Followers

This Movie Guy Headline Animator

Showing posts with label 1983. Show all posts
Showing posts with label 1983. Show all posts

Tuesday, June 5, 2012

Movie Review: RISKY BUSINESS

RISKY BUSINESS
1983
R


"You've done a lot of solid work here, but it's just not Ivy League, now is it?"
-- Rutherford

Risky Business is a 1983 drama written and directed by Paul Brickman. It tells the story of Joel Goodsen (Tom Cruise), a high school senior who is left home alone while his parents go on vacation. Always careful not to step on any toes, Joel's friend Miles (Curtis Armstrong) finally talks him into taking a few risks. This leads Joel to calling on call girl Lana (Rebecca De Mornay) who proceeds to steal one of his mother's prized pieces of art. He chases her down and learns that she is trying to escape the clutches of her "manager" Guido (Joe Pantoliano). The two evade capture and begin a working relationship that puts into motion a plan to generate a large amount of revenue for the two of them. At the same time, feelings start to grow between Joel and Lana, and their relationship leads Joel to neglect his studies, forcing his educational prospects to spiral out of control.

When the thought of Risky Business comes to mind, most people are immediately drawn to the iconic dance scene that shows a half-naked Cruise romping around to Bob Seger's "Old Time Rock & Roll." It's an image that's been often parodied, and for that reason, it stands out prominently in our minds. In all reality, it's a somewhat inconsequential scene that occurs towards the film's beginning before we get into the thick of the storyline. Still, any review of Risky Business would be incomplete without a mention of Cruise's rock 'n roll rampage.

I had a little bit of trouble finding a way into Risky Business. It starts out relatively slowly, and there's a dry humor that's difficult to follow at times. From the start, I could only see Cruise's Joel as a whiny teenager trying his best not to get caught with doing anything wrong, but at the same time, I desperately wanted him to break out of his shell and do something for himself for a change. We get an interesting look at the dynamics of his relationship with his parents (portrayed by Nicholas Pryor and Janet Carroll), and it sets the stage for his ultimate unwinding. But the story that follows is a strange one that I admittedly may not fully understand. It tells the tale of Joel's decision to take up a night of prostitution, working as a pimp for Lana and her fellow call girls. The whole idea is tied into the fact that Joel has been trying to prove he can be a successful businessman, but the whole concept just takes a strange turn here and there, and it all left me a little bit perplexed. Maybe this film would have resonated in the capitalist-friendly culture of the early-1980s when it was released, but in today's society, I don't think it would strike as strong a chord as it did back then.

That's probably the one thing that Risky Business definitely has going for it: it has a very 1980s feel to it, and in that respect, it's actually a fascinating look at the lifestyle of a teenager in that time period. Libidos were high and so was the cash flow, but there was still a strong desire to increase personal wealth as well. That's exactly what Risky Business portrays, and for that, it should be applauded.

The acting within the film is decent, although there really isn't anyone blowing away the competition. Cruise does well as our lead, although there were a few times where I simply couldn't stand his presence. He goes between solid and over-the-top, and it doesn't always blend well. That being said, it's still a stronger performance than quite a bit of what we get nowadays. Rebecca De Mornay does well as Lana, bringing a soft but powerful grace to the screen. If anyone steals the show, however, it's Pantoliano in his limited role as one of the film's chief antagonists. He manages to be both funny and menacing, creating a character that's completely believable while being entirely over-the-top. Some of Cruise's on-screen friends make for a few good bits of comedic relief, but there really isn't anyone else worth mention.

At the end of the day, Risky Business is a decent film that wonderfully showcases a specific time period in United States history. Although the storyline often becomes muddled and the acting isn't necessarily top-notch, there are still a few things to like about the story. It just isn't a movie that I'm going to go back and watch over and over again. If you're looking for a movie that features a teenager who goes on a spree after his parents go away, I'd check out the far superior 1986 film, Ferris Bueller's Day Off.


Movie Review Summary
Grade: B-
Should You Watch It? Maybe

Wednesday, December 7, 2011

Movie Review: A CHRISTMAS STORY

A CHRISTMAS STORY
1983
PG


"I want an official Red Ryder, carbine action, two-hundred shot range model air rifle!"
-- Ralphie

A Christmas Story is a 1983 comedy film directed by Bob Clark that has since become a Christmastime classic. It tells the story of young Ralphie Parker (Peter Billingsley) who only wants an "official Red Ryder, carbine action, two-hundred shot range model air rifle" for Christmas. Essentially, the majority of the film focuses around Ralphie's continued attempts to get his parents to buy him the air rifle, but neither his mother (Melinda Dillon) nor his father (Darren McGavin) seems to keen on the idea. Every adult he talks to reminds him that he'll "put his eye out" if he ever gets the air rifle, but despite their constant opposition, Ralphie remains optimistic that he'll be in for quite a treat come Christmas morning.

