Today we're celebrating the 55th birthday of actor John Turturro. Turturro made his first appearance in a feature film in an uncredited role in 1980's Raging Bull, but it wasn't until the 1984 film The Flamingo Kid that he played a credited and named character. He worked consistently through the 1980s, appearing in such iconic films as Hannah and Her Sisters (1986) and Do the Right Thing (1989), but it wasn't until the early 1990s that he truly started to gain recognition. Turturro starred in two Coen brothers films - 1990's Miller's Crossing and 1991's Barton Fink - and these collaborations started a great relationship between the actor and the directing brothers, who have re-cast him in some of their other films, including 1998's The Big Lebowski and 2000's O Brother, Where Art Thou? Since then, Turturro has made appearances in films like 2003's Anger Management opposite Adam Sandler and 2004's Secret Window opposite Johnny Depp, as well as having a recurring supporting role in the Transformers trilogy. Most recently, audiences have seen him in 2011's Transformers: Dark of the Moon, and they'll next be able to see him in 2012's Gods Behaving Badly. And so, to celebrate his birthday, I've listed my five favorite of John Turturro's performances. I hope you enjoy the list! Once again, happy birthday, John Turturro!
Showing posts with label John Turturro. Show all posts
Showing posts with label John Turturro. Show all posts
Tuesday, February 28, 2012
Happy Birthday, John Turturro!
Today we're celebrating the 55th birthday of actor John Turturro. Turturro made his first appearance in a feature film in an uncredited role in 1980's Raging Bull, but it wasn't until the 1984 film The Flamingo Kid that he played a credited and named character. He worked consistently through the 1980s, appearing in such iconic films as Hannah and Her Sisters (1986) and Do the Right Thing (1989), but it wasn't until the early 1990s that he truly started to gain recognition. Turturro starred in two Coen brothers films - 1990's Miller's Crossing and 1991's Barton Fink - and these collaborations started a great relationship between the actor and the directing brothers, who have re-cast him in some of their other films, including 1998's The Big Lebowski and 2000's O Brother, Where Art Thou? Since then, Turturro has made appearances in films like 2003's Anger Management opposite Adam Sandler and 2004's Secret Window opposite Johnny Depp, as well as having a recurring supporting role in the Transformers trilogy. Most recently, audiences have seen him in 2011's Transformers: Dark of the Moon, and they'll next be able to see him in 2012's Gods Behaving Badly. And so, to celebrate his birthday, I've listed my five favorite of John Turturro's performances. I hope you enjoy the list! Once again, happy birthday, John Turturro!Wednesday, June 29, 2011
Movie Review: TRANSFORMERS: DARK OF THE MOON
TRANSFORMERS: DARK OF THE MOON
2011
PG-13
2011
PG-13
Transformers: Dark of the Moon is a 2011 action film directed by Michael Bay that serves as the third and final installment in his Transformers trilogy. The film starts with a flashback to the 1960s, where a spacecraft has crash-landed on the moon, spurring the space race of the 1960s. The movie posits that the Apollo 11 lunar landing was actually a mission to recover information about the crash itself. Fast forward to present day, and we have the Autobots, led by Optimus Prime (voiced by Peter Cullen) working with the United States. The franchise's main hero, Sam Witwicky (Shia LaBeouf) has graduated college and is now desperately trying to live his life to the standards he set for himself after achieving the status of "hero." He lives with his new girlfriend Carly (Rosie Huntington-Whiteley) and struggles with their relationship as well. One day after finding a job at a high-end company, a Decepticon attacks and tries to kill Sam, forcing him to seek refuge with his Autobot friends. The team then learns of the government cover-up from the lunar landing, sending Optimus into a fit of rage for having not been told the information earlier. He awakens Sentinel Prime (voiced by Leonard Nimoy), who was piloting the spacecraft that crashed on the moon, to try to collect devices called "Pillars" that will supposedly help defeat the Decepticons once and for all. As time continues to pass, however, a number of allegiances fall into question, and a full-on, climactic battle for the planet ultimately ensues.
