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Showing posts with label Jackie Earle Haley. Show all posts
Showing posts with label Jackie Earle Haley. Show all posts

Saturday, June 2, 2012

Movie Review: DARK SHADOWS

DARK SHADOWS
2012
PG-13


"They tried stoning me, my dear. It did not work."
-- Barnabas Collins

Dark Shadows is a 2012 comedic horror film directed by Tim Burton that serves as an adaptation of the 1960s and 1970s soap opera of the same name. We meet our hero Barnabas Collins (Johnny Depp) in the late-1700s as he grows into a young man in Collinsport, Maine, where his family has established a fishing community. Barnabas entertains himself with physical relations with a servant named Angelique Bouchard (Eva Green), but is real affection lies with a young woman named Josette (Bella Heathcote). Driven by jealousy, Angelique - who happens to be a witch - casts a spell over the young lovers, sending Josette to her death whilst turning Barnabas into a vampire. After informing the townspeople of his true identity, Barnabas is locked in a coffin and buried alive for over two hundred years until he is unearthed in 1972. He makes his way back to his home and finds his descendants alive but struggling to survive with their failing business. He informs Elizabeth Collins Stoddard (Michelle Pfeiffer), the family matriarch, that he shall return the Collins name to its rightful glory. Little does he know that Angelique has survived as well and has turned the town of Collinsport into her own personal gold mine.

To start, I would like to say that I had not heard of the soap opera that inspired this film until I first learned details about the film itself. By all accounts, the soap is a bit of a cult classic, and considering the ideas and concepts behind it, I'm not surprised to see Burton attempting the adaptation. It's right up his alley, really. It's a dark, gothic tale of a vampire looking to seek revenge and restore his family's name, so what shouldn't there be to like, right? Add the fact that this film has all the makings of a typical Burton venture: Johnny Depp in the lead, an appearance by Helena Bonham Carter and music by Danny Elfman. It sounds like your typical fare.

All that being said, I was not entirely impressed with Dark Shadows. Although I was easily drawn into the story and remained engaged until the very end, there seemed something a tad bit off about this picture. Our story and screenplay aren't quite as strong as past Burton ventures, and I think that's part of the problem. While he kinda manages to blend the comedy and fantasy decently, Burton couldn't find the right amount of balance between the two. At one moment, we're locked in the drama between Johnny Depp and Eva Green, and the next, they're both doing their best to make us laugh. It just seemd as though it was very stop-and-go. We had the right amount of each genre, but rarely did it ever blend together in the proper proportions. One moment we're laughing, the next we're wondering whether the horrific deaths should be funny. Another one of the major problems is that there seems to be too many different story-lines trying to intersect one another. Now, having grown up watching my mother watch "The Young and the Restless," I can tell you that I know just how many stories can be occurring all at once on such a show, and I'm sure "Dark Shadows" was no different. Where the film fails is in its attempt to bring all those story-lines into one two-hour engagement. It proves to be too much to handle, and the entire story proves to be muddled. At the end of the day, it's just a strange tale that could've been fleshed out a little bit better, in my opinion.

Fortunately, we're getting some decent performances to augment the film where the screenplay is lacking. Depp is his usual self, bringing forth yet another memorable character for his ever-growing filmography. He might have been able to mail in this performance, and he still would have managed to be the star. That's not knocking the rest of the cast, but no one quite reaches his level. This is Depp's film, and it should be treated as such. Aside from him, I thought we were getting some good performances from the likes of Jackie Earle Haley and Bonham Carter. I thought Pfeiffer and Green weren't used in the proper way, and both of their performances seemed a tad bit strange. I also thought that Chloƫ Grace Moretz was vastly underutilized. As one of the stronger actresses making her way up the Hollywood ranks, she definitely has a lot more to offer than what she shows here. Perhaps we can chalk this one up to the screenplay rather than her acting talents. And a quick note: be on the watch for cameos from the likes of Christopher Lee and musician Alice Cooper, the latter of which proves to be both hilarious and entertaining.