Despite the fact that A Christmas Story is a certified holiday classic that pre-dates my own life, I have never actually seen the film until watching it just now. I had seen some of the more famous snippets here and there, but I didn't actually know the storyline behind the film until watching it in its entirety. And I have to say, I found quite a bit to like about the story.

Let's start with the screenplay. I think what I liked most was the fact that, while it was narrated by an adult, it was told through the eyes of a child. The entire film revolves around Ralphie's obsession with receiving the air rifle for Christmas, and it shows every little thing he'll do in order to have his parents, Santa or anyone else bring it to him come Christmas morning. Interwoven with this main story are a series of smaller plot-lines - I suppose you could call them vignettes of sorts. These little snippets add a bit of comedy and structure to the overall air rifle bit, and it helps take us away from that main story for a little bit of time as well. If the film simply centered on a boy's desire to receive one distinct toy, then I'm not sure whether A Christmas Story would be as successful. Just take a look at 1996's Jingle All the Way. Also, the dialogue in the screenplay is very well-written, and I think each character is crafted through their dialogue moreso than the things they do. We all know how big I am on screenplays, and we know just how much good dialogue plays a part in creating a good screenplay, so I have to applaud our screenwriters here for their outstanding work.

We're also getting some very good acting performances throughout the film. The best performance has to go to our child lead in Peter Billingsley, but I don't offer him that accolade for the standard boy he plays. Rather, I insist he has it based off the daydreams his character has throughout the film. In those daydreams, he becomes other people (i.e., a gun-toting cowboy), and it's in these moments where we see his best work. Ralphie's parents also bring great performances, and Dillon and McGavin play off each other quite well. One of the better performances in the film belongs to Tedde Moore, who plays Ralphie's schoolteacher, Miss Shields. And while there's some truly over-the-top bits here and there throughout the film, most of the cast fills out rather nicely, giving us a surprisingly strong ensemble for A Christmas Story.

Ultimately, this is a holiday classic that you shouldn't think about missing come the Christmas season. Whether it's the strong desire for that one particular toy or the iconic image of Ralphie dropping the F-bomb, there's just so much to like about A Christmas Story, and I think it's a film to which most people will be able to relate.



Movie Review Summary
Grade: B+
2 Thumbs Up

Wednesday, June 8, 2011

Movie Review: THE EVIL DEAD

THE EVIL DEAD
1983
NC-17



The Evil Dead is a 1983 horror film directed by Sam Raimi that has turned into a cult classic in the decades since its release. It tells the story of five friends who plan to spend their vacation at a rundown cabin in a remote area of the woods. The group consists of a man named Ash (Bruce Campbell), his girlfriend Linda (Betsy Baker), his sister Cheryl (Ellen Sandweiss), his best friend Scott (Richard DeManincor) and Scott's girlfriend Shelly (Theresa Tilly). A number of strange occurrences start to happen around the cabin, and Scott goes to investigate strange noises in the cellar, ultimately stumbling on a number of demonic possessions. He also finds a tape recorder and a series of tapes, which the group chooses to listen to. The man on the tapes talks of an ancient Sumerian text that, when recited, will bring a demonic force once upon the area. Unbeknownst to our heroes, the man on the tape starts to recite said text, causing the demons to awaken from their slumber. The demons then unleash their power upon our unsuspecting victims, and the five friends spend the rest of the night just trying to stay alive.

I know there are a few people who have questioned how I have yet to see this film until today, but there are a couple of reasons I've waited this long. For starters, I didn't really get into the whole horror genre until a couple of years ago when I was finally able to sit through Alfred Hitchcock's Psycho in its entirety (that film traumatized me as a child, and it took me years to break through that film and horror in general). Once I got past that, however, I was able to delve into the annals of horror film history. Secondly, The Evil Dead always just seemed like a bit too much for my own tastes. Now, I don't have a queasy stomach by any means, but the exuberant amount of gore in this one looked as though it was going to make my skin crawl. Still, it's widely considered one of the best horror films to have ever been made, so I decided to give it a shot.