You know, when I was watching this film last night at a midnight showing, I couldn't quite put my finger on what wasn't completely right with it. After writing that synopsis, however, I think I've hit the nail on the head. There's definitely some issues with screenplay with this most recent of Transformers films. It's not that the story they're telling isn't compelling; rather, I think that the filmmakers tried to intertwine one too many stories within the context of the film. Even at over two-and-a-half hours long, the plot seemed very, very crowded, and it gave me the sense that Bay wanted to throw as much into the film as he possibly could, considering this is supposed to be his last Transformers flick. When you take the screenplay all the way down to the actual story, then we're actually given something rather compelling, with a number of twists and turns to keep us guessing. But because there's so much excess weight bogging everything else down, it all just seems a tad convoluted.
While I'm on the subject of over-use of a certain facet of a film, I'd like to talk about the number of big-name actors that appear in this third Transformers movie. As is expected, we see the return of LaBeouf who actually performs better than I expected. In my breakdown of this film's trailer, I pondered whether LaBeouf's performance would exceed what he had done in the past, and while he's not blowing anyone away, you can definitely see that a level of maturation has occurred. The introduction of Miss Huntington-Whiteley is actually a very good one, and I'd dare to say she's a step up (acting-wise) from Megan Fox. We could all debate about the sex appeal of the two women, but when it comes to straight-up acting, I think I'd take Rosie any day. We do have a couple of our cast regulars, with the likes of Josh Duhamel, Tyrese Gibson and John Turturro returning; however, because of the flood of other big-name stars, I felt like their roles were pushed a little towards the background. When you've got the likes of Patrick Dempsey, Frances McDormand, John Malkovich, Ken Jeong and Alan Tudyk making appearances this time around, it'd be tough for any actor to try to push their way into the spotlight. I did think that the cast was a little over-crowded in that no one really had the chance to excel to the best of their ability. Still, it was nice to have an extra splash of flavor now and again.
As usual, some of the intangibles are rather stellar. The visual effects continue to blow me away even if they are a little too fast-moving at some parts. The action sequences in these films move so quickly that it's hard to get any real bearings on how spectacular the visuals are. Also, the musical score by Steve Jablonsky continues to impress me - he knows how to craft an excellent, action-oriented score.
Overall, I actually thought that Dark of the Moon was the best Transformers film to date. Sadly, with how unfavorably I reviewed the past two films, that's not really giving this one much credit. Still, despite it's obvious flaws, there's still plenty of entertainment to be had with this one. Just go in expecting your typical Michael Bay picture, and I'm sure you're going to have an enjoyable time.
You know, when I was watching this film last night at a midnight showing, I couldn't quite put my finger on what wasn't completely right with it. After writing that synopsis, however, I think I've hit the nail on the head. There's definitely some issues with screenplay with this most recent of Transformers films. It's not that the story they're telling isn't compelling; rather, I think that the filmmakers tried to intertwine one too many stories within the context of the film. Even at over two-and-a-half hours long, the plot seemed very, very crowded, and it gave me the sense that Bay wanted to throw as much into the film as he possibly could, considering this is supposed to be his last Transformers flick. When you take the screenplay all the way down to the actual story, then we're actually given something rather compelling, with a number of twists and turns to keep us guessing. But because there's so much excess weight bogging everything else down, it all just seems a tad convoluted.
While I'm on the subject of over-use of a certain facet of a film, I'd like to talk about the number of big-name actors that appear in this third Transformers movie. As is expected, we see the return of LaBeouf who actually performs better than I expected. In my breakdown of this film's trailer, I pondered whether LaBeouf's performance would exceed what he had done in the past, and while he's not blowing anyone away, you can definitely see that a level of maturation has occurred. The introduction of Miss Huntington-Whiteley is actually a very good one, and I'd dare to say she's a step up (acting-wise) from Megan Fox. We could all debate about the sex appeal of the two women, but when it comes to straight-up acting, I think I'd take Rosie any day. We do have a couple of our cast regulars, with the likes of Josh Duhamel, Tyrese Gibson and John Turturro returning; however, because of the flood of other big-name stars, I felt like their roles were pushed a little towards the background. When you've got the likes of Patrick Dempsey, Frances McDormand, John Malkovich, Ken Jeong and Alan Tudyk making appearances this time around, it'd be tough for any actor to try to push their way into the spotlight. I did think that the cast was a little over-crowded in that no one really had the chance to excel to the best of their ability. Still, it was nice to have an extra splash of flavor now and again.
As usual, some of the intangibles are rather stellar. The visual effects continue to blow me away even if they are a little too fast-moving at some parts. The action sequences in these films move so quickly that it's hard to get any real bearings on how spectacular the visuals are. Also, the musical score by Steve Jablonsky continues to impress me - he knows how to craft an excellent, action-oriented score.
