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Showing posts with label 1969. Show all posts
Showing posts with label 1969. Show all posts

Saturday, March 17, 2012

Movie Review: BUTCH CASSIDY AND THE SUNDANCE KID

BUTCH CASSIDY AND THE SUNDANCE KID
1969
Not Rated


"You just keep thinkin', Butch. That's what you're good at."
-- Sundance Kid

Butch Cassidy and the Sundance Kid is a 1969 Academy Award-winning western directed by George Roy Hill that tells a loosely-based-on-fact tale of the two titular criminals. After making a successful career for themselves, Butch Cassidy (Paul Newman) and the Sundance Kid (Robert Redford) finally find themselves in a bit of a pickle. After attempting to rob the same train on two consecutive trips, the railroad owner decides to organize a special team to stop the bandits. This crew of the best lawmen and trackers in the West chases Butch and the Kid all over the terrain, eventually forcing them to consider going abroad to escape. And so, with the Kid's woman Etta (Katharine Ross) in tow, the trio sets their sights on Bolivia, where they once again start their bank-robbing ways. As they gain notoriety in the Spanish-speaking country as well, it's only a matter of time until they start to worry that the aforementioned crew of lawmen and trackers finds them there as well.

Despite its massive success and popularity, I had actually never seen Butch Cassidy and the Sundance Kid until I sat down to watch it today (I'll pause for a moment while you question my movie-watching prowess). Having always been partial towards Newman and Redford, it's all the more surprising that I hadn't taken this one in just yet, but having finally sat down to watch it, I can honestly say I'm glad for the experience. That being said, however, I did not think it was the greatest movie I had ever seen.

The storyline offers an interesting tale of two aging criminals who just might be at the end of their career, and yet they're doing their best to cling onto what little they still have left. If that means running off to another country in order to find their fortune once again, then that's exactly what they feel is necessary. The story is interwoven with some fantastic dialogue, especially when it comes to the conversations between Butch and the Kid. The screenplay itself is bitingly hilarious, and it offers quite a few laughs for those of you paying close enough attention. That being said, I did think that the story dragged on a little bit here and there, and the film feels every bit of its 110-minute run-time. That's not really the best thing for a film that's simply offering pure entertainment.

We are getting a couple of stellar performances from our two leads, and the chemistry between Newman and Redford is probably the selling point of the film. The performances seem so natural, and their relationship in the film seems so genuine, that it's easy to fall into the characters and believe them from the start. To be fair, when you have two big-time actors like Newman and Redford, you really shouldn't expect anything less, but they make this film everything that it is. Ross does well in a limited supporting role, but her character isn't offered a lot with which to work. And because there are no other truly central characters, a lot of the film rests on the shoulders of Newman and Redford, who definitely step up to the plate and deliver.

One of the biggest issues I had with the film was with its soundtrack, which has received numerous accolades. Both the score by Burt Bacharach and the original song "Raindrops Keep Fallin' on My Head" earned Academy Awards for the film, but I personally couldn't see how any of the film's music helped craft or enhance the film experience as a whole. It's almost as though this film is a western that doesn't quite know it's a western, if that makes sense. It seemed to throw a little too much of the contemporary atmosphere into its constructs, and I personally thought that detracted from the film as a whole. Fortunately, the film's screenplay does help salvage the film, offering a decent story as well as a fantastic final shootout sequence.

Although I didn't think Butch Cassidy and the Sundance Kid was one of the best movies I have ever seen, I do see why it has found such an honored place in the annals of American cinema. Accompanied by fantastic cinematography and a true sense of entertainment, this film does offer quite the enjoyable experience. Yes, it has its flaws, but if you can focus on the performances of our two leads, I'm sure you'll find plenty to like about this western.



Movie Review Summary
Grade: A-

1.5 Thumbs Up

Wednesday, November 10, 2010

Movie Review: TRUE GRIT

TRUE GRIT
1969
G


You can watch the trailer here

When John Wayne won his only Oscar for his performance in True Grit, he started his acceptance speech by saying, "If I'd have known that, I'd have put that patch on thirty-five years earlier." In the entirety of his career, it took the character of Rooster Cogburn, a one-eyed, potbellied sheriff, to finally nab that golden statue. Although I have not seen the other films nominated in the Best Actor race that year (Anne of the Thousand Days; Goodbye, Mr. Chips; Midnight Cowboy), I have to wonder why the Academy chose to give Wayne this award in 1970. But more on that in a moment.

True Grit, which was directed by Henry Hathaway, follows the Mattie Ross (Kim Darby), a teenage girl whose father is shot and killed by Tom Chaney (Jeff Corey), one of the family's hired help. Mattie enlists the help of a federal marshal by the name of Rooster Cogburn because she has heard that he has "grit." After much persuasion and discussion over payment, the two set off to search for Chaney with the help of a Texas Ranger (Glen Campbell).

The screenplay, adapted from Charles Portis's novel of the same name, is very good for a film in the western genre. The dialogue is very tightly-written, and the story arcs given to both Rooster and Mattie are believable. It's not the most amazing screenplay I've ever seen, but it does well to keep the viewer's interest. In addition, the climactic shootout is definitely noteworthy and memorable.

If anything's hindering the movie from being fantastic, it's the acting. Now, don't get me wrong - there's nothing absolutely terrible about the actors' ability. I was extremely impressed with Darby's portrayal of Mattie Ross. She brought a level of sass to the screen that I'm not sure the Duke (that's John Wayne, for those who don't know) had as much trouble with a female character on-screen since Maureen O'Hara in 1963's McLintock!. However, Darby's character brings a different type of relationship to the screen for Wayne.

Sadly, it's Wayne himself that brings this one down a little bit. Going into the film, I had known that it was the role for which he had won his only Academy Award. Still, I went in with a grain of salt considering that Wayne's range as an actor seemed to be a little limited. After watching True Grit, I can safely say that I think Rooster Cogburn is just another version of the Duke himself; he's just wrapped up in a different costume this time around. John Wayne plays John Wayne; the closest I've ever seen him get away from that was in 1976's The Shootist, which proved to be his final film before his death. It's not that Wayne is bad in True Grit; I just felt that it was more of the same that we've all grown to know. He just looks a little bit different this time.

(On a side note, I think it's worth mentioning that both Oscar-winner Robert Duvall and the late Oscar-nominee Dennis Hopper make appearances in True Grit and probably give the best performances in the film.)

You've still gotta give this movie its due. The cinematography is fantastic as is the norm with John Wayne films; you get the sweeping sense of the country around the characters, and it truly does transport you to a completely different place. Elmer Bernstein's sweeping score also draws you into the film exceptionally well.

To be fair, I only watched this movie at this time because a remake of the film, starring Jeff Bridges, Matt Damon and Josh Brolin, will be released in late December. I have a strict policy of not watching sequels or remakes without seeing the original fare first. I would have watched True Grit regardless, and I'm glad that I did. It's a good, fun movie, although I'm not entirely sold on its stellar accolades. Maybe I'm just of a different generation.


Movie Review Summary:
Grade: B
Thumb... Slightly up