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Showing posts with label Toby Jones. Show all posts
Showing posts with label Toby Jones. Show all posts

Tuesday, January 10, 2012

Movie Review: TINKER TAILOR SOLDIER SPY

TINKER TAILOR SOLDIER SPY
2011
R


"She told me she had a secret, the mother of all secrets..."
Ricki Tarr

Tinker Tailor Soldier Spy is a 2011 dramatic film directed by Tomas Alfredson that serves as an adaptation of John le Carré's 1974 novel of the same name. Set in 1973 in the midst of the Cold War, it comes to the attention of the higher-ups in British Intelligence that there is a mole amongst those around them. After being forced into retirement, former agent George Smiley (Gary Oldman) is asked by his government to come back to Intelligence in order to clear up the matter. He starts by looking through the former head of Intelligence's - aptly referred to as Control (John Hurt) - apartment and learns that he had created a list of five potential suspects: the four men currently running British Intelligence as well as Smiley himself. With the help of a younger agent named Peter Guillam (Benedict Cumberbatch), Smiley digs deeper and deeper as he tries to weed out the mastermind behind their intelligence woes. Just as things seem to be a little out of place, some new information from a somewhat disgraced agent named Rikki Tarr (Tom Hardy) once again helps Smiley's chase.

Now I know that the above synopsis probably seems a little bit confusing, but with as much information as is given during the film, I'd say I've done at least a halfway decent job of conveying the basic plot outline. I have not read the source novel, but from everything I've heard, it packs quite a bit of information and spy-related terminology into its 432-page duration, so to adapt such an exquisitely-written piece into feature film format must have been quite the endeavor. This is also the second time this novel has been adapted into any type of motion picture - the first was a seven-part television series in 1979 - and even that had difficulty keeping the novel's every last detail. So one can imagine that there would be some concern as to whether a two-hour venture into the story could possibly relay the novel's magnitude. In his review for the Daily Mirror, David Edwards wrote the following:
The big question - and one Le Carré himself asked when the film was announced - is whether such a hefty novel can fit comfortably into a feature-length production. In answering this, the writers have pared things back, meaning it's far pacier than the seven-part TV show. Unfortunately, the plot is every bit as bewildering with an overload of spy-speak, a few too many characters to keep track of and a final act that ends with a whimper, rather than a bang.
While there are some points with which I agree, I'm not entirely on board with Edwards's evaluation of the film's screenplay. On the one hand, I do think that there is just a little too much going on to fit into a two-hour film; I could see this having been expanded another thirty to forty-five minutes, and it might have worked a little more fluidly and made a little more sense along the way. As it stands, the film just starts, and it's almost as though the film requires the viewer to understand its beginnings beforehand. We as the audience are just thrown so much, and while it's all understandable when you sit back and think about it, it's just a tad bit overwhelming. If you're not able to sit back and pause the film from time to time to collect your thoughts, you may get left behind.

That being said, I thought the story and the twists worked excessively well. Once I was able to lock down on the storyline, I found a way to follow it and worked rather hard to keep up with it all, and I do have to say that it proved to be both clever and fulfilling. The consistent flow of facts and information was a tad bit much, but in the end, it all came together and painted a very incredible picture of the events that had led to the film's climax. While it's not the best screenplay I've ever seen, it proves to be an effective one, and for that, the screenwriters should be applauded.

Fortunately, the acting is strong enough throughout the film that it easily counterweights the issues with the aforementioned screenplay. Oldman is fantastic as our leading man, bringing a quiet but strong performance to the screen, but to be fair, I'm not sure anyone expected anything less from him. Some of our supporting actors also give great performances. Be on the lookout for Toby Jones and Colin Firth, both of whom play more antagonistic characters but play the parts well. Hardy is fantastic once again, slowly but surely making a statement as to his overall acting ability. John Hurt was also quite good in his limited appearance. I'd also like to make mention of Cumberbatch and the always great Mark Strong, who both turn in grand performances. Ultimately, this is a fantastic ensemble cast all around.