Overall, I actually thought that Dark of the Moon was the best Transformers film to date. Sadly, with how unfavorably I reviewed the past two films, that's not really giving this one much credit. Still, despite it's obvious flaws, there's still plenty of entertainment to be had with this one. Just go in expecting your typical Michael Bay picture, and I'm sure you're going to have an enjoyable time.
Movie Review Summary:Grade: C+
1 Thumb Up
1 Thumb Up
Monday, June 27, 2011
Movie Review: CARS 2
CARS 2
2011
G
G
Cars 2 is a 2011 animated film directed by John Lasseter and Brad Lewis that serves as a direct sequel to the 2006 film, Cars. The film picks up the storyline seemingly a little while after the events of the first film, with Lightning McQueen (voiced by Owen Wilson) now the winner of four Piston Cup Championships. When Sir Miles Axlerod (voiced by Eddie Izzard), the maker of a new alternative fuel, announces the formation of a World Grand Prix, McQueen's best friend Mater (voiced by Larry the Cable Guy) inadvertently gets McQueen to agree to join the race, the two embark on a trip around the world as they try to win the title. However, while they're in Japan for the first leg of the race, Mater finds a way to get caught up in a conspiracy looking to take down Axlerod and his line of alternative fuel. Mater teams with a couple of British spies, Fin McMissile (voiced by Michael Caine) and Holly Shiftwell (voiced by Emily Mortimer), both of whom mistake him for a trained American spy. As they trio tries to solve the mystery of who wants to take down Axlerod's empire, it becomes eerily apparent that the evildoers' plot intertwines with the World Grand Prix itself.
I do have to say that I was having some reservations going into this film. Of the eleven Pixar feature films released prior to Cars 2, all have managed to score at least a 74% approval rating on the online critical aggregate RottenTomatoes.com (Note: The 2006 film Cars scored the 74% approval rating - the other ten films have all achieved higher than a 91% approval rating.). Because the first Cars film was the least well-received, I probably shouldn't have expected critics to be terribly kind to this new installment. The fact that it plummeted to a 33% approval rating definite gave me a moment's pause simply because of the monumental drop. It marks the first time that any Pixar film hasn't been positively received by critical consensus. So you can imagine my hesitation, especially considering that my tastes often tend to stay in line with what the "professional" critics think. I did enjoy the first Cars film - I gave it a 'B+' grade, and it nabbed three nominations in my "Best of 2006" awards, so I did have a little bit of hope for this one.
And I can honestly say that I enjoyed this second installment almost as much. While the coming-of-age tale presented in the 2006 film would have been difficult to pass, I personally thought that Cars 2 came rather close to meeting those expectations. I think one of the knocks against the Cars story has always been that it lacked a little bit of the magic that other Pixar films have brought to the screen. However, when you have to compete with toys coming to life and anthropomorphic animals, it's tough to find a niche. At the end of the day, the Cars franchise will still be remembered as head-and-shoulders above the majority of animated films that hit theaters. Unfortunately, we almost automatically start to compare any Pixar film to the other films they've produced, and that's where the negativity is going to stem for Cars 2.
We actually get a decent, multi-faceted storyline this time around. On the one hand, we have the story of the World Grand Prix, with Lightning McQueen doing his best to beat out his newest rival in Francesco Bernoulli (voiced by John Turturro) for the world's top spot. However, the race - as well as McQueen himself - truly takes a back seat to the drama unfolding behind the scenes, so to speak. This film is definitely more Mater-centric than anything else, taking us on his adventure rather than sticking with the humdrum existence of an established race-car because we already got to see the ins and outs of that in the first film. Add to the fact that Mater's storyline has a very James Bond feel to it, and you've got the makings of an action-packed flick that's sure to be a crowd pleaser.
Now, because the film is more centered around Mater's story, you really do have to kind of like Larry the Cable Guy's brand of humor. I know he might be a little polarizing for some, but in the constructs of this movie and his character, I think it works exceptionally well. As the funniest character in the film, he needs to be consistent, and that's exactly what Larry conveys throughout the movie. The film actually benefits from the bringing in of some new voice talent, especially in the inclusion of Caine and Mortimer, who complement one another quite well throughout the film. Also be on the listen for the likes of Brent Musburger, Thomas Kretschmann, Jason Isaacs and Bruce Campbell in smaller roles.
