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Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Wednesday, January 4, 2012

Movie Review: J. EDGAR

J. EDGAR
2011
R


"What's important at this time is to re-clarify the difference between hero and villain."
-- J. Edgar Hoover


J. Edgar is a 2011 biographical drama directed by Clint Eastwood that centers around the life of J. Edgar Hoover (Leonardo DiCaprio), the first director of the Federal Bureau of Investigation (FBI). The film is told through a series of flashbacks as Hoover dictates his life story to a series of writers in order to have his life's story on paper. It takes us back to his beginnings with the Justice Department all the way through his years as the head of the FBI; however, the film chooses to focus specifically on two specific aspects of Hoover's life: the case surrounding the kidnapping and murder of Charles Lindbergh's (Josh Lucas) son, and the alleged romantic relationship Hoover had with his right-hand man, Clyde Tolson (Armie Hammer).

When I first saw the trailer for this film, I was thoroughly impressed and began to think this might be the film to beat come Oscar season (for those of you who've been reading me for a while, you'll know that I placed this film as my second most anticipated film of fall 2011). Most of the reasoning behind my excitement was the apparent brilliance it looked like DiCaprio would bring to the role, and the fact that Eastwood was directing didn't necessarily hurt the film's chances either. Early on, I was predicting that DiCaprio might finally bring home an Oscar statuette for this performance, but after the film was released, it opened to some rather mixed reviews. Although most critics agreed that DiCaprio gives a powerhouse performance in the titular role, it seemed as though the screenplay and the direction bogged the movie down and made it terribly uninteresting. Still, I had to give the film a chance on my own, so here's my thoughts.

Let's start with the acting this time around. While I do think DiCaprio did a great job with the role, I personally don't think it's really as good as he's been in the past. It's a far cry from his Oscar-nominated performance in 2004's The Aviator, which I consider to be the best of his career, and personally, I don't think I'd put it in his top five. Still, it's serviceable and a head above what another actor might have been able to do, so I suppose he should be applauded. He's already received a Golden Globe nomination for the performance, but he'll have a tough time bringing home the win with competition from the likes of Ryan Gosling, George Clooney, Brad Pitt and Michael Fassbender. The rest of the cast fills out nicely, but there really isn't anyone truly to rave about. Hammer does well in the main supporting male role, and he's been nominated for a Screen Actor's Guild Award. Judi Dench does well in a limited role, but she's vastly under-utilized. Also watch for some nice scenes from Naomi Watts, who plays Hoover's secretary Helen Gandy.

Now, for the screenplay which has drawn so much criticism. After watching this film, I can honestly say that all the criticism it has received is definitely deserved. While the film does well as to tell some of the major events of Hoover and the FBI's early stages, it all feels very dry, and there's little emotional punch behind any of the scenes in the film. There are some scenes that should be highly emotionally-charged, but I could hardly muster more than a yawn throughout the flick. There's no real hook into the film; instead, it just starts and immediately throws facts and dates at you without setting any real groundwork beforehand. If Eastwood's intent was to craft a moving-picture timeline of Hoover's time with the FBI, then he has succeeded entirely; however, that doesn't necessarily make for an entertaining film, and even a biopic should find a way to hook its audience and keep it engaged with the storyline and the characters. Because there's no access point for the audience, there's no real way to stay engaged with the screenplay, and I personally found myself wandering to and from the screen. That's not good for any movie, much less one that should have been a front-runner for awards season.

At the end of the day, J. Edgar is a film that's probably going to bore you, but it'll still manage to nab at least some nominations come time for the Academy Awards. At this point, I'd be shocked if DiCaprio doesn't nab a nomination, but if he wins, I'll be a tad bit surprised. I personally wouldn't put him at the top of my list - I'm currently leaning towards Gosling's brilliant performance in Drive - but perhaps DiCaprio will find a way to bring that golden statue home for the first time in his career. I'll applaud him and be happy for him, but I just think he wouldn't have won it for the right movie. I guess we'll have to wait and see.



Movie Review Summary
Grade: C+
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Sunday, October 24, 2010

Movie Review: HEREAFTER

HEREAFTER
2010
PG-13


You can watch the trailer here

When you hear the name Clint Eastwood, you immediately think of quality cinema. Whether you're pondering his roles in countless Westerns or as the iconic Harry Callahan, or you're thinking about his numerous directorial features, you can easily come up with some of the greatest movies ever made. He has proven himself on both sides of the camera, and every ounce of respect he receives he has dutifully earned. That's why it is, with a heavy heart, that I must write this review for his newest film, Hereafter.

I should have seen it coming - his last two films (2008's Gran Torino and 2009's Invictus) left me with quite a bit of want. I had issues with the acting decisions in Gran Torino, and while Invictus was very good, it just left something to be desired, and I couldn't quite put my finger on just what that was. Still, I held out some hope that Hereafter could be good, despite the mixed critical response it has thus far received.

Let's go with the storyline. We're following three characters: a French television journalist and tsunami survivor (Cécile De France); a no-longer-practicing psychic with true ability (Matt Damon); and a young boy who loses his twin brother (dually played by Frankie and George McLaren). Each character has been touched in some way by death, and each is trying to deal with that in their own way. Eventually, their paths intertwine, and the rest, as they say, is history.

On paper, this very well could have been a fantastic success. However, not every idea can be transferred well into a movie. It took me a little bit of thought to figure out where the problem lied here, but I think I got it: it tried way too hard to pack as much emotion into everything in the film. Obviously, with the subject matter, we can assume that things are going to get a little bit emotional, but it seemed as though Eastwood was trying to force the emotions onto the audience. It was heavy-handed and slow, and I just didn't feel a thing for any of the characters. I understand that they were going through some terrible situations, but I felt absolutely nothing, and I'm a pretty emotional guy when it comes to the movies.

In terms of acting, I can't really complain. The performances are good, especially from Damon and De France, but it's definitely nothing spectacular or Oscar-worthy. However, Bryce Dallas Howard did surprise me in a very limited role, and I was left hoping to see her again in the film. Sadly, her character departed abruptly, and I lost all connection to the movie whatsoever.

Were Eastwood not as successful as he is, I don't think he could have made this movie. It's one of those films that you can only make after you've established yourself as a directing force (See: Christopher Nolan's Inception or the Coen brothers' Burn After Reading). Unfortunately, Hereafter did not play out to what Eastwood probably assumed it could be.

Movie Review Summary:
Grade: C-
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