While I didn't absolutely love the film after this first viewing, I can understand why it's become such a cult classic and can applaud it for the effort. I think the best way that I can describe The Evil Dead is "over-the-top," and even that might be a bit of an understatement. What makes the film truly brilliant, however, is that it literally goes balls to the wall and never lets up. A lot of horror films attempt to go over-the-top, but there are points where they'll let up in favor of exposition or storyline or some other facet. The Evil Dead doesn't get mired in that sort of folly and instead sets out with a simple idea and runs with it for the film's entirety. If you're looking for a plot, you'll be hard-pressed to find one. The movie is really more a series of events, and the audience is expected to sit back and "enjoy" the ride. And I don't think that the film would have worked in any other way.

Now when I say "over-the-top," I truly mean that The Evil Dead is about as ridiculous as they come, but it fits the low-budget nature of the flick. The acting is so-so, but because everything else is so ridiculous, it fits this film perfectly. And what can I say about the violence and the gore that hasn't already been said? I had heard that this film is considered one of the goriest to have ever been made, and I'd have to agree heartily with that statement. There were a couple of moments where I had to choke back a little bit of desire to lose my lunch. That's quite a testament for a film that's nearly thirty years old. It says quite a bit about it's overall staying power if it can still incite that kind of reaction here in the torture-porn-filled 21st century.

I've been told that this film is supposed to border on horror-comedy, but I personally couldn't find any of the humor in it. I could see where there might be some, but I think I might've been a little overwhelmed by everything else to sit back and laugh at or along with the film. Raimi did a fantastic job with building the suspense despite the over-the-top nature of the flick, so that should be applauded.

Overall, I think that The Evil Dead will benefit from a second viewing because I think I'll get more of a grasp on the comedic aspect of the film. I know it's there, but with how much suspense and gore was thrown my way in this first viewing, I just couldn't find a way to pick it out. Is this film for everyone? Not by a long shot. You definitely need to have a strong stomach to sit through this one. However, if you do have a strong stomach, I suggest you give this one a gander. Don't think too hard on it - just sit back and let it take you where it takes you. I'm sure you won't be disappointed.

Movie Review Summary:
Grade: A-
2 Thumbs Up


Addition to Rankings
Greatest All-Time - #246
Best Horror/Thriller - #23

Tuesday, April 19, 2011

DVD Challenge #2: NATIONAL LAMPOON'S VACATION

National Lampoon's Vacation
1983
R
Run-time: 1 hour, 38 minutes

Directed by: Harold Ramis
Starring: Chevy Chase, Beverly D'Angelo, Anthony Michael Hall & Dana Barron




Viewing this film actually goes against my DVD Challenge a little bit in that I had never seen National Lampoon's Vacation before watching the DVD this morning. A friend had two copies of the film, so she asked me if I'd like one, and I quickly said yes. Technically, I should be doing one of my "reviews" for this flick, but I'd ultimately end up doing another post like this at some point down the line, so I figured I might as well just get this one out of the way right now.

Road trip movies are always a little bit of fun, but they can become a little bit stale. However, despite it being nearly twenty years old, Vacation doesn't ever disappoint, even if a lot of the humor is a little bit childish. To be fair, a lot of National Lampoon flicks tend to be a little dorky, so I'm sure this fits right into that particular vein. We're basically given the road trip from hell where absolutely nothing can go right for the Griswold family as they make their way to Walley World. They have to traverse over thousand miles of the American countryside to make their way to California, and what a bumpy ride it is. Fortunately, it's chalk full of laughs along the way.

The acting is probably the selling point of this film considering the storyline is relatively standard. Chase's manic energy is so pitch-perfect that it's hard not to smile at everything he says and does. D'Angelo and the kids are also very good, but we've also got some great supporting performances and cameo roles that should be mentioned. Be on the lookout for the likes of Randy Quaid, Eugene Levy and John Candy.

On a personal note, I love the ongoing reference to the Walt Disney Corporation through the concept of Walley World. It's a pretty obvious analogue for Anaheim's Disneyland, and the central character (Marty Moose) is definitely a play on Mickey Mouse. Even Walley World's owner Roy Walley is a play on Walt and Roy Disney. As a huge Disney fan, I couldn't help but laugh at the ongoing gag.

Overall, I'd have to say that National Lampoon's Vacation is definitely worth a watch for some mindless fun. I know I'm glad that it's now a part of my personal DVD collection as I'm sure I'll be watching it again in the future.

Previous DVD Challenge: HARD CANDY (2006)