Oh, and the visuals are simply astounding. I know that Pixar has truly outdone themselves in the past, but this film is equally brilliant. I could go on and on about the action sequences, but I personally thought the races were simply astounding. At times, I felt like I was watching real-life races because the cars' movements were so realistic. I had to give Pixar massive amounts of kudos for always upping the ante a little bit when it comes to their animation. They also found a way to bring out the life of each of the film's main settings (Japan, Italy and England). We definitely get a strong sense that we're actually there, whether it be the off-beat Japanese humor we Americans have taken a liking to or the grand family-oriented parties in Italy. Good job, Pixar, on bringing all that to life in Cars 2.
Overall, I thought that Cars 2 was a rather good continuation of the story set forth in the first film. I think if you're going to see it, you should try to view it for what it is, rather than compare it to the classic films of Pixar past. If you look at it through those tinted glasses, then you're going to have a tough time enjoying this particular movie. It's definitely a good one, and it definitely deserves your attention.
I do have to say that I was having some reservations going into this film. Of the eleven Pixar feature films released prior to Cars 2, all have managed to score at least a 74% approval rating on the online critical aggregate RottenTomatoes.com (Note: The 2006 film Cars scored the 74% approval rating - the other ten films have all achieved higher than a 91% approval rating.). Because the first Cars film was the least well-received, I probably shouldn't have expected critics to be terribly kind to this new installment. The fact that it plummeted to a 33% approval rating definite gave me a moment's pause simply because of the monumental drop. It marks the first time that any Pixar film hasn't been positively received by critical consensus. So you can imagine my hesitation, especially considering that my tastes often tend to stay in line with what the "professional" critics think. I did enjoy the first Cars film - I gave it a 'B+' grade, and it nabbed three nominations in my "Best of 2006" awards, so I did have a little bit of hope for this one.
And I can honestly say that I enjoyed this second installment almost as much. While the coming-of-age tale presented in the 2006 film would have been difficult to pass, I personally thought that Cars 2 came rather close to meeting those expectations. I think one of the knocks against the Cars story has always been that it lacked a little bit of the magic that other Pixar films have brought to the screen. However, when you have to compete with toys coming to life and anthropomorphic animals, it's tough to find a niche. At the end of the day, the Cars franchise will still be remembered as head-and-shoulders above the majority of animated films that hit theaters. Unfortunately, we almost automatically start to compare any Pixar film to the other films they've produced, and that's where the negativity is going to stem for Cars 2.
We actually get a decent, multi-faceted storyline this time around. On the one hand, we have the story of the World Grand Prix, with Lightning McQueen doing his best to beat out his newest rival in Francesco Bernoulli (voiced by John Turturro) for the world's top spot. However, the race - as well as McQueen himself - truly takes a back seat to the drama unfolding behind the scenes, so to speak. This film is definitely more Mater-centric than anything else, taking us on his adventure rather than sticking with the humdrum existence of an established race-car because we already got to see the ins and outs of that in the first film. Add to the fact that Mater's storyline has a very James Bond feel to it, and you've got the makings of an action-packed flick that's sure to be a crowd pleaser.
Now, because the film is more centered around Mater's story, you really do have to kind of like Larry the Cable Guy's brand of humor. I know he might be a little polarizing for some, but in the constructs of this movie and his character, I think it works exceptionally well. As the funniest character in the film, he needs to be consistent, and that's exactly what Larry conveys throughout the movie. The film actually benefits from the bringing in of some new voice talent, especially in the inclusion of Caine and Mortimer, who complement one another quite well throughout the film. Also be on the listen for the likes of Brent Musburger, Thomas Kretschmann, Jason Isaacs and Bruce Campbell in smaller roles.
Oh, and the visuals are simply astounding. I know that Pixar has truly outdone themselves in the past, but this film is equally brilliant. I could go on and on about the action sequences, but I personally thought the races were simply astounding. At times, I felt like I was watching real-life races because the cars' movements were so realistic. I had to give Pixar massive amounts of kudos for always upping the ante a little bit when it comes to their animation. They also found a way to bring out the life of each of the film's main settings (Japan, Italy and England). We definitely get a strong sense that we're actually there, whether it be the off-beat Japanese humor we Americans have taken a liking to or the grand family-oriented parties in Italy. Good job, Pixar, on bringing all that to life in Cars 2.