Despite this, at the end of the day, Tinker Tailor Soldier Spy falls a little bit short of its lofty expectations. I was incredibly excited to see this film from the moment I first saw the trailer, and when it managed to garner incredibly favorable critical reviews, my eagerness only grew. Sadly, it was just a little too puzzling from time to time, and ultimately, it couldn't find a way to hook me like so many other dramatic thrillers have in the past. It seems as though a fan of the novel would be best-prepared for a film like this, but seeing as I was not familiar with it at all, I had to go into the film a little bit blind. As a result, I had to fight to stay with the story, and that's not always the best way to experience a film.



Movie Review Summary
Grade: B+
1 Thumb Up

Friday, January 28, 2011

Movie Review: THE RITE

THE RITE
2011
PG-13



The Rite is a 2011 horror film directed by Mikael Håfström that centers around a young man who is sent to the Vatican in order to learn the ways of exorcism. Michael Kovak (Colin O'Donoghue) leaves seminary school with a lot of doubt in his faith and makes his way to Rome on the suggestion of his Father Superior (Toby Jones). Once there, he begins taking a course on exorcism, but when he expresses his disbelief to class professor Father Xavier (Ciarán Hinds), he is sent to meet an old, unorthodox exorcist named Father Lucas (Anthony Hopkins). Immediately upon their meeting, Lucas invites Michael to watch him perform an exorcism on a supposedly possessed girl named Rosaria (Marta Gastini), but after witnessing the event, Michael is still more filled with questions than answers. He keeps a close watch on the relationship between Rosaria and Father Lucas and soon begins to notice certain happenings and events that cause him to question his own set of beliefs.

Well, you can chalk this one up as a case of the "Januarys." January is perennially the movie discard month, receiving a lot of the films that, on their origin, were thought to be awards season contenders but proved to screen poorly with test audiences. If you've noticed the other reviews I've posted for 2011 films, you'll notice that the highest grade I've given is a B- (for The Mechanic). Both The Green Hornet and The Dilemma, on the other hand, are mired in mediocrity, and sadly, the same can be said for The Rite.

Our screenplay is fair at best, giving few scares and no real sense of impending doom, as is the case with good horror films. Personally, I think the whole exorcist idea has been a bit worn out, but this is coming from a guy who has yet to see the original The Exorcist from 1973 (I'll get around to it, so get off me). However, in recent years, I feel as though I've seen a slew of exorcism-related flicks released, and I'm trying to figure out how they could possibly make any of them original any more. The Rite was so rote and predictable that I nodded off a few times and immediately picked up the story upon awakening. It does, however, throw a couple of nods towards that oh-so-famous 1973 film, with Hopkins delivering a line about "spinning heads" and "pea soup." I laughed out loud for that one.

What's really sad is that we actually get some good performances from the ensemble. I mean, they're not amazing or anything, but they're definitely better than the trailer makes them seem (the trailer is gawdawful, in my opinion). Hopkins is decent and has his moments of "goodness," but he's definitely not the force he once was. O'Donoghue is convincing as our lead, taking us into the depths of his moral questioning of the events taking place around him. I think a lot has to be said for the fantastic, if short-lived, performance given by Miss Gastini as a possessed young woman. I think the possessed individuals in any of the exorcism movies always have the ability to steal a scene, and Gastini does not disappoint. Alice Braga, who plays a reporter trying to get the inside scoop on the exorcism course being offered by the Vatican, is also very good in her supporting role.

Ultimately, The Rite's effectiveness - or lack thereof - comes down to the fact that it does not prove to be scary in the slightest. There's not even much in terms of suspense. When I start dozing off in a movie (which rarely happens, mind you), you know there's something absolutely wrong. The Rite isn't the worst movie I've ever seen, but I definitely wouldn't recommend you spend your money to watch it in theaters.

Movie Review Summary:
Grade: C-
1.5 Thumbs Down