If anything is holding this film together, it's Elfman's fancifully dark score. He always seems to have a knack for creating a pitch-perfect musical accompaniment, and Dark Shadows proves to be no different. It's not quite his best score, but it definitely ranks as one of the better ones, if I do say so myself. Here's a little snippet for your listening pleasure:


At the end of the day, Dark Shadows is an entertaining film that's not really going to stay with you for very long. Although it's better than most films released nowadays, it doesn't quite measure up to some of the past Depp-Burton collaborations. You're probably better off watching a film like 2007's Sweeney Todd: The Demon Barber of Fleet Street, or even 1999's Sleepy Hollow. They're both just a bit better than this particular venture.


Movie Review Summary
Grade: B-
Should You Watch It? Maybe

Thursday, February 17, 2011

Movie Review: LITTLE CHILDREN

LITTLE CHILDREN
2006
R



Little Children is a 2006 dramatic film directed by Todd Field. It centers around the seemingly depressing lives of two people living in the suburbs. When Sarah Pierce (Kate Winslet) starts to take her daughter to the local park, she hears the other mothers talk about the stay-at-home dad who brings his son nearly every day. After taking a bet to try to get his phone number, Sarah goes to meet this man and learns his name is Brad (Patrick Wilson). Rather than just getting his number, however, the two exchange a brief kiss, much to the chagrin of the other mothers who view that as a poor example for their own children. The kiss served as a spark for the two adults who start to see each other - just as friends - in public places so that their children can play. One day, while they're at the public pool, a registered sex offender named Ronnie McGorvey (Jackie Earle Haley) comes to swim, causing quite a stir among the hundreds of patrons. Ronnie himself is constantly harassed by an ex-cop named Larry (Noah Emmerich), who happens to play on the same late-night touch football team as Brad. But I digress... Eventually Sarah and Brad take their relationship to the next level, engaging in a full-blown affair as they realize that they're not happy with their respective partners. The two carry on as best they can, and soon, a deep love arises between them, forcing them to question what they should do about the rest of their lives.

I felt as though Little Children has two separate storylines that casually cross time and again until they finally collide in the film's climactic moments. We have the story that I've laid out above - Sarah meets Brad, and they begin an affair - but we also have the story of Ronnie, a man who was imprisoned for indecently exposing himself to a child. We see his re-acclimation into society, and it's just as tumultuous as you can imagine. With Larry constantly harassing him and his mother, it's difficult for Ronnie to carry on any semblance of real life. He attempts to go on a date but finds a way to screw it up. All he has is his "mommy" (cue the Psycho references...). In the end, everything does come together, but for most of the film, I felt as though I was watching two separate films that had somehow been edited into one. And personally, I wish I would've had a little more time with Ronnie's story because it fascinated me that much more. That's not to say that the two storylines aren't good - in fact, they're very, very good. We're given a very raw sense of the emotion that each character is feeling, from our top-billed cast to the supporting players. The screenplay is very well-written and was, in fact, nominated for an Oscar as well. That should tell you a little bit, if you put any stock in the Academy's choices.

As I've said before, a well-written story can fail if the acting isn't any good, but Little Children definitely delivers. Both Kate Winslet and Jackie Earle Haley earned Oscar nominations for their roles (neither won), and both were definitely deserving of that honor. Haley is actually a little more reserved than many of us have seen him in the past few years (for those of you who may not recognize him, he played Rorschach in Watchmen and Freddy in the remake of A Nightmare on Elm Street). And I'm pretty sure everybody knows who Miss Winslet is by now, right? Patrick Wilson also does a good job, but he's not all that astounding. To be fair, I've never been over-the-moon about any of his performances, but he's solidly good in most everything he's done. We also get a stellar supporting performance from Jennifer Connelly as Brad's suspecting wife. And if Little Children did anything, it gave us all the perfect term to illustrate Miss Connelly's looks: she's a "knockout."

We're also given a rather stirring score from ten-time Oscar nominee Thomas Newman. It follows the flow and the tone of the film very well, fitting each scene and situation to a tee. I don't really have a ton to say about this, but it was good enough to warrant mention within this post.

Overall, I think that Little Children is one of those films that I'll probably have to come back to in a month or two. I feel like I missed some critical piece because I felt like the ending should have had more of an emotional impact on me. Then again, I could be completely wrong. I'll still probably revisit the movie at some later date, but as of right now, it ranks pretty highly in my entire film repertoire. I'd say it's prospects could only go up from here.

Movie Review Summary:
Grade: A-
Current All-Time Rank: Best - #180

1.5 Thumbs Up

Addition to Awards