Overall, I thought that Cars 2 was a rather good continuation of the story set forth in the first film. I think if you're going to see it, you should try to view it for what it is, rather than compare it to the classic films of Pixar past. If you look at it through those tinted glasses, then you're going to have a tough time enjoying this particular movie. It's definitely a good one, and it definitely deserves your attention.
Grade: B
1.5 Thumbs Up
1.5 Thumbs Up
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Thursday, August 19, 2010
Movie Review: DO THE RIGHT THING
DO THE RIGHT THING
1989
TRAILER
Rating: R (for adult content, adult language and violence)
Directed by: Spike Lee
Starring: Spike Lee, Danny Aiello, Ossie Davis, Ruby Dee, Giancarlo Esposito, John Turturro, Bill Nunn, Samuel L. Jackson
Analysis: Like most of his work, Spike Lee's 1989 joint focuses heavily on race relations in New York. In Do the Right Thing, we see Lee himself in a starring role as a young, black man working for an Italian-American pizzeria in his own neighborhood. On one particularly hot day, tempers begin to flare (flaring tempers in the heat? shocking), ultimately culminating in a dramatic, rage-filled finale that only Spike Lee could effectively create.
Watching Lee's films is always a little bit of a stretch for me. The list of his work that I've seen is short (25th Hour, Inside Man, Miracle at St. Anna, and now Do the Right Thing), and from those, I've only truly loved Inside Man, probably because it didn't really rely on race. I didn't outright hate any of his films, but because I'm a young, white man, I'm definitely not the audience Lee is looking for. The films are solid and well-made, but I personally just can't relate to the message he's trying to send.
In the case of Do the Right Thing, I don't really have anything bad to say. The script is tight and well-written, and it worked well enough to keep me engaged throughout the movie. The acting is also solid, with special mentions for Esposito, Turturro and Jackson, who make the most of their limited screen time. I also like the choice of music, especially the use of Public Enemy's "Fight the Power," which almost served as a theme or an anthem for the film. It's almost constantly playing throughout, and it was stuck so deep into my consciousness that I felt like I could still hear it even when it wasn't actually there.
Just because I couldn't find a way to relate to Do the Right Thing doesn't take away from it's quality: it's definitely a film worth watching, especially if you're interested in seeing one of Spike Lee's earlier attempts at showing race relations. It was critically acclaimed and Oscar-nominated, so that should add some credence to its overall quality.
1989
TRAILER
Rating: R (for adult content, adult language and violence)
Directed by: Spike Lee
Starring: Spike Lee, Danny Aiello, Ossie Davis, Ruby Dee, Giancarlo Esposito, John Turturro, Bill Nunn, Samuel L. Jackson
Analysis: Like most of his work, Spike Lee's 1989 joint focuses heavily on race relations in New York. In Do the Right Thing, we see Lee himself in a starring role as a young, black man working for an Italian-American pizzeria in his own neighborhood. On one particularly hot day, tempers begin to flare (flaring tempers in the heat? shocking), ultimately culminating in a dramatic, rage-filled finale that only Spike Lee could effectively create.
Watching Lee's films is always a little bit of a stretch for me. The list of his work that I've seen is short (25th Hour, Inside Man, Miracle at St. Anna, and now Do the Right Thing), and from those, I've only truly loved Inside Man, probably because it didn't really rely on race. I didn't outright hate any of his films, but because I'm a young, white man, I'm definitely not the audience Lee is looking for. The films are solid and well-made, but I personally just can't relate to the message he's trying to send.
In the case of Do the Right Thing, I don't really have anything bad to say. The script is tight and well-written, and it worked well enough to keep me engaged throughout the movie. The acting is also solid, with special mentions for Esposito, Turturro and Jackson, who make the most of their limited screen time. I also like the choice of music, especially the use of Public Enemy's "Fight the Power," which almost served as a theme or an anthem for the film. It's almost constantly playing throughout, and it was stuck so deep into my consciousness that I felt like I could still hear it even when it wasn't actually there.
Just because I couldn't find a way to relate to Do the Right Thing doesn't take away from it's quality: it's definitely a film worth watching, especially if you're interested in seeing one of Spike Lee's earlier attempts at showing race relations. It was critically acclaimed and Oscar-nominated, so that should add some credence to its overall quality.
Movie Review Summary:
Score: 7.5/10
Grade: B
Should You Watch It? If you want a good look at race relations
Score: 7.5/10
Grade: B
Should You Watch It? If you want a good look at race relations
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