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Showing posts with label Chris Sarandon. Show all posts
Showing posts with label Chris Sarandon. Show all posts

Monday, December 12, 2011

Movie Review: THE NIGHTMARE BEFORE CHRISTMAS

THE NIGHTMARE BEFORE CHRISTMAS
1993
PG


"Are you a gambling man, Santa?"
-- Oogie Boogie

The Nightmare Before Christmas is a 1993 animated film directed by Henry Selick and produced by Tim Burton. It tells the story of when holidays collide, clashing the haunted holiday of Halloween with the joy and peace-ridden holiday of Christmas. In the ancient holiday world of Halloweentown, there lives the Jack Skellington (voiced by Chris Sarandon, sung by Danny Elfman) who has become tired of his age-old holiday. As he ventures into the wilderness, he stumbles upon the portals to the other holiday worlds and soon finds himself in Christmastown. Seeing the beauty of the land, he decides to bring some Christmas cheer back to his own town, telling the townsfolk that they are going to take over Christmas this year. They start to prepare their own creepy versions of gifts for all the boys and girls, and they even go as far as to steal the horrible "Sandy Claws" (voiced by Edward Ivory) to keep him from ruining their plans. Unfortunately, Santa is delivered to the incredibly evil Oogie Boogie (voiced by Ken Page), who hopes to make a ruckus of his own.

I was five years old when this film first hit theaters back in 1993, and my earliest memory of the movie was how terrified I was of the trailers I saw in the months leading up to its release. As a young child, the images of terrifying presents on Christmas morning scared me beyond belief. It scared me so badly that I never actually saw the film until a few years ago. And from the moment I first saw the film, I can honestly say that it's one of the most brilliant animated films I've had the pleasure to see in my lifetime.

Let's start with the screenplay. If you're looking for an original story, this one's about as original as they come. Essentially, the monsters from Halloweentown attempt to steal Christmas from the inhabitants of Christmastown in order to add their own dash of holiday cheer. In the time that they spend preparing for the Christmas holiday, the film goes through nearly every Christmas cliché you can possibly imagine and turns it on its ear. Even the film's title is a play on an age-old Christmas tradition: the story "'Twas the Night Before Christmas." At the same time, we're getting a sub-plot of a love story between Jack and a "woman" named Sally (voiced by Catherine O'Hara) as well as a continued predicament with the aforementioned villain, Oogie Boogie, who ranks as one of my all-time favorite cinematic villains. The blending of these intertwining stories puts this screenplay above and beyond your average Christmas, or even your average animated, film.

Our voice acting is also above par, and while no one's truly standing out from the rest, I think part of that has to do with the fact that each and every character's voice fits them so perfectly that there's no one who could truly stand above the rest. Obviously, the collaboration between Sarandon and Elfman to bring Jack to life is simply astounding, but we're also getting some fantastic voice work from the likes of Page and William Hickey, who voices Dr. Finklestein, who plays an integral part of the story.

I think what's truly great about The Nightmare Before Christmas, however, are some of its intangibles. For example, the stop-motion animation is top-notch, and I'd argue that stop-motion wasn't used as effectively again until 2009's Coraline, which was also a Selick/Burton collaboration. The special effects are so good in this film that the earned it an Academy Award nomination in that category (it ultimately lost to Jurassic Park). So if you're not wowed by anything else, at least appreciate the fact that you're seeing an entirely visually pleasing film.

Also, some mention needs to be made of the soundtrack, especially considering this film is a musical. There's two facets to the soundtrack that should be mentioned. First, Elfman's orchestral score is simply beautiful in its own way. Here's a snippet of the score for those of you unfamiliar:



In addition to the orchestral score, we're getting a slew of fantastic original songs to accentuate the film's story. Be on the listen for songs like "Jack's Lament," "What's This?," "Kidnap the Sandy Claws," and my personal favorite, "Oogie Boogie's Song," shown below:



Ultimately, The Nightmare Before Christmas is one of the best animated films I've ever had the pleasure to see, and it's made such a lasting impact on the cinematic landscape that it manages to be re-released every October for a limited span, and people continue to flock to the theaters to see it. It's an annual must-see for me, as I watch it at least once between Halloween and Christmas, just to get my fix. If you haven't had an opportunity to see the film, I strongly suggest you do so this holiday season. I'm almost positive you'll love it.



Movie Review Summary
Grade: A+
2 Thumbs Up

Monday, January 17, 2011

Movie Review: FRIGHT NIGHT

FRIGHT NIGHT
1985
R




Fright Night is a 1985 horror film directed by Tom Holland that follows teenage Charley Brewster (William Ragsdale) in his quest to convince his loved ones that his new neighbor, Jerry Dandridge (Chris Sarandon) is actually a vampire. When someone finally occupies the empty house next door, Charley, ever the voyeur, starts to notice strange goings-on in the middle of the night. He thinks he sees a coffin being placed in the basement as well as the transport of dead bodies from the house to the new occupant's car. Along with a number of news stories about recent murders, Charley starts to believe that the new man in the neighborhood is actually a member of the undead. When his mother unwittingly invites Jerry over for a drink, Charley realizes that he's no longer safe and waits for the imminent attack which comes later that night. He manages to get away and quickly seeks the help of a TV horror host named Peter Vincent (Roddy McDowall), a self-proclaimed "vampire killer." With the help of girlfriend Amy (Amanda Bearse) and oddball Evil Ed (Stephen Geoffreys), Charley and Peter attempt to take down Jerry before any more harm can come to the neighborhood.

For the first hour of the film, I found myself a little bit bored. I think the best word to describe the film's build-up is "dated." You could tell that Fright Night is an '80s flick because it has that oh-so-unmistakable '80s aura about it. However, once we get to the thick of the action, the movie picks itself up and starts a sprint to the finish line. Once we have our team together and they make their way to disprove the existence of this vampire, Fright Night grabs you by the collar and drags you through the muck and the gore (well, '80s gore) all the way to its mostly predictable finale. Fortunately, the beginning of the film does just enough to keep you watching, so you won't have to miss the splendidly cheesy climax.

We're not really getting any all-star performances in this one, and to be honest, there's a couple actors who would probably nab a Razzie "win" if this film came out today. Ragsdale does just enough for us to care about him as our lead, but if he would've suffered a horrific fate in the end, I probably would've shrugged it off. And to be fair, I could say that about most of the characters. I didn't really care about any of their well-being, but considering the genre and the year in which it was made, I can't really hold that against it. McDowall has a couple of scenes that make Peter Vincent worth watching, and if anyone is holding this movie together from an acting perspective, it's him. So kudos where kudos are due. I wanted to like Chris Sarandon as a charismatic villain, but his role felt forced and too over-the-top, so I really couldn't like him or hate him in the manner that I'm sure the filmmakers wanted.

There are some pretty decent visual effects here and there, but it's nothing to stand up and applaud. The gore is sufficient for a film like this, but it's not like it's realistic (such as in films like the Saw franchise - and yes, you can call that extremely realistic in relation to this one). However, the film is never really all that scary. There's moments where you know they were trying for cheap thrills, but they didn't get me. It goes the gross-out route a couple of times (as mentioned with said gore), but that's about all we're getting.

I'm trying to figure out just how Fright Night has garnered a 93% approval rating on RottenTomatoes, but I guess it's not my place to question such authority (cough). If anything, you might want to give this one a gander considering a remake, starring Anton Yelchin and Colin Farrell, is slotted for an August 19, 2011 release. Perhaps that'll be a little more fitting, but we'll have to wait and see.


Movie Review Summary:
Grade: C
1 Thumb Up