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Showing posts with label Ned Beatty. Show all posts
Showing posts with label Ned Beatty. Show all posts

Friday, March 4, 2011

Movie Review: RANGO

RANGO
2011
PG



Rango is a 2011 animated film directed by Gore Verbinski. It tells the story of an unnamed lizard (voiced by Johnny Depp) who desperately wants to be an accomplished actor. He unfortunately lives in a terrarium with no friends save some plastic toys, and all he wants is to be taken from his loneliness. When his owners' car gets into an accident on the highway, the lizard is thrown out on his own, stuck in the middle of the desert. When an armadillo (voiced by Alfred Molina) tells him to seek out the small town of Dirt, the lizard sets out into the desert, narrowly avoiding his demise on a number of occasions. He meets a female lizard named Beans (voiced by Isla Fisher) who reluctantly agrees to take him to the town. Once there, the lizard has a difficult time fitting in with the townsfolk, so he devises a clever plan to win their approval. Taking the name "Rango," he starts to offer a lot of big talk about his storied past as a gunslinger. When he ineptly defeats a desert hawk, the townspeople rally around him, and the mayor (voiced by Ned Beatty) quickly appoints him the town's new sheriff. Rango learns that the town's water supply is quickly running out, and when the remaining water is stolen from the bank, he and a number of his fellow "Dirtonians" take to the desert to find the culprit and right the fortunes of their downtrodden home.

Rather than go into full-fledged movie nerd mode and drool all over this movie, I'd like to say my overall reaction in a clear and concise way: Rango is one of the best animated films I've ever seen, and it's easily earned its place among one of the best films I've ever had the privilege to view. Now that I've gotten that out, let's start with a little bit about the screenplay. In a sense, we've got your standard ideal for a western. A lone man comes into town and saves the day for the townspeople. Sounds about right, doesn't it? But there's so much more going on here. The dialogue is pitch-perfect; it's exactly what you'd hear and expect from a western-type flick. On that same token, however, it never really feels stale. The dialogue is fresh, and considering we have a very eccentric character as our lead, we get a very animated and lively execution. Every character is so well-written, and nearly every stereotypical western character is included.

There's not much I can say about the voice acting other than it's absolutely astounding. Depp is phenomenal as our lead, providing essentially two different characters: this unnamed, wannabe thespian desperate for attention and "human" interaction, and Rango, a gunslinger who talks the talk and walks the walk. The ease with which he transitions between the two different personas is also astounding. I could go on and on about all of the fantastic voice performances (and all of the actors I've already mentioned definitely fall into that category), but I'll just list a couple other characters and names who also deserve some commendation: a mouse named Priscilla (Abigail Breslin); Rattlesnake Jake (Bill Nighy); a gila monster named Bad Bill (Ray Winstone); and the Spirit of the West (Timothy Olyphant). In case you can't tell, we've got an all-star cast that totally delivers.

I'd also like to take a minute to talk about the music in the film, which is also pitch-perfect. Hans Zimmer provided the orchestral score, and it fits seamlessly with the sweeping scores of westerns past. However, a special commendation must be made for Los Lobos, who provide a number of original pieces for the film. They're fantastic songs that channel some older western themes.

Roger Ebert wrote in his four-star review that he thought that Rango would appeal to viewers who are well-versed in film. After watching the movie, I wholeheartedly agree. Despite being an animated film, I think that Rango serves more as a film for adults than children. Yeah, there's a lot in the film for kids to enjoy - slapstick moments and a fart joke, I believe - but there's so many references to past westerns that I think adults should be more of the target audience. A lot of the references are small (in the look of certain characters and such), but here's a list of the ones I caught right away (and not all are westerns, don't worry!): Apocalypse Now; Blazing Saddles; Fear and Loathing in Las Vegas; The Good, the Bad and the Ugly; High Noon; Stagecoach; and True Grit. I'm sure there's a lot more than just that, but I'm not perfect, alright?

Seriously, I want to just tell you to drop everything you do and go watch this movie right now. However, if you're not as well-versed with film as I am, I don't know whether you'll appreciate it as much as I did. Then again, maybe you'll find other reasons to love it. Like I said: there's a brilliant storyline and a brilliant list of actors lending their voice talents to the film. And the animation is rather stellar, to be honest. There's so much to love about Rango; I just hope you love it as much as I did.

Movie Review Summary:
Grade: A
Current All-Time Rank: Best - #45
2 Thumbs Up

Thursday, October 14, 2010

Movie Review: SUPERMAN

SUPERMAN
1978
PG


You can watch the trailer here

I realize that this is one of those movies that I probably should have seen ages ago, and in retrospect, I think I've seen bits and pieces over the years. However, I had not seen the entire film, so it was probably a good thing I put it onto my NetFlix queue. As usual, I have a few things I would like to say about the movie. The film was directed by Richard Donner.

Let's start with the story. By now (meaning 2010), everyone and their mother knows the basic story of Superman: he was born on the planet Krypton and sent to Earth by his parents as his home planet exploded. Once on Earth, he was taken in by a small-town farming couple who raised him into a young man. Upon the death of his surrogate father, he made his way north to the Arctic where he witnessed the construction of the Fortress of Solitude, where he would learn many of the secrets of his heritage. Upon reaching full adulthood, he entered the real world as Clark Kent, aspiring journalist. Taking up a job at the Daily Planet in Metropolis, Kent continued life, balancing his day job with his alter-ego, Superman.

You can fill in the pieces where need be, but that's the basic gist of it. In this particular film, Superman takes on Lex Luthor (played well by Gene Hackman, who's given much too little screentime), who's planning to sink the western coast of California. I don't have any major qualms with the screenplay, but I don't think it was spectacular by any means. The first hour of the film, which shows the demise of Krypton and Kent's beginnings on Earth, prove to be the film's most intriguing pieces. Once "Superman" actually appears, everything loses a little bit of luster. Don't get me wrong, it's still entirely entertaining, but it goes from a movie with a hefty amount of drama to a somewhat goofy action flick. This would be totally fine if things didn't seem to go perfectly for Superman. Everything seemed a little too gift-wrapped as it happened; I would've liked to see a little bit more negativity thrown his way.

The acting is fine all-around. As I previously said, Hackman did a very good job as the evil genius plotting against the world, but his screentime left something to be desired. Maybe I'm just a little used to the 21st-century influence on superhero flicks where the bad guy spends a lot of time as the center of attention. The late Christopher Reeve is good as Superman/Clark Kent, and Ned Beatty provides a couple of laughs. If anybody's gonna take the acting cake this time around, it's Marlon Brando as the ill-fated Jor-El. His small role in the beginning of the film lays the groundwork for Superman's upbringing, and his presence on the screen is unmatched by anyone else in the movie. He is the godfather, after all.

The movie does have a couple things going for it. The special effects, although cheesy by 21st-century standards, were probably state of the art back in 1978. Aside from the obvious green-screen (well, probably blue-screen back then) effects with the flying, the rest of the effects are actually pretty well-done. However, the one major selling point for Superman is definitely the musical score. John Williams, who in the three years prior to this film had scored both Jaws and the original Star Wars film, continued his role of classic scores this time around. It may not be as memorable as the other two films I just mentioned, but it fits the Superman saga perfectly.

Although I have my grievances with the screenplay, Superman still set the standard for the superhero genre. It's only been in recent years that that bar has begun to be re-set, but this one should always be able to stand the test of time.

Movie Review Summary:
Grade: B+
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