film for your viewing pleasure, so I hope you enjoy them. If you haven't had an opportunity to take in Kubrick's films, I suggest you give them a chance. They're going to leave you scratching your head a little bit, but that's what makes them all the more brilliant. The world cannot - and hopefully will not - ever forget the impact Kubrick had on film history.

5. The Shining
1980


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4. Full Metal Jacket
1987


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3. A Clockwork Orange
1971


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2. 2001: A Space Odyssey
1968


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1. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1964


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I'll leave you with one of my favorite quotes from Kubrick himself, one I think personifies his films completely:

"A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later."

Thursday, June 2, 2011

DVD Challenge #10: 2001: A SPACE ODYSSEY

2001: A Space Odyssey
1968
G
Run-time: 2 hours, 21 minutes

Directed by: Stanley Kubrick
Starring: Keir Dullea, Gary Lockwood & William Sylvester



Honestly, where can I even start talking about Stanley Kubrick's 2001: A Space Odyssey? In the forty-three years since it was released, I'm sure millions upon millions of people have discussed it and its meaning (because, let's face it, I'm not quite sure anyone but Kubrick and fellow screenwriter Arthur C. Clarke really know what it means). I'll delve into the "meaning" of 2001 in a few moments, but I'd like to touch upon a couple of things before I get into all of that.

The first thing that you're probably going to notice about 2001 is the fact that there's very little dialogue throughout the film's entirety. In fact, we don't get our first bit of spoken words until nearly twenty-six minutes into the film, and after that, there are extended sequences without any dialogue whatsoever. In addition, the film opens with nearly three minutes of the musical score projected with a blank, black screen. Is there some sort of symbolism there? Perhaps, but I don't want to try to explain anything that I needn't explain. We also receive an intermission around the eighty minute mark, and it comes at a perfectly logical twist in the storyline (kudos to Kubrick there).

In addition, you're going to notice the beauty of the visual aesthetic. Despite the fact that this film is nearly four decades old and pre-dates effects-laden films like Star Wars and Close Encounters of the Third Kind, I'd still say that 2001 is the most visually brilliant piece of filmmaking I have ever seen. Today's visual effects simply can't compare to the simple but detailed approach that 2001 took to creating a realistic world outside of this world. It's simply astounding to behold.

And now, for the meaning of 2001... I don't know it. I'll start by saying that 2001 is by no means a film for everyone. In today's fast-paced society, I'd be surprised if there were many non-film buffs of my own generation who could sit through the film in its entirety. It definitely takes quite a commitment to stay engaged with the film, considering the lack of dialogue and the creepingly slow pace. No, this movie is geared toward those who are willing to be encompassed by a film and are not afraid to think both during the film and after the final credits have begun to roll. And boy will it make you think. I've only seen this film once before today, and I was blown away by its sheer magnitude. Like everyone else, however, I was left scratching my head as well. Ever since that day, I have wondered what 2001 might mean.

Some people say that the film's sequel - the 1984 film, 2010: The Year We Make Contact - offers an explanation of 2001. I personally don't believe that to be the case. 2010 was released sixteen years after the original and was not a Kubrick venture; therefore, it didn't necessarily have his seal of approval. I have seen 2010, and I received no sense of understanding. I think it works more as a theory of what 2001 might have meant, but that theory comes from the mind of one individual, not the minds of many. It's simply one person's interpretation but not the meaning everyone had been waiting to hear.

Ultimately, I don't think we're really supposed to know exactly what Kubrick and Clarke had in mind when they wrote the screenplay. Kubrick once stated the following in relation to understanding the meaning of 2001:
You're free to speculate as you wish about the philosophical and allegorical meaning of the film - and such speculation is one indication that it has succeeded in gripping the audience at a deep level - but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
Basically Kubrick is telling us to keep wondering at what the film might mean. Everyone is going to view the film differently, and that in turn will cause millions of different interpretations of the film. And that's part of what makes it brilliant. You can find a ton of different interpretations of 2001 on the Internet - my personal favorite is located at Kubrick 2001 - but it ultimately comes down to your own opinion of the events of the film. 2001: A Space Odyssey is a movie that will continue to be debated and explained, but at the end of the day, we may never truly know exactly what Kubrick had in mind when he brought this brilliant film to the silver screen.

Ranking
Best All-Time: #20